Mesa/Boogie Express series Скачать руководство пользователя страница 21

PAGE 17

BIAS ADJUSTMENT:  

(Continued)

  control grids. Voltage and current are NOT the same.  Current is the AMOUNT of electricity, the 

“quantity” — and is measured in amperes.  Voltage is the degree of electric charge — like the “pressure” to use the old water analogy.  
Let me illustrate how different voltage and current are:

When you scrape your feet across a carpeted floor in dry, wintery conditions, your body can become charged with 50,000 to 100,000 
volts of static electricity.  And when you reach for the door knob, a spark jumps and you feel it!  The voltage is super high but the cur-
rent (measured in micro-amps) is tiny - otherwise you would die from electrocution.

Contrast this with your car battery, which puts out a mere 12 volts.  You can lay your hands right across the terminals and not feel a thing.  
Yet the amount of current available can run to several hundred amperes .. enough to turn over a cold engine and get it started.

So current and voltage are two totally separate electrical parameters — though when you multiply them together, you get POWER, 
which is measured in watts.

When you set the bias of an amplifier, you are adjusting the static VOLTAGE at the control grid of the tube in order to produce a 
desired amount of idle CURRENT flowing to the tube’s plate.  A small change in grid voltage, produces a large change in the amount 
of current flowing — and that’s basically how a tube works.  Say that again because it’s super important:  A small change in voltage 
at the grid causes a large change in current flowing to the plate.  See, that’s the essence of amplification: A small change causing a 
large change.  And here it’s a small voltage change causing a large current change.
  
The bias conditions are what determines how much current flows through the big power tubes when you’re not playing.  And what 
drives your speakers is fluctuations in that current flow when you ARE playing.  If the amount of current increases and decreases 
440 times per second, then you’ll hear an A note.  If the fluctuations in current flow are large and still at 440 per second, you’ll hear 
an A that is LOUD!

But for purposes of biasing, it’s the amount of “plate current” flowing with no signal applied that’s important.  Unfortunately current is 
hard to measure because the circuit must be interrupted — as in “cut the wire” — and the meter spliced “in series” with the broken 
circuit.  But measuring VOLTAGE is easy.  It is not necessary to interrupt the circuit because a voltage reading can be taken in PAR-
ALLEL with the circuit intact.

Thus, as a matter of convenience, most bias settings are given in volts at the grid ... even though current through the plate is the 
important factor.  In fact plate current is so inconvenient (and dangerous) to measure that Fender doesn’t even state what the correct 
value should be.  They only give the grid voltage that will produce that current.  (That’s the minus 52.)  But that only happens if the 
tubes being used are “in spec.”

As long as the tubes ARE “in spec”, the right bias voltage will always give the correct plate “CURRENT” — but then there’s no need 
for the bias voltage to be adjustable!

If the tubes are NOT in spec, then the only proper way to re-set the bias is to cut the circuit and measure the current while adjusting 
the bias ... but no manufacturer I know even STATES the desired current value!  Be that as it may, when the original bias voltage is 
altered far enough, it will compensate for the tube’s abnormal performance and the correct amount of idle current flow may then be 
restored.  Clearly this is something most repair techs should not attempt.

Some newer amps have LED indicators connected to the circuit which will turn on when the right threshold of current flow has been 
reached.  This is an improvement, and almost worthy if you’re willing to accept resistors and lights added into your amplifier’s audio 
path — which we aren’t.  

The other “advantage” of this system is that it allows some amp manufacturers to avoid matching their power tubes.  The thinking 
is that adjusting the bias to each tube separately eradicates the inherent differences between the tubes by insuring that the same 
current flows through each one.

Содержание Express series

Страница 1: ...Owner s Manual...

Страница 2: ...Your reward is that you are the new owner of an amp bred of fine all tube heritage benefiting from the many pioneering and patented Mesa circuits that led to the refinement of your new model We feel c...

Страница 3: ...openings with items such as newspapers tablecloths curtains etc Do not impede ventilation by placing objects on top of the apparatus which extend past the rear edge of its cabinet No naked flame sour...

Страница 4: ...________________________________________________ 8 REAR PANEL CONTROLS SWITCHES JACKS EXTERNAL SWITCHING______________________________________________________________________ 9 EFFECTS LOOP___________...

Страница 5: ...a high gain adventure through the searing layers of molten harmonics in BURN Together these two inspiring modes invite years of solo exploration These stylistically opposing modes in the two Channels...

Страница 6: ...ring configuration Choose the full power mode of either amp 25W in 5 25 or 50W in 5 50 for Class AB running in a Push Pull configuration for punch authority and headroom Then kick down to the 5 watt m...

Страница 7: ...that these are approximate descriptions of the sound and that your own personal playing style guitar pickups and most of all touch will determine how this mode reacts at specific settings CRUNCH This...

Страница 8: ...the BLUES mode perfectly not to mention that your roommates will love you for it BURN This is the highest gain of all the modes in your Express and it is BURN that characterizes Channel 2 as the Lead...

