Mesa/Boogie Bass Prodigy Скачать руководство пользователя страница 15

PAGE 10

NOTE: The D.I. OUTPUT will have signal present when in the PRE selection even when STANDBY is used to mute the signal to the 
power section (STANDBY position) as this is the direct signal straight from your instrument before it goes through the amplifier.

NOTE:  POST does not capture and include the power section of your amplifier. 

  D.I. LIFT / GROUND  

   This 2-position mini toggle offers the ability to lift the Circuit Ground from the Chassis Ground, effectively 

isolating the path to Ground for the PRODIGY circuit.  This can be very helpful in live sound front of house or Monitor applications as 

well as in Recording environments.

LIFT isolates the Circuit to Chassis Ground, preventing these types of ground loops when interfacing to 
consoles.

GROUND connects the Circuit Ground to the Chassis and should be used whenever possible.  Use this 
position at all times when you are NOT connecting the D.I. OUTPUT to a console.

Sometimes – not always – this will help you isolate and remove unwanted hum or buzz from the equa-
tion.  Remember that there are a myriad of noises and hums that can be caused from many sources, 

including things beyond your control elsewhere on the AC Line you are connected to (outside your house, studio or venue).  The D.I. 
LIFT/GROUND switch can’t cure those other outside factors, but it can relieve one of the more common sources of hum found when 
interfacing to Consoles that arises when the amplifier’s Ground and the Console Ground create a loop.

  D.I. LEVEL  

   This Control determines the signal strength at the Rear Panel XLR D.I. OUTPUT Jack.  We have located the D.I. 

LEVEL on the Front Panel to offer you easy adjustment of the D.I. Level at Sound Check or even during a performance.  The D.I. 

OUTPUT on the Rear Panel is optimized for use directly into mixing consoles and the D.I. LEVEL Control 
will allow for more than adequate signal level and plenty of room for adjustment within that window. 

NOTE:  IMPORTANT!  It is a wise practice whenever interfacing with Consoles – whether Recording 
or Live Sound – to ALWAYS begin your set-up regimen by zeroing out the D.I. LEVEL control BEFORE 
flipping the POWER switch to the ON position.  This will prevent damage to the Console, Speakers or 
bystanders’ ears should the D.I. LEVEL accidentally be set too high.  This practice allows you to bring up 
the D.I. LEVEL slowly while the Engineer monitors the incoming signal strength and safely reaches an 
optimum level.

It is also wise to follow this regimen in reverse. Make it habit to zero out the D.I. LEVEL at the end of each performance or session. If 
you are in a hurry when you set-up to use the PRODIGY you’ll avoid an embarrassing and sonically unpleasant mistake. 

 SOLO CONTROL™  

   Your PRODIGY is equipped with our patented SOLO™ Feature that provides you with a pre-settable, 

footswitchable boost for when it’s time to step out and showcase important parts during a performance.  You can use the (optional) 

PRODIGY Footswitch to engage this feature or you can trigger the SOLO LEVEL via a tip-to-ground 
latching switch connected to the Rear Panel jack labeled SOLO in the EXT. (external) SWITCHING jacks 
section (left rear).

This feature can be used to increase the playing volume to the amount set by the SOLO control when 
engaged.  To use SOLO, simply connect your Footswitch or external trigger, set your playing volume with 
the MASTER control, hit the SOLO button on the Footswitch, and set the desired amount of boost with 
the SOLO control.  Now you have the added flexibility of a second “MASTER” control that you can call up 
at any time from the Footswitch.

NOTE:  The SOLO may not be used to achieve a volume level lower than that set by the MASTER control… it is a boost only feature.  

NOTE:  The SOLO control is optimized for performance level operation and therefore provides the best functionality in the middle 
range of the MASTER control.  It is normal to experience decreased effectiveness of the SOLO Feature at both the lowest and highest 
regions of the MASTER control. 

D.I.

LEVEL

D.I. LIFT

GROUND

D.I. PRE

POST

Four:88

D.I.

