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8

LPE-2

LPE-2 FRONT PANEL

(1) PHONO PREAMP MUTE SWITCH  "MUTE"

Pushbutton switch (German ITT) which, when depressed and illuminated, mutes the selected front-end gain
amplifier. Use this function when only one mono input is required.

(2) MONO SELECT SWITCH   "MONO (L+R)"

Pushbutton switch (German ITT) which combines left and right inputs into a summed mono signal. When
this switch is depressed and illuminated, left and right input signals are combined into a single mono signal
on both left and right compensation and filter paths.

(3) POLARITY REVERSE SWITCH  "POL REV"

P

ushbutton switch 

(German ITT)

 which, when depressed and illuminated, reverses the polarity (180 degree

inversion) of the right channel input signal. Use with vertical groove recordings or stereo sources which are in
reversed polarity relative to each other.

(4) SIGNAL PRESENT & OVERLOAD INDICATORS  "SP" & "OL"

Green and red LEDs (light emitting diodes) which show signal activity (green) and high-level (red). The green
Signal Present LED illuminates with an audio signal level of approximately -50 dBu, and should illuminate with
any normal phono input signal. The red high-level LED illuminates with an audio signal level of approximately
+20 dBu and should only illuminate on the very highest peak levels.

(5) HIGH RESOLUTION PHONO GAIN CONTROL

Detented, 36-position gain control employing a Grayhill mil-spec gold plated rotary switch. Switch gain is
approximately 1.5 dB per step and is inter-channel matched to better than 0.08 dB at all settings. After a brief
warm-up period, adjustment of this switch is virtually silent. Two illuminating pushbutton switches ("A" =
Green and "B" = Amber) determine the gain "range" of the rotary switch. When the pushbutton switches are not
depressed and non-illuminated, the phono preamplifier gain is as printed on the front panel (9.0 dB, 10.5 dB,
12.0 dB, etc..). When the green "A" pushbutton switch (only) is depressed and illuminated, add 18 dB to the gain
settings as printed on the front panel. When the green "A" and amber "B" switches are both depressed and
illuminated, add 36 dB to the gain settings as printed on the front panel. For example, with both pushbutton
switches depressed and the rotary switch at 1:00 o'clock position, the preamp gain would be 55.5dB (19.5 + 36).
Maximum gain can be customized up to 90 dB if required. Contact factory for more information

Содержание LPE-2

Страница 1: ...1 LPE 2 Dedicated to the lives memory and families of Chris Camacho and Gabe Weiner two young men who shared a passion for great audio and who left us much too soon Gabe 1970 1997 Chris 1959 1999...

Страница 2: ...al consists of information that is property of Millennia Media Inc and is intended solely for use by the purchasers of the equipment described in this manual Millennia Media Inc expressly prohibits th...

Страница 3: ...ects placed on it Pay particular attention to plugs receptacles and the point where the AC power cord exits the LPE 2 4 GROUNDING For your safety it is extremely important that the grounding pin of th...

Страница 4: ...ard 2U 19 equipment rack If the LPE 2 is mounted in a road case or other rack which is prone to strong vibration or shock it is highly recommended that the rear of the LPE 2 be supported or otherwise...

Страница 5: ...ord press ing 78 45 33 etc can be compensated perfectly with the LPE 2 including vertical groove processes When the LPE 2 does not offer a precise preset compensation point or loading character istic...

Страница 6: ...minal which ties earth ground to audio ground If ground hum loops are experienced when using the LPE 2 removing this jumper may help Using this jumper to lift ground the integrity of the chassis earth...

Страница 7: ...7 LPE 2...

Страница 8: ...with any normal phono input signal The red high level LED illuminates with an audio signal level of approximately 20 dBu and should only illuminate on the very highest peak levels 5 HIGH RESOLUTION PH...

Страница 9: ...9 LPE 2...

Страница 10: ...C14 on LF board and C8 on HF board The LPE 2 compensation and filter circuits are based upon a unique shunt topology This topology is unlike conventional state variable filters in that only one signal...

Страница 11: ...11 LPE 2...

Страница 12: ...12 LPE 2...

Страница 13: ...e only Ultimately use your ears as the final reference for correct compensation on legacy formats SOURCE SERIES TURNOVER Hz ROLLOFF dB 10 kHz Acoustic Recording such as cylinders etc 0 or as required...

Страница 14: ...tsch Grammophone 300 5 Dial 500 or 750 16 Disc 300 16 Ducretet Thomson 450 11 EMI 1931 250 0 33LP 500 12 EMS 375 12 Edison 0 0 Electrola 800 10 Elektra 629 16 Epic thru 1954 COL or 750 16 Esoteric 400...

Страница 15: ...ford 750 16 Pacific Jazz 400 12 Parlophone varies with era 300 or 500 0 or 8 5 Pathe inconsistent adjust as required Period 500 16 Polydor 300 8 5 Philharmonia 400 12 Polymusic 500 16 Ploymusic binaur...

Страница 16: ...tric early transcriptions 300 0 Westminster pre 1956 500 or 750 16 Westminster AES printed on jacket 400 12 Westrex 200 0 Zonophone early 71 29 RPM 0 0 most 300 0 Per NAB standards the nominal speed o...

Страница 17: ...5 dB EIN flat Better than 98 dB EIN RIAA in Three pin XLR Polarity Pin 2 positive polarity Pin 1 ground EQUALIZER SPECIFICATIONS Maximum Filter Boost Cut 10 dB 21 step detent Notch Filter Q Quality Fa...

Страница 18: ...l not be liable for special subsequent incidental consequential or punitive damages including but not limited to damage to recordings archives broadcasts mixing consoles or any associated equipment do...

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