Neumann 180 Series Скачать руководство пользователя страница 4

Neumann History

7

6

The First
Remote-Switchable  Microphone

Other models appeared in 1949 and 1950, both
bearing  some  notable  progress.  In  1950  the
M 50 featured a pressure capsule embedded in
acrylic glass to give an outstanding omnidirec-
tional pattern. But more important was its pred-
ecessor,  the  M 49,  which  was  the  first  micro-
phone that could be remote-switched.

Neumann’s work on the M 49 coincided with a
similar invention by an engineer called Gross-
kopf, of the Central Laborato-
ry  of  the  Nordwestdeutscher
Rundfunk  in  Hamburg.  Here,
one  microphone  diaphragm
was  fixed  in  the  opposite  di-
rection to the centre electrode
while the other one received a
capsule  bias  which  could  be
varied via a potentiometer.

This made it possible to switch
the  characteristic  smoothly
from omnidirectional, via car-
dioid, to figure-of-eight.

But  it  was  Neumann,  who
somehow managed to acquire
the patent for this, that went
on to produce the first remote-
switchable microphone, the M 49. Soon there
were numerous versions being launched by his
competitors, all of course made under license
from Neumann.

New Demands Posed
by Television and Sterephony

In Europe during the ’50s the two most impor-
tant developments in broadcasting technology
were undoubtedly the upsurge of television and
the arrival of stereophony, both requiring their
own specialised microphones.

By 1953 Neumann was meeting the demands
of  television  companies  for  smaller  models
with  a  selection  of  condenser  microphones
only 21 mm in diameter choice of omnidirec-
tional or cardioid models were available, plus
a  switchable  model  which  combined  omnidi-
rectional, cardioid and bi-directional charac-
teristics.

To record in stereo naturally called for two mi-
crophones placed in such a manner that their
time/amplitude  response  was  coincident.  The

ideal solution therefore was to
mount  two  capsules  in  one
housing.

In 1956 Neumann produced the
SM 2, which was to remain the
only stereo microphone in the
world for many years.

Measuring  Technology

During  the  course  of  the  next  two  and  a  half
decades  the  potential  for  realistic  sound  re-
production offered by stereophony generated
intensified research in the recording world. For
the laboratories one of the first breakthroughs
was  the  arrival,  in  1934,  of  Neumann’s  P 2,
the first factory produced logarithmic-display
level recorder. This became the standard meas-

uring  equipment  in  acoustic
testing  laboratories  for  many
years, notching up world-wide
sales in the process.

In  this  connection,  one  also
should not overlook the calibra-
tion microphones developed by
Neumann.

From Tubes to Transistors

The aforementioned miniature microphones of
the fifties and sixties were, of course, all tube
microphones. Considering the small diameter of
these  microphones,  this  continues  to  amaze
many users even today. The tube used was usu-
ally the Telefunken AC 701 tube, which had been
developed especially for use in microphones. For
the time being, Neumann’s last tube-driven mi-
crophone circuit, developed in 1960, was des-
tined for use in the U 67 switchable large-mem-
brane microphone. It also marked another mile-
stone. This microphone model, which survives
today as the U 87 A, can rightfully be called one
of  the  world’s  most  well-known  studio  micro-
phones.

In the sixties, tubes used as amplifiers and im-
pedance converters were increasingly replaced
by transistors. Upon the market
launch of the field effect tran-
sistor, at the latest, condenser
microphone circuits proved to
be no exception. In 1965, Neu-
mann  introduced  the  “KTM”
1965,  his  first  microphone
with transistor circuitry. A short
time later, Neumann developed
the concept of “phantom pow-
er”  with  48 V.  Now  it  was  no
longer necessary to have a sep-
arate power supply for each mi-
crophone.  Instead,  all  micro-
phone inputs could be fed cen-
trally  with  48 V.  The  special,
multi-core  microphone  cable
was dropped in favour of three-
core standard cable, The numer-
ous connector types were uni-
fied    and  have  now  been  re-
placed world-wide by three-pin
XLR connectors.

Содержание 180 Series

Страница 1: ...Neumann History 1928 2005 English ...

Страница 2: ...crophone that the first German radio sta tion a Berlin station broad casting on the 400 m band sounded its first yawp from Vox House on Potsdamer Platz in 1923 With a linear frequency response between 50 Hz and 1 kHz this microphone had an ex cess of 10 dB up to 4 kHz which decreased to approximately 15 dB at 10 kHz Not quite what we would call a studio microphone these days Neumann had never been...