LEVEL

D.I. LIFT

GROUND

D.I. PRE

POST

Four:88

POWER

ON

ON

STANDBY

SOLO

Four:88

Содержание Bass Prodigy

Страница 1: ...Owner s Manual THE HOME OF TONE...

Страница 2: ...wn Your reward is that you are the new owner of an amp bred of fine all tube heritage benefiting from the many pioneering and patented Mesa circuits that led to the refinement of your new model We fee...

Страница 3: ..._________________________________________________________ 11 STANDBY SWITCH__________________________________________________________________________________ 11 REAR PANEL AC MAINS FUSE FUSE RATING AN...

Страница 4: ...y exit from the apparatus Only use attachments accessories specified by the manufacturer Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qu...

Страница 5: ...nnections Do not use excessive force when handling buttons switches and controls Do not use solvents such as benzene or paint thinner to clean the unit Always connect to an AC power supply that meets...

Страница 6: ...Stanley Clark Jack Blades Michael Anthony Blasko and Bootsy Collins are but a few of the international stars that put the 400 center stage to anchor the band during its 20 year build cycle Those iconi...

Страница 7: ...ed by the same Front Panel LED triggered by the mini toggle MUTE PLAY SILENT RE CORD switch Red LED ON MUTE The SILENT RECORD setting allows you to safely mute the signal at the Power Amp and use the...

Страница 8: ...START PROCEDURE When powering up your PRODIGY from cold ALWAYS follow this Start Up Procedure We have found the currently available KT88s require substantially more time than 6L6s or EL34s to warm up...

Страница 9: ...and delivers many of the characteristics of several different manufacturer s iconic amplifiers in one simple to use control Use the VOICE Control to take a broad aim at the sound playing style you are...

Страница 10: ...t setting The NORMAL input is also a great choice if your bass or cabinet or both leans toward being a little on the bright side or if you find the Prodigy to sound bright with other elements of your...

Страница 11: ...ASS control is actually a gain and frequency control all rolled into one with the Q center at 55Hz As mentioned above though it is centered here frequencies harmonics in both low and high direc tions...

Страница 12: ...ity associated with a traditional passive TREBLE control The active TREBLE control completes the rotary tone control string to create a powerful and extremely accurate network to use as your fundament...

Страница 13: ...ry sensitive The MASTER allows you to set the preamp s GAIN control across a wide range of input headroom possibilities from completely clean to tube overdrive and compensate for these extremes giving...

Страница 14: ...your applications that don t require maximum output and headroom you can lengthen the interval between re tubing if you employ power tube rotation swapping the ones used in HALF Power with the ones t...

Страница 15: ...ce whenever interfacing with Consoles whether Recording or Live Sound to ALWAYS begin your set up regimen by zeroing out the D I LEVEL control BEFORE flipping the POWER switch to the ON position This...

Страница 16: ...ool your amp down and put it in an idle state during set breaks This is actually easier on the tubes than turning the POWER completely off only to fire it back up again 15 minutes later The shock of i...

Страница 17: ...PAGE 12 REST AREA...

Страница 18: ...f the speaker jacks For this system to be totally ef fective you must insure that the plug is FULLY inserted into the amplifier and that the other end of the speaker cable is also connected to your ca...

Страница 19: ...RETURN EFFECTS LOOP NOTE To avoid any loud and potentially dangerous pops and noises set the amp to Standby before connecting or disconnecting any effects to the Send or Return jacks This will prevent...

Страница 20: ...ks with an external master switching device or a single tip to ground on off latching footswitch NOTE Use shielded audio cable for connecting the TUNER Output to an external tuner SLAVE This jack is t...

Страница 21: ...ures proper loading of the Output Transformer and Tubes For more ideas and instruction on connecting your cabinets properly see the diagrams in the Rear of this Manual on SPEAKER CONNECTION But first...

Страница 22: ...et into one 4 OHM SPEAKER OUTPUT 4 Ohm Cabinet into the 4 OHM SPEAKER OUTPUT SPEAKER OUTPUT AUTO MUTE FUNCTION Your PRODIGY has built in Output Transformer protection against a No Load scenario in the...

