INPUT CHANNEL SECTION
1. BALANCE INPUT (MIC)
Standard XLR balanced input connector. +48V phantom power
is available on each input mic socket.
2. LINE INPUT
Unbalanced mic input connector, designed for unbalanced
high impedance input signal.
3. GAIN CONTROL
Adjust the input signal level.
4. HI EQ
High range EQ control for up to 15dB of boost or cut at 12KHz
and above. Use it to add sizzle to cymbals, add an overall
sense of transparency or edge to keyboard, vocals, and guitar.
5. MID EQ
Mid range EQ control for up to 12 dB of boost or cut centered
at 2.5KHz. Midrange EQ is often thought of as the most
dynamics because the frequencies that define any particular
sound are almost always found in this range. You can create
useful EQ changes by using this knob to adjust sound.
6. LOW EQ
Low range EQ control for up to 15dB boost or cut at 80Hz
and below. This frequency represents the punch in bass drums
and bass guitar.
7. EFX SEND
8. PAN
The pan control sends post fader signal to either the left or
right and G1 or G2 main busses. In the center position, equal
amounts of signal are sent to the left and right or G1 & G2 busses.
9. CHANNEL FADER
Adjust the volume of the sound input from the microphone or
other sources connected to each channel. It works together
with the maser fader. Normal operating position is at the “0” mark,
providing 4dB gain above that point if required.
10. PFL SWITCH
This switch enable users to monitor the channel’s pre-fader signal.
Press “SOLO“ on master panel and press “SOLO” in this section,
then the channel’s pre-fader unprocessed signal will be sent to
PHONES and user can monitor the sound before output.
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