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FRONT CONNECTIONS

5

FRONT pANEL

Note: 1 through 5 below are referenced to Channel 1. The other 7 Channels are identical. 

(2)

(1)

(3)

(5)

(4)

(6c) (6a)

(9)

(1)   LOW EQ

The control shelving response giving 15dB of boost or cut at 

80Hz. Add warmth to vocals or extra punch to guitars, drums 

and synths by turning to the right. Turn to the left to reduce stage 

rumble, hum or to improve a mushy sound. 

(2)   HIGH EQ

Turn to the right to boost high frequencies, adding crispness too 

percussion from drum machines, cymbals and synths. Turn to 

the left to cut these frequencies, reducing sibilance or hiss. The 

control has a shelving response giving 15dB of boost or cut at 

12kHz. . 

(3)   LEVEL CONTROL

The Level Control determines the proportion of the channel signal 

in the mix, and provides a clear visual indication of channel level.  

(4)   MIC/LINE INPUTS

The MIC Input is via an XLR connector. Please use a low imped-

ance microphone and a properly wired cable for best results. 

The LINE Input connection is made via a 1/4” TRS jack. This In-

put Is balanced and can accommodate either a Mic or Line level 

Input source.

(5)   DIGITAL DELAY (DD)

This knob determines the signal level which will be sent to the 

built-in 

DIGITAL DELAY Effect (6)

 control 

(6)   DIGITAL DELAY

The signal from the input channels, processed by the built-in 

digital delay will feed to the master output. There are three knobs 

here to control the effect of the delay. 

 

(6a) SWITCH

 

     This push button switches the delay effect ON/OFF.

 

(6b) LEVEL

 

     This knob adjusts the mix level of the effect sound.

 

(6c) TIME (ms)

 

     This knob selects 80ms, 120ms, 160ms, or 200ms of      

                delay as desired for your intended effect.

(7)   POWER ON LED INDICATOR

Indicates when the unit is ON.

(8)  TAPE IN CONTROL

This knob adjusts the level of signal from the 

TAPE IN (10)

 to the 

Main bus. 

(9)  MASTER CONTROL

This adjusts the signal level of the Main bus. This is the signal 

that is output to the speakers.

(7)

(8)

(6b)

Содержание MPM 8175x

Страница 1: ...MPM 8175x POWERED MIXER 8CHANNELPOWEREDMIXER OWNER S MANUAL...

Страница 2: ...y to get the most out of your new unit Thanks for selecting NADY AUDIO as your choice in powered mixers FEATURES 2 WARNING 3 INSTALLATION 4 FRONT CONNECTIONS 5 REAR CONNECTIONS 6 APPLICATIONS 7 SPECIF...

Страница 3: ...the ears you should consult an audiologist 5 The product should be positioned so that proper ventilation is maintained 6 The product should be located away from heat sources such as radiators heat ve...

Страница 4: ...tion manual MPM 8175x verify that the unit s serial number is same as shown on shipping carton AC Power cord Warranty Card POWER CONNECTION The MPM 8175x has an internal power supply and is designed t...

Страница 5: ...XLR connector Please use a low imped ance microphone and a properly wired cable for best results The LINE Input connection is made via a 1 4 TRS jack This In put Is balanced and can accommodate either...

Страница 6: ...ed service personnel 14 MONO SPEAKER OUTPUTS These 1 4 6 3mm jacks are daisy chained together internally and powered by the mono amplifier output stage Use speaker cables to connect these jacks to you...

Страница 7: ...APPLICATIONS 7 VOCAL MIC Guitar FRONT OF HOUSE SPEAKERS 8 8 MIC LEVEL SOURCES AUDIO CASSETTE DVD CD PLAYER KEYBOARD SYNTHESIZER SAMPLER SPEAKERS...

Страница 8: ...APPLICATIONS 8 8 8...

Страница 9: ...B FREQUENCY RESPONSE Mic input to output Line level o p 4dBu into 600 2dB Power amp o p 1 watt into 8 2dB SENSITIVITY MIXER OUTPUT 4dBu with Master and channels controls set to MID Mic Line 42dB 22dB...

Страница 10: ...NOTES 10...

Страница 11: ......

Страница 12: ...l at service nady com International For service please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product DO NOT ATTEMPT TO SERVICE THIS UNIT YO...

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