Страница 23: ...he D I POST Position However the final output level that appears at the D I OUTPUT jack is set by the D I OUTPUT control on the Front Panel The overall range of signal available is optimized for Conso...

Страница 24: ...GROUND FULL HALF PWR D I PRE POST B R I G H T A C T I V E 3 2 4 5 1 Four 88 MUTE SIL REC P L A Y SAMPLE 4 Rock Growl NORMAL INPUT POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER...

Страница 25: ...TREBLE VOICE MASTER PLAY MUTE D I LIFT GROUND FULL HALF PWR D I PRE POST N O R M A L A C T I V E 3 2 4 5 1 Four 88 VINTAGE INPUT POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER P...

Страница 26: ...de our designer s sweet spot are unnecessary and usually undesirable unless you like paying a tech to re set your amp s bias voltage But KT 88s are different and sampling them from various suppliers r...

Страница 27: ...is also printed on the chassis top Tube Deck and consists of the following steps SET BIAS For Non Technicians 1 Set the BIAS SWITCH located on the upper Rear Tube Deck to OPERATE Make sure the amp is...

Страница 28: ...higher resistance for example 8 ohm output into 16 ohm cabinet a slightly different feel and response will be eminent A slight mismatch can provide a darker smoother tone with a little less output an...

Страница 29: ...ve side of Speaker A to the Negative side of Speaker B COMBINATION OF SERIES PARALLEL This is really just two sets of Series wired speakers connected in Parallel This is how you maintain a consistent...

Страница 30: ...CHEMES Amplifier to Speaker Cabinets 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet 4 OHM 8 OHM 16 OHM Partial back view of amplifier 16 Ohm Cabinet SAFE MISMATCH 8 OHM 4 OHM 4 OHM P...

Страница 31: ...ack view of amplifier SAFE MISMATCH 8 OHM Partial back view of amplifier SERIES BOX 8 Ohm 4 Ohm 4 Ohm 4 Ohm Cabinet 4 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view of amplifier PARALLEL BOX 8 Ohm 16...

Страница 32: ...hm 8 Ohm Cabinet 10 SAFE MISMATCH 12 4 OHM 4 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabinet 11 8 OHM 8 Ohm Cabinet 16 Ohm Cabinet 16 Ohm Cabinet 4 OHM 4 OHM 8 OHM Partial back view o...

Страница 33: ...et 8 Ohm Cabinet SERIES BOX 16 Ohm 8 Ohm 8 Ohm 16 Ohm Cabinet 13 SAFE MISMATCH WIRING SCHEMES Amplifier to Speaker Cabinets 4 OHM 4 OHM 8 OHM Partial back view of amplifier 16 Ohm Cabinet 16 Ohm Cabin...

Страница 34: ...You ll probably be successful with much less effort than is required to disconnect everything and haul the unit to a technician who will basically perform the same simple tests If the tubes are still...

Страница 35: ...possibly damaged Pre amp tubes don t normally wear out as a rule Therefore it is not a good idea to change them just for the sake of changing them If there isn t a problem don t fix it If there is no...

Страница 36: ...PAGE 31 NOTES...

Страница 37: ...INFO MESABOOGIE COM BEFORE CHANGING TUBES FLIP POWER STANDBY SWITCH TO OFF INPUT JACK 12AX7 V3 12AX7 V2 12AX7 V1 KT 88 V7 KT 88 V6 KT 88 V5 KT 88 V4 SET BIAS LED TRIM OPERATE FRONT OF CHASSIS TUBE REP...

Страница 38: ...VOICE 4 OHM 8 OHM 4 OHM SEND RETURN POWER ON ON STANDBY D I LEVEL SOLO GAIN BASS MID TREBLE VOICE MASTER D I LIFT GROUND FULL HALF PWR D I PRE POST CAUTION WARNING h 5 A SLO BLO 120 V 60 Hz 6 A CAUTI...

Страница 39: ......

Страница 40: ...09 20 13...

Отзывы: