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This fully featured, great sounding DI Section separates the Rosette as a fully professional performance tool that will shine in any 
environment you put it in, in any size venue – from Club to Concert Stage to Studio.

  DIRECT OUTPUT SOURCE  

   These switches select whether the channel DI Outputs capture either PRE-EQ or POST-EQ 

signals from the individual channels. These outputs would most commonly be used where the control of individual channel levels 
by the PA system might be helpful, and in that case, the DI SOURCE Select Switches would be set to PRE-EQ to allow the Front 
of House engineer to equalize the signals and process them as needed for the FOH sound system and the venue’s characteristics

The POST-EQ signal routing might be selected when the amplifier is being used for multi-track recording, especially where a whole 
ensemble is playing at the same time and where the EQ in use might be desired during tracking. These outputs are always pre-effects 
(no effects present including those in the FX LOOP) because the take-off points occur before the effects are generated. There is no 
PRE/POST EQ switch available on the Summed DI OUTPUT because the signals are already equalized before being combined, and 
this output also includes the effects signal, regardless of where they are derived from (Internal Effects or FX LOOP).

  DIRECT OUTPUT LEVEL  

  These mini toggles select the DI OUTPUT signal level between MIC Level (approx. -30dBu) and 

LINE Level (approx. +4dBu) depending on the needs of each particular application. While most pro level mixing consoles can handle 
LINE level signals, that’s not always the case with intermediate and lower level consoles, which may require a lower MIC Level signal 
to prevent overloading of their Inputs. Recording interfaces (A/D Converters) for studio work, however, are generally equipped to 
handle (and often can only accept) LINE Level and the same also applies to powered speakers. Ultimately, this DI Level switch allows 
you to best match whatever the requirements are of the equipment you are connecting the DI OUTPUTS of your amplifier to, so set 
this switch according to those needs and you will always enjoy great DIRECT performance from your Rosette.

  PIN 1 LIFT (DI OUTPUT)  

  These switches connect or lift the Circuit ground/earth/common connection from Pin 1 on the XLR 

DI OUT connector. Balanced Outputs do not rely on the Pin 1 (shield) connection to transmit signal to the PA’s (or studio’s) console. 
While Pin 1 is always connected to the console’s master ground bus, often (due to differences in potential of a building’s ground/ 
earth system), small currents will flow between the grounds if there is a common connection, resulting in hum. By lifting the ground 
at the sending (amplifier) end, this allows the shielding to remain in place while breaking the ground current flow that is the cause for 
inducing hum into the signal- carrying pair of conductors.

The one thing that complicates this is that at very high (radio) frequencies, ground is not “really” ground, so additional techniques are 
incorporated within this network that allows 2 functional grounding spectrums within the same network, providing added RFI (radio 
frequency interference) rejection. The general rule is to start with Pin 1 Lifted, and if there is noise, try connecting it. It should also be 
noted that there are a lot of other possible causes for noise, this switch is a solution only for some ground loop noise(s) between the 
PA’s console(s) and your instrument amplifier.

Enjoy your new amplifier!

That wraps it up for the Controls and Features of your Rosette Amplifier.  Exercise a little patience 
the first couple weeks of ownership and learn the Controls.  You will be well rewarded for your time 
spent with years of enjoyable performance.

Thank You for your support and for trusting us to be your Amplifier Company. We never take it for 
granted and we wish you countless hours of fun, inspiration and enjoyment from your new instrument.  
Feel free to reach out to us anytime you may need assistance. We’re always glad to hear from you!

From the Entire MESA/Boogie Family; Welcome and Enjoy!

PAGE 14

Содержание Rosette 300 Two:Eight

Страница 1: ...Owner s Manual...

Страница 2: ...u are the new owner of an amp bred of fine heritage benefitting from the many pioneering and patented MESA circuits as well as fresh cutting edge research and development efforts leading to this new a...

Страница 3: ...________________ 10 LAYERED CHORUS REVERB PROGRAM_____________________________________________________ 10 ROOM HALL REVERB PROGRAMS_______________________________________________________ 10 11 EFFECTS...

Страница 4: ...atus which extend past the rear edge of its cabinet When Rack Mounting this unit proper ventilation space must be maintained Do Not cover or block Front and Rear and allow at least 2 of open breathing...

Страница 5: ...the accurate reproduction of that beauty While staying true to the concept of Do No Harm few products or companies seem to share this perspective forAcousticAmplification And when it comes to the ele...

Страница 6: ...s and can end at the Input Stage We re not about to let the latter happen on our watch Note that the lower Channel 2 may be used with a Microphone by using a standard Line Matching Transformer availab...

