Outputs | 14
ONE+TWO
(R5, C3)
Mixed output of
ONE
input scaled by
ONE
LVL
and
TWO
input at full strength. Use
to add two signals and create interesting,
compound audio or modulation signals.
LFO
(R6, C1)
LFO signal, oscillating from –5 volts to +5
volts (10V peak to peak), at a frequency
and shape determined by
LFO RATE
,
LFO
WAVE
, and any modulation. The LFO is
internally routed to many parts of Mavis,
but you can also use it as an
S+H
input,
patch it to the
VCA
for tremolo effects, or
patch it to the
GATE
to continually trigger
Mavis’s EG.
EG
(R7, C1)
Envelope signal triggered by
GATE
and with
a shape determined by the
EG
parameters
(Attack, Decay, Sustain, Release). Like the
LFO, it is internally routed to many parts
of Mavis, but you can also use it as an
S+H
input or patch it to the
LFO RATE
to
increase and decrease the LFO rate over
the course of the envelope.
S+H
(R7, C2)
Output of Hold circuit. With
normalled signals and VCO set to
SAW
WAVE
, this will output pseudorandom
voltages at the rate of the LFO. You can
use this to inject randomness anywhere in
Mavis, from the VCO (
1V/OCT
) to the filter
(
CUTOFF
),
VCA
, or the
LFO RATE
itself.
ATTN
(R7, C3)
Attenuator output. Outputs signal at
ATTN
input scaled by
ATTENUATOR
knob.
MULT 1
(R8, C2)
First output of
MULT
. Exact copy of signal
input to
MULT
input.
MULT 2
(R8, C3)
Second output of
MULT
. Exact copy of signal
input to
MULT
input.
Содержание MAVIS
Страница 15: ...www moogmusic com ...
