Nady Audio RPA-2 Скачать руководство пользователя страница 5

FRONT PANEL CONTROLS & CONNECTIONS

5

(1)

(2)

(3)

FRONT PANEL

Note: 1 through 5 below are referenced to Channel 1. The other
channels are identical.

(1) GAIN CONTROL

The Gain Control determines the proportion of the channel signal
in the mix.

(2) CONTOUR CONTROL

Adjusting this control will contour the audio, either bringing out
more highs and definition or increasing low and mid frequencies to
provide more punch.

(3) REVERB CONTROL

The Reverb Control adjusts the level of signal sent by each
channel to the internal Reverb DSP (Digital Sound Processor).
The signal sent is mono, post-Contour and will be affected by the
channel Gain Control.

(4) LINE INPUT

The Line input is designed to accept balanced or unbalanced line-
level signals such as those from keyboards, drum machines, or
samplers. Use the GAIN control (1) to adjust for the desired level.
If a balanced signal is to be connected to the line input, then a
1/4" TRS (stereo) phone plug should be wired for: Tip = positive
(+), Ring = negative (-), Sleeve = ground.

(5) MIC INPUT

The Mic input is an electronically balanced XLR type designed to
accept signals from any balanced low impedance (Low Z)
microphone. It will be necessary to adjust the channel gain with
the input GAIN control (1) to achieve a nominal operating level.
The XLR jack is configured for: Pin1 = ground, Pin2 = positive (+),
Pin3 = negative (-).

(4)

(5)

(6)

(7)

(8)

(9)

(10)

(11)

(12)

(Note: Only either the Mic or the Line input of a given channel can
be connected at one time. Do not connect both simultaneously to
the same channel.)

(6) MASTER — VOLUME CONTROL

This controls the final level of the signal output.

(7) MASTER  — REVERB CONTROL

This controls the level of the reverb effects sound.

(8) MASTER — HIGH CONTROL

The control has a shelving response giving 15dB of boost or cut at
12KHz.

(9) MASTER — MID CONTROL

The control has a shelving response giving 15dB of boost or cut at
1.5KHz.

(10) MASTER — LOW CONTROL

The control has a shelving response giving 15dB of boost or cut at
100Hz.

(11) MASTER — DEPTH CONTROL

This controls the amount of feedback of the reverb reflection, i.e.
the number of reflections and the length of time before they
diminish in volume.

(12) POWER ON LED INDICATOR

Indicates when the unit is ON.

Содержание RPA-2

Страница 1: ...RPA 2 PORTABLE SYSTEM 2CHANNELPORTABLESOUNDSYSTEM OWNER S MANUAL...

Страница 2: ...ce and greater flexibility than any other portable sound systems in its price range Please read this manual carefully to get the most out of your new unit Thanks for selecting NADY AUDIO as your choic...

Страница 3: ...n the ears you should consult an audiologist 5 The product should be positioned so that proper ventilation is maintained 6 The product should be located away from heat sources such as radiators heat v...

Страница 4: ...tion manual RPA 2 verify that the unit s serial number is same as shown on shipping carton AC Power cord Warranty Card POWER CONNECTION The RPA 2 has an internal power supply and is designed to operat...

Страница 5: ...e ground 5 MIC INPUT The Mic input is an electronically balanced XLR type designed to accept signals from any balanced low impedance Low Z microphone It will be necessary to adjust the channel gain wi...

Страница 6: ...ivers 25W RMS of power 8 Ohms CAUTION Do not overload the RPA 2 with speaker loads less than 8 ohms as this will degrade performance and may harm the unit Damage caused by improper use is not covered...

Страница 7: ...ine level o p 4dBu into 600 20Hz 20KHz 3dB Power amp o p 1 watt into 8 per side 20Hz 20KHz 3dB SENSITIVITY LINE OUTPUT 4dBu with Master and Channels controls set to MID Mic Line 54 24dB Tape in 6dB Ma...

Страница 8: ...l at service nady com International For service please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product DO NOT ATTEMPT TO SERVICE THIS UNIT YO...

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