Страница 7: ...ot light indicating the AC MAINS Power has been switched on BLUE The on board Effects Suite includes three effects choices ROOM REVERB HALL REVERB and REVERB AND CHORUS These effects programs create m...

Страница 8: ...eeds your acoustic voice to live venues and recording applications with something as important as your music INSTANT GRATIFICATION The ROSETTE is a professional and comprehensive amplifier for acousti...

Страница 9: ...I PASS controls feedback by taming excess low frequency resonances and if your instrument is feeding back at a lower pitch increasing the HI PASS filter stands a very good chance of remov ing the offe...

Страница 10: ...nel The microphone preamp features a discrete low impedance balanced input amplifier which provides appropriate loading approx 3k ohms and gain to the microphone The MICROPHONE INPUT jack provides DIN...

Страница 11: ...ustic instrument and bass amplifiers within the past few years with a few notable exceptions This variable filter helps you coordinate and control the sub sonic harmonics generated by the acoustic cav...

Страница 12: ...than trying to boost frequencies Don t frustrate yourself by ignoring this time proven Golden Rule of Audio and you will arrive at great Tone quickly and easily LOW MID BAND With the BASS set at 10 0...

Страница 13: ...necessary to set the MIC GAIN or INSTRUMENT GAIN control a little lower and maybe increase the MASTER control a little to obtain a reasonable playing volume and avoid overdriving the input stage Simi...

Страница 14: ...to the generated reflections Because the time offsets are longer it s helpful not to use too much of this program in a mix especially with long reverb times and a high setting of parameter 2 s low pa...

Страница 15: ...t stage clipping It s acceptable for this amplifier to operate in output stage overdrive mode if that s the tone you re after with the LED flash ing roughly 25 of the time on Rear Panel Controls Featu...

Страница 16: ...help avoid accidental ear damage NOTE IMPORTANT It s advisable to use caution whenever sticking any sound source in or in close proximity to your ears as hearing damage is possible due to unintended...

Страница 17: ...still best to introduce the least possible cable capacitance in the FX LOOP to ensure the best performance and Tone AUX INPUT The Rosette provides a 1 4 6 5mm T R S AUX INPUT This Tip Ring Sleeve ster...

Страница 18: ...h allows you to best match whatever the requirements are of the equipment you are connecting the DI OUTPUTS of your amplifier to so set this switch according to those needs and you will always enjoy g...

Страница 19: ...REST AREA PAGE 15...

Страница 20: ...n turn the controls up 3 Defective speaker cable or cabinet test known good speaker cable and cabinet 4 Defective pickup or cable test with known good pickup and cable 5 There is indeed a problem with...

Страница 21: ...ck all wiring for missing grounding earthing pins have qualified electrician check building power wiring for missing ground earth connections and correct as necessary 4 Problem with wiring or a device...

Страница 22: ...Class D amplifier experience both in bass and acoustic amplifiers as well as in the touring pro audio world We have worked closely with the European engineering team on the development of these new po...

Страница 23: ...WM digital audio recorder but at a much higher frequency at 5 volts conventional computer logic level This PWM pulse train is level shifted by large solid state switching power transistors that operat...

Страница 24: ...RUS ROOM REVERB HALL REVERB LIMIT FX BYPASS PROTECT POWER LOW MID HIGH MID 300 TWO EIGHT ROSETTE PICKUP PHASE PICKUP INPUT PICKUP INPUT CH 1 CH 2 MIC INPUT PLAY MUTE CLIP IN OUT IN MIC PICKUP PHASE PL...

Страница 25: ...TWIST LIFT ADJUSTMENT Adjustment of the Twist Lift is as simple as turning the threaded stand on the bottom side of the cabinet counter clockwise to RAISE the amp or turning the threaded stand clockwi...

Страница 26: ...ones For this reason specifications and information in this manual are subject to change without notice SERVICE INFORMATION USA CANADA Customer Support For technical support troubleshooting tone ques...

Страница 27: ...ROSETTE 300 TWO EIGHT BLOCK DIAGRAM PAGE 23...

Страница 28: ...CONSUMPTION 250W MAINS FUSE INTERNAL T4A 250V h AMPLIFIER 44YV 100V 240VAC 50 60HZ INPUT POWER RATED POWER PICKUP PHASE PICKUP INPUT PICKUP INPUT CH 1 CH 2 MIC INPUT PLAY MUTE CLIP IN OUT IN MIC PICKU...

Страница 29: ......

Страница 30: ...18 02 13 MESA Boogie 1317 Ross Street Petaluma California 94954 USA Phn 707 778 6565 www mesaboogie com Fax 707 765 1503...

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