Midas VeniceF, Инструкция по применению, Страница: 3 / 12

1
VeniceF
Application Guide
Venice F Application Guide
What is “DiGi-LOG”?
Digi-log is Midas’ term for a combination of technologies which brings together the best
aspects of analogue and digital audio processing for use in a live mixing environment. Both
disciplines have particular strengths for live (sound reinforcement) use, the aim of digi-log is to
offer the operator a simple yet powerful and flexible live sound mixing, processing and
recording system.
Let’s begin by reviewing the individual advantages of analogue vs. digital mixers:
· Analogue mixers
o Easy to understand and operate
o Excellent sound quality
o No latency issues
· Digital mixers
o Integral signal processing and effects
o Store/recall of control settings
o Smaller & lighter than equivalent analogue mixer plus outboard gear
There is also an increasing demand for multitrack recording of live events but this is not easy
to achieve with smaller general purpose mixers of either type.
Venice F
Venice F is designed primarily for use in live sound reinforcement applications. Its rugged
design makes it ideal for portable use, as are all Midas mixers.
Firstly, you don’t need to use the laptop! Venice F on its own is easy to use and operate, very
small, sounds great (just like a big Midas!) and is very affordable.
However, if you connect a laptop via FireWire to the Venice F , you can add channel
processing, effects and multitrack recording very easily, and you don’t need to be a computer
genius. But before we go into this let’s look at the Venice
F as a standalone mixer:
The bus structure remains true to the original Venice concept. Six aux sends, four groups and
stereo masters. The
F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs
feature XLR connectors and insert capability. Venice F has individual routing to groups, all six
aux sends are individually switchable pre or post fade, and the two aux buses designated as
monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis.
Inputs pack a host of Pro features, starting with the indispensible Midas mic pre, still crafted
from discrete components, rather than the cheaper IC option. The 15mm gain pot is
surrounded by a quartet of switches, +48v, -20dB pad, polarity reverse and 80Hz hi-pass filter.
A further pair of switches select analogue or digital (FireWire) input and analogue and digital