Peavey Robert Randolph Signature 212 Скачать руководство пользователя страница 4

The following section takes a “jump in and get your feet wet” approach.  If this gets confusing, please refer to the 

more detailed sections that follow.

1.) Insure that you have read and understand all safety warnings on the printed safety pages included with the 

unit.  It is imperative that you follow these precautions for the safety of yourself and the amp.

2.) With the amp turned OFF, turn the MASTER control to it’s minimum setting and plug the power cord into 

the proper voltage supply indicated on the rear of the unit, near the IEC INLET.

3.) Plug your instrument into either the high or low gain input jack using a high-quality SHIELDED instrument 

cable.  Active instruments may require use of the low gain input to avoid unwanted input distortion. 

4.) Make sure that your instrument volume is turned down.

5.) Turn the POWER switch on after you have connected the desired speaker cabinet(s) to either the LEFT 

output jack or both, if you are using a stereo speaker configuration.  Be sure to use speaker cables with at least 

18AWG wire, in all cases.  Make sure that your speaker cabinets can handle the power that will be delivered to 

the marked impedance of the cabinet.

6.) Using front panel controls on the amp, find the type of tone that most closely resembles that which you wish 

to obtain and set the knobs, accordingly.

7.) Gradually increase the level of the volume control of your instrument to your taste.  If the input starts to 

sound overdriven in a bad way, reduce the PRE GAIN setting on the amplifier.

8.) Adjust the overall level by increasing the MASTER GAIN control….watch your ears!

9.) Again, to adjust out any undesirable distortion, start by reducing the PRE GAIN setting.  The switchable 

BOOST function is designed to provide more pleasing preamp distortion, as desired.

10.) Play around with the effects, EQ and spring reverb controls to get a feel for how they function and start jam-

min’.  Most importantly, READ THE REST OF THIS MANUAL.

QUICK START GUIDE

Содержание Robert Randolph Signature 212

Страница 1: ... 5 6 0 10 1 9 2 8 3 7 4 5 6 15 15 12 12 9 9 6 6 3 0 3 15 15 12 12 9 9 6 6 3 0 3 15 15 12 12 9 9 6 6 3 0 3 0 10 1 9 2 8 3 7 4 5 6 0 10 1 9 2 8 3 7 4 5 6 0 10 1 9 2 8 3 7 4 5 6 PRE GAIN BOOST BOOST LOW MID HIGH PRESENCE REVERB MASTER MID SHIFT EQUALIZER 125 250 500 800 1K 1 3K SELECT ADJUST EFX PARAMETER Plate Level Chrs Rate Dly Fdbk Dly Level Chrs Dpth Push to BYPASS Push for TAP TEMPO EFFECTS LOO...

Страница 2: ...h the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there...

Страница 3: ...lung to as a standard for nearly 45 years With pre EQ loop separate mono and stereo post EQ loops smart stereo loop switching an added boost function and a studio quality digital effects section this may be the last amp that you will ever need The included MIDI hand controller clips to any standard microphone stand and can be replaced by any other standard MIDI switching device for maximum flexibi...

Страница 4: ...r cabinet s to either the LEFT output jack or both if you are using a stereo speaker configuration Be sure to use speaker cables with at least 18AWG wire in all cases Make sure that your speaker cabinets can handle the power that will be delivered to the marked impedance of the cabinet 6 Using front panel controls on the amp find the type of tone that most closely resembles that which you wish to ...

Страница 5: ...er the input gain stage of the amplifier At lower settings it provides a subtle thickening of the tone and at higher settings it provides a more lively distortion characteristic all very much like a genuine tube circuit in a conventional guitar amplifier PRE EQ LOOP 5 These mono jacks provide a transparent loop for a volume pedal such as the Budda Vol ume Boost Pedal or any other desirable pre EQ ...

Страница 6: ... are saved after the amp is turned off on and so this essentially acts as a multi effects unit would in a normal loop The ADJUST control alters the parameter that is selected by the SELECT control Pressing the SELECT control bypasses all digital effects and pressing the ADJUST control sets the TAP TEMPO of the digital delay NOTE When both speaker jacks are used the SPRING REVERB DIGITAL EFFECTS SE...

Страница 7: ...connect to the LEFT MONO jack Use BOTH jacks for Stereo operation only Note When both speaker jacks are used the SPRING REVERB DIGITAL EFFECTS SECTION STEREO EF FECTS LOOP and MSDI are automatically split into stereo operation When only the LEFT MONO SPEAKER is connected these are all summed to a mono signal in the same manner FUSE 17 Always replace the AC MAINS FUSE with the same size and type sp...

Страница 8: ...tible hand controller is used in conjunction with the included 25 8 pin DIN cable to toggle the remote switchable functions in the amplifier as noted in the SPECIFI CATIONS section BOOST POST EQ LOOP SPRING REVERB EFFECTS REAR LOOP TAP REMOTE ...

Страница 9: ...FF Low EQ 0 dB Mid EQ 0 dB Mid Shift 600 Hz High EQ 0 dB Presence EQ 0 dB Reverb 0 Nominal levels are with Pre Gain 5 Minimum levels are with Pre Gain 10 Preamp High Gain Input no pad Impedance 220k Ohms Nominal Input Level 25 5dBV 53 0mV rms Preamp Low Gain Input 10 dB pad Impedance 68k Ohms Nominal Input Level 15 5dBV 168mV rms Pre EQ Patch Send Load Impedance 10k Ohms or greater Nominal Output ...

Страница 10: ... frequency boost cut Mid Shift 150Hz to 1 5kHz High 15 dB 6 kHz special EQ Presence 15 dB 10 kHz shelving External MIDI Hand Controller included Functions BOOST Boost defeat enable SPRING REVERB Spring reverb defeat enable EFFECTS Digital effects section defeat enable TAP Tap Tempo setting for digital delay section POST EQ EFFECTS LOOP Post EQ effects loop defeat enable REAR LOOP Rear panel stereo...

Страница 11: ...e fre quency response and faithful reproduction of a given amplifier is desirable With most conventional heads it is also a great choice for use in live and studio applications where a clear tone with less than typical cone breakup characteristics are desirable for all sorts of miking setups This is a true Swiss Army Knife of a cabinet where the best possible sound reproduction of any guitar rig a...

Страница 12: ...ed only to equipment manufactured after 13 August 2005 www peavey com Warranty registration and information for U S customers available online at www peavey com warranty or use the QR tag below Features and specifications subject to change without notice Peavey Electronics Corporation 5022 Hartley Peavey Drive Meridian MS 39305 601 483 5365 FAX 601 486 1278 ...

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