Shuffle
URZWERG offers two optimized shuffle-modes. With the shuffle function active, the length
controls will only allow for even sequence lengths, to avoid unsynced sequences. Mode 1 will
result in a moderate, mode 2 in a more intense shuffle-feel. Setting the switch to center
position, the shuffle function is deactivated.
Setting the MIDI-channel
Use DIP-switches 1 to 4 to set the MIDI-channel as follows:
Ch.
8
7
6
5
Ch.
8
7
6
5
1
OFF
OFF
OFF
OFF
9
OFF
OFF
OFF
ON
2
ON
OFF
OFF
OFF
10
ON
OFF
OFF
ON
3
OFF
ON
OFF
OFF
11
OFF
ON
OFF
ON
4
ON
ON
OFF
OFF
12
ON
ON
OFF
ON
5
OFF
OFF
ON
OFF
13
OFF
OFF
ON
ON
6
ON
OFF
ON
OFF
14
ON
OFF
ON
ON
7
OFF
ON
ON
OFF
15
OFF
ON
ON
ON
8
ON
ON
ON
OFF
16
ON
ON
ON
ON
MIDI-Sync
URZWERG can be synchronized as sync-master or sync-slave to other MIDI-compatible
units. Toggle between master- and slave-mode using the Sync Mode switch.
Transposing sequences
Sequences can be transposed globally within a range of 2,5 octaves using a MIDI-keyboard
[C1 (#36) to G3 (#67)] Alternatively, separate transposing of rows 1+2 and 3+4 is possible
using inputs CV1+2In and CV3+4In.
MIDI-step-control
With the sequencer stopped, all steps can be stepped through using MIDI-note commands.
Note-number A3 (#69) will step through of all four sequences, while A#3 (#70) and B3 (#71)
treat rows 1+2 and 3+4 independently.
Note-numbers C4 (#72) to G4 (#79) jump to the individual step positions of all four
sequences. C4 = step 1, C#4 = step 2 and so on... This works for the active MIDI-channel with
all four sequence rows being addressed at the same time.
Using the next-higher MIDI-channel accesses the steps of the sequence rows independently:
Sequence 1 = C1 to G1, Sequence 2 = C2 to G2, Sequence 3 = C3 to G3 and Sequence 4 = C4
to G4.
Owner’s manual
MFB-URZWERG