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Using compression is a fine art: You can easily destroy your sound if you don’t carefully set
the compression parameters! For each purpose, specific settings are required. A good un-
derstanding of each parameter’s effect, together with the experience gained by using the

compressor, will allow you to achieve great results!

In addition to the above listed common applications there is room for your own experiments, so

feel free to use your compressor in a way not listed here.

1.1.1

Main Compression Parameters

 

Compression can be controlled by several parameters. The most important parameters are the
following:

A  threshold  defines  the  audio  level  above  which  compression  takes  place.  Below  this
threshold level, the incoming signal is left untouched; above this threshold level, the gain
of the incoming signal is attenuated.

You can choose how much attenuation is applied to the signal by defining an input/output
ratio. For example, when you select a ratio of 2:1, an input level that is 2 dB above the
threshold will create an output level that is only 1 dB above the threshold.

By  setting  an  extreme  compression  ratio,  you  can  practically  prevent  the  signal  from  ex-
ceeding the threshold level. The compressor then acts as a limiter.

Since the compression attenuates the higher levels of your input signal, most compressors
allow you to add a fixed make-up gain to the output in order to counterbalance the loss of
level.

1.1.2

Other Compression Parameters and Features

 

The compression process can be further tuned by using additional parameters and features.

Attack and Release

The attack time can define how long it takes for the compressor to come into full effect when
the threshold level is reached. For example, a longer attack time can be useful to retain the
attack transients on a percussive or plucked string instrument in order to only compress the
instrument  sound  coming  after  the  transients.  For  this,  you  could  also  make  use  of  parallel
compression (see below).

Welcome to VC 160

What Is a Compressor?

 

VC 160 - Manual - 6

Содержание VC 160

Страница 1: ...Manual ...

Страница 2: ...he U S and other countries Windows Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and or other countries All other trade marks are the property of their respective owners and use of them does not im ply any affiliation with or endorsement by them LA 2A and 1176 LN are registered trademarks of Universal Audio Inc Vintage Compressors is manufact...

Страница 3: ...he Str 29 30 D 10997 Berlin Germany www native instruments de USA Native Instruments North America Inc 6725 Sunset Boulevard 5th Floor Los Angeles CA 90028 USA www native instruments com Native Instruments GmbH 2012 All rights reserved Contact ...

Страница 4: ...1 1 What Is a Compressor 5 1 1 1 Main Compression Parameters 6 1 1 2 Other Compression Parameters and Features 6 1 2 The VC 160 7 2 Using the VC 160 9 2 1 The Menu Bar 9 2 2 The Main Interface 11 3 Credits 14 Table of Contents VC 160 Manual 4 ...

Страница 5: ...et you glue the individual instruments of an instrument group together and make them sit in the mix more naturally which is particularly helpful when mixing drum recordings Compres sion can also stretch the decay phase of instruments mostly drums and add sustain to the tone of electric guitars However compression can be used for a wide range of applications Here are a just few exam ples Electric g...

Страница 6: ... ratio For example when you select a ratio of 2 1 an input level that is 2 dB above the threshold will create an output level that is only 1 dB above the threshold By setting an extreme compression ratio you can practically prevent the signal from ex ceeding the threshold level The compressor then acts as a limiter Since the compression attenuates the higher levels of your input signal most compre...

Страница 7: ...rsatility of your compressor Typically the side chain input is fed by the bass drum track as a control signal to trigger the compressor on the bass guitar track Another example is the auto talk over feature found on several mixers which automatically attenuates the level of the music as soon as you talk in the microphone Parallel Compression Sometimes you may want to keep the original signal and b...

Страница 8: ...des you with the same simple interface which mainly relies on three knobs You won t find any Attack nor Release control here since these were automati cally determined by the feed forward gain reduction stage Nevertheless bringing vintage hardware into the software world allowed us to add a few great features For example unlike its ancestor the VC 160 does offer both a side chain input and paralle...

Страница 9: ...his is primarily used for saving and loading presets but also has a few other functions The Menu bar is located at the top of the interface Saving and Deleting Presets To save a preset 1 Click the drop down arrow to the very left of the Menu bar to open the File menu 2 Select Save as from the File menu Using the VC 160 The Menu Bar VC 160 Manual 9 ...

Страница 10: ... through and load the presets one at a time or Click the drop down menu to view a list of all available presets When using the second option a preset is loaded when you click its name The Preset Menu When you save a preset the Preset menu is automatically split in two submenus one contain ing factory presets and one containing user presets By selecting a preset from the User sub menu the list of p...

Страница 11: ...y the settings of slot A to slot B Go to the File menu on the left side of the Menu bar and select Copy A to B from the list You can also copy from B to A when editing the parameters of slot B Other functions The File menu also offers the following options Show User preset folder opens a system window in the location of where your presets are saved Here you can rename your presets by changing the ...

Страница 12: ...sent to the com pressor s detector When this knob is set fully counter clockwise off no filtering is applied Turning the knob clockwise progressively excludes low frequencies from the control signal sent to the detector The Detector HP knob in no way affects the amount of compression applied Instead it al lows you to select a narrower frequency band in the control signal that will be used by the d...

Страница 13: ...al is output Turning the knob clockwise progressively blends in the original signal into the compressor output After adjusting the Dry level you might have to adjust the OUTPUT knob again to ensure that the overall output remains at the optimum level 9 VU meter Allows you to visually monitor the compression in real time This VU meter has three operation modes which you can select using the Display...

Страница 14: ... Management Felix Nölken Product Design André Estermann Graphic Design Efflam Le Bivic Kenneth Jensen Sound Design Sebastian Müller Jamil Samad Quality Assurance Tom Scheutzlich A B testing Niklas Odelholm Dan Lumbye Chuck Zwicky Additional testing Stephen W Tayler Robbie Bronnimann Special thanks Rolf Blixt Ulf Karlsson Credits VC 160 Manual 14 ...

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