Provide programmable osets for the CV modulation bus.
Mute steps in a group by having the high transform multiply the GATE
parameter by zero.
Skip steps in a group by having the high transform multiply the DU-
RATION parameter by zero.
Momentarily double or half the step durations of a group for rhythmic
eect. This works especially well when you partition your sequence
into two groups each with opposite transforms (i.e. one group doubles
in duration while the other group halves the duration).
4 Recording
The lower section of the ER-102 is dedicated to recording and remote control
of the ER-102 editing functions. In addition to the PUNCH IN/OUT gate
input, there are 6 multi-purpose inputs:
A-1 and A-2: analog inputs that accept -10V to 10V D-1 and D-2: digital
inputs with a trigger threshold of 1.5V. AD-1 and AD-2: can be used either
as analog or digital inputs.
The role of each of these inputs depends on the record mode.
[diagram of the record section with callouts to each ui element.]
Common to all of the record modes, is the ARM button and the PUNCH
IN/OUT section. Recording is enabled for one or more tracks by toggling
the ARM button while the desired track is focused. A track is armed when
the ARM LED is lit. Assuming the ER-101 is not paused, actual recording
begins when you punch in via the PUNCH IN/OUT button, or, via a high
gate signal on the PUNCH IN/OUT gate input. Recording stops again
when you press the PUNCH IN/OUT button again, or, when the PUNCH
IN/OUT gate goes low. The ER-102 is actively recording when the REC
LED is lit.
4.1 Real-time mode
The real-time recording mode is used to record a live performance into a
pattern of a track. Timing of CV and gate changes is measured against the
clock (after per-track multiplication) and then re-interpreted as a sequence
of steps with quantized voltages. Real-time recording starts on all armed
tracks when the PUNCH LED is lit and the ER-101 is not paused. The
newly recorded steps are inserted at the current location of the play cursor.
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