Страница 9: ...d you are after try looking to the CONTOUR for any added low end enhancement as this circuit comes later in the preamp and is less likely to bloat the sound If the top end enhancement is unwanted redu...

Страница 10: ...s set high the effectiveness of the BASS and MID controls is reduced If the TREBLE control is set low these two controls become dominant For the most balanced sound and a balance of power between the...

Страница 11: ...l 2 is activated Now let s move to the individual controls and go over how they interact to achieve the sound you re looking for CONTOUR These two sets of 3 position mini toggles and rotary controls m...

Страница 12: ...sition switch up the tubes are at idle so that during power up they may warm up before being put to use Before the power is switched on make sure the STANDBY switch is in the STANDBY position Wait at...

Страница 13: ...al it is important that you use good quality processors in the middle of your amp While the loop is compatible with most processor Input Output impedance demands there can be a lot of room for sonic c...

Страница 14: ...25 with Dyna Watt is one of our most enjoyable circuits to play as it is extremely Expressive and friendly feeling on the strings as well as incredible sounding 5 50 owners check one out sometime 5WA...

Страница 15: ...eans go with the Tone NOTE Using impedance mismatches in the low direction i e a 2 Ohm load on the 4 Ohm output will cause the power tubes to wear a bit faster COMBO Express combos use either one inte...

Страница 16: ...PAGE 12 FACTORY SAMPLE SETTINGS Roots Clean Texas Lead Pushed Clean Thick Crunch Alternative Clean Huge Crunch Spankin Clean Vocal Lead Tight Crunch Soaring Lead...

Страница 17: ...PAGE 13 PERSONAL SETTINGS...

Страница 18: ...start to over heat before the others and thus it can be identified It should be replaced with one from the same color batch shown on its label Call us and we will send one out to you The severe short...

Страница 19: ...is because they are at the start of the chain and their noise gets amplified over and over by the tubes that follow The tube that goes into this input socket usually labeled V1 needs to be the least n...

Страница 20: ...And most important The bias is RIGHT because it can t change Now you want the long answer Here s more information on how our hard wired bias avoids trouble Please read on But first let s make an impor...

Страница 21: ...r an A note If the fluctuations in current flow are large and still at 440 per second you ll hear an A that is LOUD But for purposes of biasing it s the amount of plate current flowing with no signal...

Страница 22: ...ges the other Great care goes into getting this just right and we think we d be asking for trouble to have it adjustable for the world to play with unless you like paying to have your amp messed up So...

Страница 23: ...xample 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output and attack This response i...

Страница 24: ...w you maintain a consistent load with multiple speakers The importance of this is more evident when you have more than one cabinet to connect to your amplifier This is when you need to figure out the...

Страница 25: ...CHEMES Amplifier to Speaker Cabinets 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet SAFE MISMATCH 8 OHM 4 OHM 4 OHM P...

Страница 26: ...ack view of amplifier SAFE MISMATCH 8 OHM Partial back view of amplifier SERIES BOX 8 Ohm 4 Ohm 4 Ohm 4 Ohm Cabinet 4 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view of amplifier PARALLEL BOX 8 Ohm 16...

Страница 27: ...hm 8 Ohm Cabinet 10 SAFE MISMATCH 12 4 OHM 4 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabinet 11 8 OHM 8 Ohm Cabinet 16 Ohm Cabinet 16 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view o...

Страница 28: ...et 8 Ohm Cabinet SERIES BOX 16 Ohm 8 Ohm 8 Ohm 16 Ohm Cabinet 13 SAFE MISMATCH WIRING SCHEMES Amplifier to Speaker Cabinets 4 OHM 4 OHM 8 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabin...

Страница 29: ...epel one another and thus within the electron cloud surrounding the cathode there is much jostling and elbowing as each one tries to maintain his distance from all the others unless there is a strong...

Страница 30: ...d spring It can create a repelling field but mostly it s empty space in between widely sepa rated windings of wire It s very easy to control the electrons as they pass through the grid s force field C...

Страница 31: ...this and haven t lost track of the count you ll know we re still one element short of the five needed to make a Pentode This last part is a pair of beam confining shields which being negatively charg...

Страница 32: ...PAGE 28...

Страница 33: ...PAGE 29...

Страница 34: ...607231 LED pt 395735 LENS pt 703330 SWITCH pt 607233 LED pt 395438 LENS pt 703330 2 SWITCHES pt 607233 2 SWITCHES pt 600631 LED pt 394251 LED pt 394232 LED pt 394201 LENS pt 703782 BULB pt 703047 HOL...

Страница 35: ...3330 LED pt 395735 LENS pt 703330 SWITCH pt 607233 2 SWITCHES pt 607233 LED pt 394251 LENS pt 703782 BULB pt 703047 HOLDER pt 703047 SWITCH pt 607231 2 SWITCHES pt 600631 FRONT PANEL Express 5 50 LED...

Страница 36: ...NOTES...

Страница 37: ......

Страница 38: ...09 14 09...

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