CHAPTER 3. GETTING STARTED
13
keep the tone consistent as you play in different registers of
your instrument.
9. Explore the range of the GLIDE knob. Adjusting the GLIDE
knob will change the amount of time it takes for the filter to
sweep from frequency to another.
10. Explore the range of the PEAK knob.
Adjusting the PEAK
knob will change the amount of resonance of the filter, based
on where the filter cutoff frequency is, different harmonics of
your instrument signal will be emphasized.
Note: Be careful when turning the PEAK knob fully clock-
wise as this will cause the Resotron to oscillate at a loud volume
without VCA gating.
11. Toggle the FILTER MODE between the different the three types
of filters to see how the effect changes.
12. Push the OSCILLATE button inward to put the Resotron in
synth mode. Start with the FILTER MODE toggle in the LPF
mode and the CUTOFF CONTROL toggle in the PITCH mode.
13. Play the highest string on your instrument and adjust the CUT-
OFF knob so that the pitch of the sine wave voice is in tune with
your instrument signal. Once it is in tune, play your instrument
in all registers.
14. Toggle the FILTER MODE between the different the three types
of filters to see how the effect changes. LPF and BPF mode pro-
duce a clean sine wave with the BPF containing some additional
harmonics, where as the HPF mode produces a voice with high
frequency harmonics seen in a square wave.
