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film. The reciprocity law applies to commonly available black-and-
white and color films at exposure times from approximately 1/10
second to 1/1,000 second. This means that no adjustments are
necessary for exposure or color in this shutter range. Most modern
films however have increased this range to the point that no
adjustments are necessary from approximately 1 second to
1/10,000 second. It should be pointed out that all photographic
emulsions are subject to an effect often called “reciprocity-law
failure.” At exposure times at the edges of the above ranges, you
will begin to see underexposure (loss of effective film speed) at the
normally calculated exposure setting, a change in contrast, a color
shift, or a combination of these effects. The word “failure,” in this
context, does not imply a short coming of the film, flash equipment
or the camera, but merely that the reciprocity law does not hold for
very long or very short exposures times.

We also sometimes refer to these changes in film response to
particular illumination levels as “long-exposure effects” and “short-
exposure effects.”

LONG-EXPOSURE EFFECTS

: Under low-light conditions, you may have to

extend your exposure times to a point of significant speed loss.  With black-
and-white films, the effect of this speed loss is partially offset by wide
exposure latitude.

Most color films require more than the normally

calculated exposure when the lighting is unusually low.  Also, the sensitivity
differences between the many layers of color films can cause a color-
balance shift, which means that you will sometimes need to use color-
compensating filters to achieve an acceptable color balance.

When you must increase the indicated exposure to compensate for long-
exposure effects, use a larger lens opening, if possible.    Extending the
exposure time will result in more speed loss, contrast change, and color
shift.  See the manufacturers data tables for your specific film to determine
what exposure adjustment and filter may be necessary.

SHORT-EXPOSURE EFFECTS:

Extremely short exposures produce

essentially the same effect as long exposures: speed loss.  There is also an
increased scattering of exposed silver halide grains, the formation of
smaller latent-image centers, and a lower rate of development at the latent-
image centers.

The short-exposure effect appears as lower contrast or reduced
density in the negative.  Exposures of 1/10,000 second or shorter can
cause this problem.

Содержание Studio Max III AKC160

Страница 1: ...ant Color StudioMax III Operator s Manual Studio Max III AKC320 Studio Max III AKC320B Studio Max III AKC320R Studio Max Studio Max Studio Max Studio Max Studio Max III AKC320BR III AKC160 III AKC160B...

Страница 2: ...are self contained light units and power supplies They have a professional plug in color corrected flashtube a 100 watt ON OFF modeling light and bare bulb capability both vertically and horizontally...

Страница 3: ...er rating and has a ground 4 Do not insert a screwdriver or other metal objects into the flashtube socket area or vents Contact with high voltage may result 5 Do not operate this appliance with a fray...

Страница 4: ...contacts during operation Do not touch the glass tubes with bare hands as normal body oils will shorten the bulb s life Always use a clean cloth or wear gloves to protect your hand from glass breakag...

Страница 5: ...EL AND BASIC OPERATION Power Input The power required to operate the StudioMax III is 105 to 125 volts AC 50 60 Hz 4 Amp and or for a B battery model an approved DC battery power pack not included The...

Страница 6: ...attery pack turn the Monolight ON before turning the battery pack power ON Flash Power All settings and controls of the StudioMax III are extremely stable and repeatable due to the use of an internal...

Страница 7: ...the trigger cord is properly connected check the synchronization with the camera Adjust the lighting unit to same height as the camera lens and face the lights into the lens The lens aperture should...

Страница 8: ...the side of the transmitter and insert the PC connector into the camera 6 When you want to trigger multiple lights program each light sepa rately to the same radio channel 7 The RTT transmitter can b...

Страница 9: ...ashes Full Continuous 15 Continuous 30 minutes 10 180 1 minutes 4 15 1 4 Continuous 10 Continuous 30 minutes 6 300 3 minutes 4 45 1 32 1 5 Continuous Exposure Information The following charts give the...

Страница 10: ...odeling Light Power 100 Watt 120 VAC ESR Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button Sync Jack Radio R models Main Supply 105 125 VAC 50 60 Hz 3 amp Consumption...

Страница 11: ...200K Modeling Light Power 100 watt 120 VAC ESR Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button SyncJack Radio R models Main Supply 105 125 VAC 50 60 Hz 3 amp Consu...

Страница 12: ...over all power levels Both are necessary to provide the perfect exposure we all strive for The light produced by the new AKC s is consistent constant Every time you set a desired power level you will...

Страница 13: ...der low light conditions you may have to extend your exposure times to a point of significant speed loss With black and white films the effect of this speed loss is partially offset by wide exposure l...

Страница 14: ...FF for four hours to discharge the main capacitors Never place your fingers or any metal objects into the flash or modeling sockets Contact with high voltage may result Limited StudioMax III Warranty...

Страница 15: ...b Bright light falling on photoslave c Poor connection in line cord d Reverse connection on trigger cord connection at camera e Some radio slaves will cause interference Consult slave manufacturer Tri...

Страница 16: ...16 Photogenic Professional Lighting 1268 Humbracht Circle Bartlett Illinois 60103 1631 USA Phone 630 830 2500 Fax 630 830 2525 Manual 116585 Revision 05 11 10...

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