Ploytec Pi Lambda squared 2 PL2 Скачать руководство пользователя страница 3

4     Introduction 

      

         (PL2) Synthesizer - English Manual

Overview of Technology     5

         (PL2) Synthesizer - English Manual

Introduction 

 

 

 

 

We are pleased that you have chosen a Ploytec 

   (

Pi Lambda squared 2

 or simply PL2) synthesizer system for your musical 

endeavors and would like to congratulate you on your decision. We’re convinced this innovative development will prove ex-
tremely useful to you in the coming years and, above all, provide you with a great deal of entertainment. 

We hope you find this manual both informative and entertaining to read, and hope you find lots of pleasure in the Ploytec PL2 
synthesizer system.
… Your Ploytec-Team! 

The PL2 can generally be powered from the MIDI port without the need for a power adapter. You should ensure, 
however, that the external MIDI device connected to this port can provide the required current. If this isn’t the case 
you can use a common 5 Volt DC (100mA min.) USB power adapter (e.g. as commonly used for mobile phones) 
and connect to the PL2 USB mini port. Of course a standard PC or HUB USB port can provide the needed power 
as well.

Power supply adapter and USB cables are not part of the scope of delivery. 

Important Notes about Power Supply

Overview of Technology

Despite its small housing the PL2 is a complete duophonic mono synthesizer. The PL2 generates an enormous variety of sounds 
with the help of two square wave (pulse) oscillators which can be interconnected in variable and innovative ways - these are 
fun to experiment with. Not only the classic waveforms such as saw-, sine- or pulse-waves will be simulated, rather newly and 
interesting sounds - from warm to destructive - are also generated.

The PL2 receives its data always via MIDI channel 1 and all setting parameters can be edited by MIDI controller commandos. Up 
to 32 of your own self-programmed sounds can be stored in the user memory area. In addition, further 32 factory sounds are 
located within a fixed memory area which provides ideal starting material to experiment with.

Generally the PL2 follows the principle of subtractive synthesis in which the waveform (generated by the oscillators) first runs 
through a wide range adjustable digital filter stage (low- high- and band-pass) to edit the frequency spectrum and/or amplify 
the resonance area if desired. After the digital filter an additional analog low-pass filter follows which particularly ensures the 
necessary warmth especially for destructive- and digital-like sounds.
Wait, there’s more: a dedicated analog saturation stage at the output provides dynamic compression and therefore a respect-
able bass punch is created.  
Of course the PL2 includes several additional options in terms of sound and playing manipulation like LFO modulation, PWM, 
ADSR envelope and various play modes. Another interesting detail: LFO- and envelope-speed synchronise automatically to an 
external applied MIDI clock - whereby the PL2 perfectly adjust to your song tempo.  
Thanks to the memory flash technology: future PL2 synthesizer extensions or new features can be integrated by updating the 
firmware via MIDI system exclusive (SysEx) transmission.  

  

4

5

Содержание Pi Lambda squared 2 PL2

Страница 1: ...User Manual PI L SQUARED MIDI powered duophonic Synth square wave synthesis digital analog filter Ploytec GmbH PL2 Synthesizer English Manual Version 1 0 last revised September 2013 ...

Страница 2: ...d in any form or for any purpose without the expressed written permission of the copyright holders Prod uct and brand names contained in this document are used for identification purposes only All registered trademarks product designations or brand names used in this document are the registered property of their respective owners Ploytec GmbH 2013 All rights reserved 29 08 2013 Contents Please onl...

Страница 3: ...e are fun to experiment with Not only the classic waveforms such as saw sine or pulse waves will be simulated rather newly and interesting sounds from warm to destructive are also generated The PL2 receives its data always via MIDI channel 1 and all setting parameters can be edited by MIDI controller commandos Up to 32 of your own self programmed sounds can be stored in the user memory area In add...

