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RELEASE NOTES
seconds of pre- and post-roll to shots to avoid.
• ARRIRAW 4:3 mode is currently unsupported.
POST
•
FS RAW files appear green when imported directly into SpeedGrade. Pending Adobe update,
import via dynamic link from Premier.
• Canon Cinema 4K half RAW 100/120 does not work in Adobe or Resolve Working with Adobe and
BMD to resolve.
•
In Resolve 11 Lite, FS700 RAW (CinemaDNG) files that are underexposed may appear green when
using “Auto-Color” setting. Working with Blackmagic Design to resolve.
FIRMWARE v3.10.100
NEW FEATURES
REFRESHED USER INTERFACE
Newly simplified menus with easier, intuitive access to all functions.
HDMI RECORD TRIGGER
Start/stop Odyssey on cameras supporting a trigger pulse over HDMI (Sony: FS700, a7S, etc., Canon:
C100, 1DC, 5D mk3, etc.)
HDMI TIMECODE SUPPORT
Feed timecode to Odyssey on cameras supporting timecode over HDMI (Sony: FS700, FS100, a7S,
etc., Canon: C100, 1DC, 5D mk3, etc.)
ANALOG AUDIO INPUT
Record analog audio on Odyssey via 3.5mm AUD IN port. Two-channel unbalanced or one-channel
balanced input with gain adjustment from -99 to +44 dB.
HEADPHONE MUTE
On/Off control for AUD OUT port.
SELECTABLE PROJECT RATE FOR HD PRORES RECORDINGS
In 1080p, Project Rate can now be set from 23.98 – 60fps or FOLLOWS INPUT.
PLAYBACK MARKERS
In PLAY mode, reference up to 16 In & 16 Out points per clip. Used in conjunction with new CD
APPLE PRORES TRANSFER UTILITY 1.4.4, a Final Cut Pro XML can transfer Markers to FCPX,
FCP7, Adobe Premier and Resolve 10 & 11.
NEW FEATURES (ODYSSEY7Q ONLY)
4K/UHD APPLE PRORES RECORDING
4K (4096x2160) Apple ProRes 422(HQ) at 23.98, 25 and 29.97 fps
UHD (3840x2160) Apple ProRes 422(HQ) at 23.98, 25 and 29.97 fps
Input via 4x SDI with full playback & scrubbing
2K APPLE PRORES RECORDING
2K (2048x1080) Apple ProRes 422(HQ) at 23.98, 24, 25, 29.97, 50, 59.94 fps
FS7OO 4K RAW TO UHD PRORES
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