3-20
OPERATION
ORBAN MODEL 8300
late the high frequency balance of recently recorded material.
SPORTS:
Similar to
NEWS-TALK
except the
AGC
RELEASE
(AGC Release Time) is
slower and the
GATE
THRESH
(Gate Threshold) is higher. This recognizes that most
sports programming has very low signal-to-noise ratio due to crowd noise and other
on-field sounds, so the preset does not pump this up as the
NEWS-TALK
preset
would tend to do.
ROCK:
There are several
ROCK
presets:
ROCK-LOUD
is very bright and present, with up-front vocals. Release time is me-
dium.
In order to get the punchiest and loudest sound, beyond
L
ESS
-M
ORE
=7.0
we progressively reduce the protection provided by the distortion-
controlling mechanism. So
L
ESS
-M
ORE
settings beyond 7.0 are progres-
sively more risky and can exhibit audible distortion (as can the competing
product!). Speech will nevertheless be cleaner than with competing
products and the bass is never permitted to “shut down” the main clipper
on bass waveform peaks.
ROCK-GENERAL
provides a bright high end and punchy low end (although not as
exaggerated as
URBAN
). A midrange boost provides enough presence energy to en-
sure that vocals stand out. A modest amount of high frequency coupling (deter-
mined by the
BAND
CLIPPING
3>4
setting) allows reasonable amounts of automatic
HF equalization (to correct dull program material), while still preventing exagger-
ated frequency balances and excessive HF density.
The
ROCK
-
MEDIUM
and
ROCK-OPEN
variations refer to the compression density,
which is determined by the release time settings in the AGC and multiband limiter
sections.
These three presets are appropriate for general rock and contemporary program-
ming. All of these presets have distortion control implemented at their nominal lev-
els of
L
ESS
-M
ORE
to ensure clean speech. At high
L
ESS
-M
ORE
levels the distortion
control may be relaxed somewhat to increase bass punch.
There are also several more
ROCK
presets that are intended for gentler formats:
ROCK-LIGHT
has an open sound with little audible compression and less brightness
than the first three presets. It is a compromise between
ROCK-OPEN
and
ROCK-
SOFT.
ROCK-SOFT
has a mellow, easy-to-listen-to high frequency quality that is designed
for female-skewing formats. It is also a candidate for “Quiet Storm” and “Love
Songs” light rock or light urban formats.
ROCK-SMOOTH
has the same mellow, easy-to-listen-to high frequency quality as
ROCK-SOFT,
but with more density. Again, it is a good choice for female-skewing
formats, but where you need more compression and density than you get with
ROCK-SOFT
.
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