Страница 4: ...1 31 BP Refer to bitpattern table 8 9 5 10 6 11 7 PWM2 PWM1 ADSR Release OSC Volume Filter Resonance Digital on off Filter Cutoff Analog Filter Cutoff Digital 31 BP 31 BP 31 BP 31 BP 31 BP 31 BP 31 BP Modulation Amount Mono on Dual on Dual Detune Dual Octave Note Priority 126 127 26 27 89 Playmode MIDI Input PWM 2 23 PWM 1 25 Waveform 24 PWM 1 2 10 Decay Attack Sustain Release 19 17 21 16 A D S R ...

Страница 5: ...rol the digital filter cut off Note controller 89 switches Note Priority also Breath Control 2 0 127 Like for Aftertouch breath control controls the filter cut off Note that Breath Control and Aftertouch will overwrite each other Sustain Hold 64 On 64 127 Off 0 63 Hold function If On is selected note off commands are no longer processed A played note holds a fixed level which is set by controller ...

Страница 6: ...he ADSR envelope generator ADSR Release 16 or 72 0 127 Release time of the ADSR envelope generator Oscillators Instruction Status Byte Daten Byte Meaning PWM 1 25 or 76 0 127 Pulse width modulation 1 will be overwritten by PWM 1 2 PWM 2 23 or 95 0 127 Pulse width modulation 2 will be overwritten by PWM 1 2 PWM 1 2 10 0 127 Pulsweitenmodulation 1 2 regelt absolut und nicht relativ OSC Volume Pre Fi...

Страница 7: ... limit again Thereby experimental sounding tones can be generated here once more Filter Type 28 or 79 LP 0 63 BP 64 95 HP 96 127 LP low pass filter BP band pass filter HP high pass filter Filter Cutoff Analog 14 or 70 0 127 After the digital filter and DA conversion an additional analog low pass filter follows Adjusts the analog filter cut off frequency here Note this parameter isn t useful for dy...

Страница 8: ... 60 P P P P 61 P P P P P 62 P P P P P 63 P P P P P P Daten Byte ADSR Release OSC Volume Filter Reson Digital Filter Cutoff Analog Filter Cutoff Digital PWM 2 PWM 1 64 P 65 P P 66 P P 67 P P P 68 P P 69 P P P 70 P P P 71 P P P P 72 P P 73 P P P 74 P P P 75 P P P P 76 P P P 77 P P P P 78 P P P P 79 P P P P P 80 P P 81 P P P 82 P P P 83 P P P P 84 P P P 85 P P P P 86 P P P P 87 P P P P P 88 P P P 89 ...

Страница 9: ...nium 22 Neon Light 23 Herr Schneider 24 Numb Progr Name 25 Geiger 26 Metropolis 27 Vettel 28 Analog Pad 29 Lukas 30 Transformator 31 Smacker 32 Electric Moskito Factory Sounds Instruction Status Byte Data Byte Meaning Out Volume 7 0 127 The output includes an analog volume control which is linked com monly with the following saturation stage The output signal therefore gets rising compression by r...

Страница 10: ...fset Pre Filter 1 85 x o PWM Modulation LFO 1 86 x o Pitch Modulation LFO 1 87 x o Filter Modulation LFO 1 88 x o Amp Modulation LFO 1 89 x o Note Priority and Aftertouch 7 120 x o All Sound Off 1 123 x o All Notes Off 1 PL2 PI L SQUARED duophonic square wave synth Date 06 09 2013 PL2 MIDI Implementation Chart Function Transmitted Recognized Remarks Basic Default x 1 Channel Changed x x Default x ...

Страница 11: ...d in controller 31 82 3 Overwrites Aftertouch information and vice versa 4 Overwrites PWM 1 controller 25 76 and PWM 2 controller 23 95 5 Effective only for waveform 2 4 controller 24 75 6 Defines modulation wheel routings according to bitpattern table 7 Controller 89 sets both Aftertouch bit 5 and Note Priority bit6 8 0 31 program 1 32 is fixed factory set 32 63 program 33 64 is user set 9 Used f...

Отзывы: