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13 Resources StudioLive™ Series III
13.2 Stereo Microphone Placement Owner’s Manual
13.2 Stereo Microphone Placement
立体声传声器的摆放
The following are a few recording applications to help you get started with your
StudioLive. These are by no means the only ways to record these instruments.
Microphone selection and placement is an art. For more information, visit your
library or local bookstore, as there are many books and magazines about recording
techniques. The Internet is also a great source of recording information, as are
instructional videos. Some of these microphone-placement suggestions can be used
in live applications, as well as for studio recording.
以下是一些录音应用程序，可以帮助你开始使用
StudioLive
。这绝不是录制这些
乐器的唯一方法。麦克风的选择和摆放是一门艺术。要想了解更多的信息，请
到图书馆或当地书店，那里有很多关于录音技术的书籍和杂志。互联网也是录
音信息的一个重要资源，教学视频也是如此。其中一些麦克风位置的建议，可
以用于现场应用，也可以用于录音室录音。
13.2.1 Grand Piano
大钢琴
Place one microphone above the high strings
and one microphone above the low strings.
Experiment with distance (the farther back the
more room you will capture). This technique
can be used for live and studio applications.
将一个麦克风放在高弦的上方，另一个放
在低弦的上方。测试一下距离（越往后，
将捕获到更多的空间）。这种技术可以用
于现场和录音室的应用。
13.2.2 Electric Guitar
电吉他
Place a dynamic microphone an inch or two away from
the speaker of the guitar amplifier. Experiment with
exact location. If you are recording an amp with
multiple speakers, experiment with each one to see if
one sounds better than the others. Place a condenser
microphone approximately six feet away, pointed at
the amp. Experiment with distance. Also experiment
with inverting the phase of the room microphone to
check for phase cancellation and reinforcement. (Select
the “fuller”-sounding position.) To use this technique in
a live application, omit the condenser microphone.
将动圈麦克风放在离吉他放大器扬声器一两英寸
的地方。测试准确的位置。如果录制一个有多个
扬声器的放大器，可以在每个扬声器上，进行实
验，看看是否有一个扬声器比其他的更好听。将
电容式麦克风放在大约六英尺外，对准放大器。实验一下距离。还可以试试颠倒室内麦克风的相位，
以检查相位取消和加强的情况。
(
要在现场使用这种技术，可以省略电容麦克风）。