Страница 3: ... Important Invention It was during the course of this widening de velopment work that Georg Neumann made his most important contribution to modern electri cal engineering In 1947 he de veloped a process by which nickel cadmium batteries could be made without the excessive formation of gas and so totally gas tight an invention that has direct links with virtually every modern electronic apparatus F...

Страница 4: ...which was to remain the only stereo microphone in the world for many years Measuring Technology During the course of the next two and a half decades the potential for realistic sound re production offered by stereophony generated intensified research in the recording world For the laboratories one of the first breakthroughs was the arrival in 1934 of Neumann s P 2 the first factory produced logari...

Страница 5: ...development contract was awarded and the first amplifier built was a 34 dB am plifier designated TV which had excellent specifications It was to become the heart of a series of studio devices and gave rise for ex ample to the TEV equaliser and the TRV chan nel controller The individual components were developed in the early sixties Then at the 1963 Radio and Television Exposition in Ber lin Neuman...

Страница 6: ...oduced the DMM technology in which the phonographic foil was replaced by copper foil resulting in D D D D Direct M M M M Metal M M M M Mastering DMM DMM DMM DMM DMM This resulted in substan tially improved pulse fidelity of the recorded signal which represented another significant improvement in the sound quality of phono graphic records One Step Ahead Again The TLM Technology At the 1983 AES Conv...

Страница 7: ...ann Bottle 1949 MM 2 Cal Microphone 1954 MM 3 1959 MM 5 1969 KM 88 Variable Miniature Microphone 1949 U 47 Variable Condenser Microphone 1957 U 48 1966 KM 73 75 Miniature Microphones for Modulation Lead Powering 1953 KM 53 Miniature Microphone 1954 KM 54 1955 KM 56 switchable 1960 KM 253 256 RF proof 1993 TLM 193 Studio Microphone 1991 KMS 140 150 Vocalist Microphone 1951 M 50 Condenser Microphone...

Страница 8: ...ome of the last large consoles in N 7000 tech nology were installed in the Berlin Philharmo ny and in regional studios of the Austrian broadcaster ORF Since 1993 Neumann concentrates itself on stu dio microphones Herewith lie the core compe tence the tradition and 70 years experience of Neumann Berlin Neumann Moves In 1993 a decision was taken to move micro phone production to the parent firm Senn...

Страница 9: ...d of the Millenium At the end of 1998 exactly one century after the birth of Georg Neumann the M 149 Tube inspired the new M 147 Tube Limited to the most popular directional characteristic the car dioid characteristic the M 147 Tube features the same capsule and circuit technology as the award winning M 149 Tube Another highlight in the history of the compa ny occurred shortly before the end of th...

Страница 10: ...deo music and fire works show choreographed on a Berlin lake which amazed even the guests who were professionals in this field On the occasion of the anniversary Neumann put a costly Platinum Edition of the M 149 Tube on the market which has become a coveted item especially for microphone collectors An unusually detailed insight into the history of the compa ny 287 pages illustrated with more than...

Страница 11: ... the distance be tween the diaphragm and the electrode has al ready been determined by the second plane of the electrode In such cases the finishing is per formed on special lathes After lapping or lathe finishing the holes must be deburred followed by a visual inspection us ing a powerful microscope Diaphragms are made from a 6 3 µm thick pol yester foil such as Mylar This is first attached to br...

Страница 12: ...eat atten tion to all aspects of insulation Quality control devoted to this aspect includes a moisture chamber in which capsules are placed until both the diaphragm and microphone body are dripping wet Even under these condi tions insulation resistances to the order of 20 x 106 Mohms are measured in the capsules Another test is to cool the microphones to slightly above freezing point and then plac...

Страница 13: ...MM disc cutting equipment P 11 The transformerless microphone TLM 170 R fet 100 series Hybrid circuit Active capsules AK 40 and AK 20 of the KM 100 series 1988 1996 Spherical surface microphone KFM 100 1992 Boundary layer microphone GFM 132 1990 P 14 Stereo shotgun microphone RSM 191 1988 Company s headquarters in Charlottenstrasse Berlin Company s headquarters in Ollenhauerstrasse Berlin P 15 Lar...

Отзывы: