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Type

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Large Diaphragm Nine-Pattern Tube Condenser

Polar Patterns

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nine Selectable; Omni, Cardioid, Figure-8 and a

transitional patterns in between each of those

Frequency Response

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 20~20000Hz

Sensitivity

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -35 dBV/Pa

Equivalent Noise Level

. . . . . . . . . . . . . . . . . . . . . . . . . . 16 dB

Dynamic range

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117dB

S/N Ratio

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78dB

Max. SPL

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 dB

Power Supply

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miktek PS4

Specifications

Specifications are subject to change without notice.

Содержание cv3

Страница 1: ...CV3 Large Diaphragm Multi pattern Tube Condenser Microphone...

Страница 3: ...vel 8 Microphone Placement 8 The Proximity Effect 9 Stand Mounting the CV3 9 Installing the SM7 Shockmount 10 Applications Guide 11 19 Vocal 11 Acoustic Guitar 12 Piano 13 Strings 14 Overhead Drum Kit...

Страница 4: ...specifications In addition we ve also included some basic miking techniques for typical recording and live sound applications Most of us who ve purchased the CV3 are already experienced engineers so...

Страница 5: ...ackplates and set back to back to create the final capsule Tight tolerances and special attention to precise machining of the backplate produce a linear off axis response that ensures the accuracy of...

Страница 6: ...sure to complete the included warranty registration card or visit miktekaudio com to register on line In the unlikely instance that your microphone would ever require service please contact us at 615...

Страница 7: ...erns Omni Cardioid Figure 8 and transitional 7 7 patterns in between each of those Custom Designed US Made Miktek Output Transformer 7 7 Subminiatre Pentode Vacuum Tube 7 7 Individual serialized Frequ...

Страница 8: ...e staying in the same place in front of the mic using the omni pattern can be extremely useful since the off axis change will have less of an effect on the frequency response When the CV3 is set to th...

Страница 9: ...e up the 7 Pin connectors so that you do not accidently bend them Now connect the Mic Output on the CV3 power supply to your mixer s mic pres or DAWs Digital Audio Workstation mic input using a standa...

Страница 10: ...setting is when the trim control is turned up as high as possible without lighting the PEAK LED Microphone Placement To help maximize the quality of your recording you must pay careful attention to t...

Страница 11: ...ss lift is caused by the amount of pressure present at the ports that are used to create the directional pattern Since omnidirectional microphones do not normally use these ports they do not have prox...

Страница 12: ...mic stand If you are using a US standard 5 8 inch mic stand remove the Euro adapter by unscrewing it from the shockmount Once the shockmount is mounted to the stand line up the bottom threaded sectio...

Страница 13: ...ce to start Vocals When using the CV3 on vocals position the microphone with the logo facing in front of the artist and so that the microphone grill is approximately 4 to 10 inches away To avoid unwan...

Страница 14: ...c try positioning the microphone above the bridge to emphasize more of the attack from the sound of the finger picking or for less move the mic closer to the sound hole If you have a pair of CV3 s try...

Страница 15: ...hieve a more realistic sound it s a good idea to leave some space between the instrument and the microphone especially if you are recording a solo instrument Also keep in mind how the track ultimately...

Страница 16: ...se capture the entire kit making them awesome on overheads You can position one CV3 on a boom mic stand directly above the kit pointing from front to back For stereo miking use two CV3 s placed over t...

Страница 17: ...rument You ll also capture an image that translates the distance between the ensemble and the listener and you capture the sound of the acoustic space surrounding the instrument or ensemble When recor...

Страница 18: ...e or no delay difference Therefore the stereo image is created by the level difference of the left and right microphones Since there is no appreciable delay there is less of a chance for phase cancela...

Страница 19: ...ree hard left and hard right respectively Channels two and three should be at equal level and always adjusted the same amount as if they were grouped together Now use the balance between channel one a...

Страница 20: ...m given to the French Broadcasting Organization which stands for Office de Radiodiffusion Television Fran aise The ORTF standard specifies the capsules to be spaced 17cm apart and set at a 110 degree...

Страница 21: ...a baffled stereo set up two omni directional microphones are placed roughly the distance between your left and right ears with a physical hard or foam baffle placed in between the two mics It uses ti...

Страница 22: ...20 Specifications CV3 Typical Frequency Response 7 7 CV3 Polar Response 7 7...

Страница 23: ...ure 8 and a transitional patterns in between each of those Frequency Response 7 7 20 20000Hz Sensitivity 7 7 35 dBV Pa Equivalent Noise Level 7 7 16 dB Dynamic range 7 7 117dB S N Ratio 7 7 78dB Max S...

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