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no ground loop created from the CABCLONE’s circuit and chassis ground.

  VOICING SWITCH  

  The CABCLONE offers three classic VOICING options created from our 45 years of experience co-designing custom speakers 

with the world’s top makers and designing Speaker Cabinets to load them in.  These “virtual-cabinet” options allow you to tailor the EQ response for 
different Cabinet styles, gain regions and/or different instruments and pickups.  The choices range from bright and open with enhanced top end that buff 
clean sounds, to more compressed with the upper harmonics shelved for warm singing single note sounds.

CLOSED BACK is voiced to deliver a similar response to a closed back 4x12 with British-style 60 watt speakers and pays tribute to our Rectifier® Tra-
ditional cabinet.  Here the mids are scooped and the top end is for the most part intact to create a huge, wide sound.  This position shines for overdrive 
and crunch rhythm work where you need big “tuned” lows and smooth vintage-inspired lead sounds.  The CLOSED BACK mode is the first thing to 
try when using the CABCLONE for high gain sounds, especially when using the THRU jack for a combination of live speaker and CABCLONE direct.  
The added top end a reactive load (speaker) may impart on the sound is nicely balanced by the fatter, tuned response of the CLOSED BACK mode.

OPEN BACK retains the midrange focus but enhances the upper harmonics to create an open, chiming sound that’s perfect for clean rhythm work and 
dynamic clean and/or mildly overdriven solo sounds.  This mode can also bring out the attack on higher gain sounds—especially chording—but beware 
of the buzz! The extra top end in this voicing can become detached pretty quickly and sound trashy when used with the wrong amps, guitars or pickups.  
Use care when dialing the TREBLE and PRESENCE in higher gain scenarios in combination with the OPEN BACK setting.

VINTAGE CABINET rolls off the upper harmonics and compresses the sound to create a warm, round voicing that’s perfect for Jazz Cleans, Blues 
and Rock soloing—and most especially—high gain single note work for Fusion and Rock and Metal styles.  This mode allows greater freedom with the 
controls on the host amp, enabling you to dial in more TREBLE and PRESENCE (and the top two SLIDERS on the GRAPHIC EQ in MESA amps) to 
add top end focus and cut.

Within these three selectable VOICING positions you‘ll find the ability to tune the CABCLONE’s response to work well for almost any sound style.  As 
mentioned earlier in the OVERVIEW, keep in mind that adding a live speaker to the THRU may affect the sound of these VOICING choices. Using a 
live speaker imparts a more reactive, dynamically transient response and may often be brighter as well, depending on the speaker’s inherent EQ and 
sensitivity characteristics.

Now lets take a tour of the Rear Panel and review the interfacing options located there.

Содержание CabClone

Страница 1: ...Owner s Manual...

Страница 2: ...ommitment to quality and dedication to customer satisfaction is present in each and every product we make in our one and only shop in Petaluma California U S A Rest assured that the very same people t...

Страница 3: ...DIRECT OUT XLR s PIN 1 GROUND from the Circuit and Chassis Ground In many cases this can remove annoying ground loops that can occur from grounded devices that have their own different ground referenc...

Страница 4: ...d speaker cable automatically defeats the internal Load Resistor so that your amplifier is seeing the true impedance load of your chosen speaker cabinet Note that using a live speaker connected to the...

Страница 5: ...Panel XLR BALANCED DIRECT OUT All the way left 7 00 produces the lowest signal MIC LEVEL which is similar in strength to what many popular cardioid microphones generate At this setting you should not...

Страница 6: ...sound source and there are as many phases as there are degrees in a circumference around that sound the ability to swap what you re hearing 180 degrees phase wise can often reduce the ill effects of o...

Страница 7: ...tains the midrange focus but enhances the upper harmonics to create an open chiming sound that s perfect for clean rhythm work and dynamic clean and or mildly overdriven solo sounds This mode can also...

Страница 8: ...ow silent recording at similar volume settings as you would use with your amp connected to a speaker cabinet Use common sense and preserve your tubes and attain the best sound by using the CABCLONE wi...

Страница 9: ...the Internal Load when a Speaker unshielded Cable is inserted In this scenario the Load on the SPEAKER OUTPUT of the amplifier is whatever the impedance of the speaker cabinet is connected to the THR...

Страница 10: ...T will be affected by the MASTER Volume setting loudness of the host amplifier Use the Front Panel D I LEVEL to adjust the signal level as needed IMPEDANCE DESIGNATION The three boxes labeled 4 8 and...

Страница 11: ...ons it engages the HEADPHONE driver circuit and at the same time defeats the XLR BALANCED DIRECT OUT Having the two active at the same time would affect the Internal Load impedance and compromise the...

Страница 12: ...14 09 30...

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