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Page 8

Quest User's Manual

Martin-Logan Exclusives

Critical Zone

Critical Zone

Critical Zone

Critical Zone

Critical Zone

250 - 20kHz

250 - 20kHz

250 - 20kHz

250 - 20kHz

250 - 20kHz

Tweeter

Tweeter

Tweeter

Tweeter

Tweeter

M i d r a n g e

M i d r a n g e

M i d r a n g e

M i d r a n g e

M i d r a n g e

Woofer

Woofer

Woofer

Woofer

Woofer

Critical Zone

Critical Zone

Critical Zone

Critical Zone

Critical Zone

250 - 20kHz

250 - 20kHz

250 - 20kHz

250 - 20kHz

250 - 20kHz

Woofer

Woofer

Woofer

Woofer

Woofer

Quest

Quest

Quest

Quest

Quest

Electrostatic

Electrostatic

Electrostatic

Electrostatic

Electrostatic

Transducer

Transducer

Transducer

Transducer

Transducer

Martin-Logan  Quest

Quest

Quest

Quest

Quest Loudspeaker

Conventional Loudspeaker

Figure 1. 

Figure 1. 

Figure 1. 

Figure 1. 

Figure 1. Illustrates how a conventional speaker system

must use a crossover network that has negative affects

on the musical performance, unlike the Quest which

needs no crossover networks in the "critical zone".

Full Range Operation

Full Range Operation

Full Range Operation

Full Range Operation

Full Range Operation

The most significant advantage of Martin-Logan's
exclusive transducer technology reveals itself when you
compare to examples of other loudspeaker products on
the market today.

The Quest uses no crossover networks above 150 Hz
because they are not needed. It consists of a single,
seamless electrostatic membrane reproducing all
frequencies above 150 Hz simultaneously. How is this
possible?

First, it is important to understand that music is not

of music and then combined electrically so that the sum of
the parts equals the total signal. While this sounds nice in
theory, a different story unfolds in real-world conditions.

In order to use multiple drivers, a crossover network is
enlisted to divide the complex musical signal into the
separate parts (usually highs, mids, and lows) that each
specific driver was designed to handle. Unfortunately,
due to the phase relationships that occur within all
crossover networks and during the acoustical recombina-
tion process, nonlinearities and severe degradation of the
music signal takes place in the ear's most "critical zone".

See Figure 1.
So, music in the "critical
zone" becomes delayed in
time. These delays can be
picked-up by your ear and
result in poor imaging and
ambience cues.

The Quest's electro-

The Quest's electro-

The Quest's electro-

The Quest's electro-

The Quest's electro-
static transducer can

static transducer can

static transducer can

static transducer can

static transducer can
single-handedly repro-

single-handedly repro-

single-handedly repro-

single-handedly repro-

single-handedly repro-
duce all frequencies

duce all frequencies

duce all frequencies

duce all frequencies

duce all frequencies
above 150 Hz simulta-

above 150 Hz simulta-

above 150 Hz simulta-

above 150 Hz simulta-

above 150 Hz simulta-
n e o u s l y .

n e o u s l y .

n e o u s l y .

n e o u s l y .

n e o u s l y .

The crossover phase
discontinuities that are
associated with traditional
tweeter, midrange, and
woofer systems are elimi-
nated in the Quest. This
results in a dramatic

dramatic

dramatic

dramatic

dramatic

improvement in imaging

improvement in imaging

improvement in imaging

improvement in imaging

improvement in imaging
and staging perform-

and staging perform-

and staging perform-

and staging perform-

and staging perform-
ance due to the mi-

ance due to the mi-

ance due to the mi-

ance due to the mi-

ance due to the mi-
nutely accurate phase

nutely accurate phase

nutely accurate phase

nutely accurate phase

nutely accurate phase
relationship of the full-

relationship of the full-

relationship of the full-

relationship of the full-

relationship of the full-
range panel wave

range panel wave

range panel wave

range panel wave

range panel wave
l a u n c h .

l a u n c h .

l a u n c h .

l a u n c h .

l a u n c h .

composed of separate high,
mid and low frequency
pieces. In fact, music is
comprised of a single
complex waveform with all
frequencies interacting
simultaneously.

The electrostatic transducer
of the Quest essentially acts
as an exact opposite of the
microphones used to record
the original event. A
microphone, which is a
single working element,
transforms acoustic energy
into an electrical signal that
can be amplified or pre-
served by some type of
storage media. The Quest's
electrostatic transducer
transforms electrical energy
from your amplifier into
acoustical energy with a
single membrane.

Upon looking carefully at a
traditional magnetic driver
(i.e. dynamic, ribbon,
induction), no single unit can
reproduce the full range of
frequencies. Instead, these
drivers must be designed to
operate within narrow areas

Содержание The Quest Speaker System

Страница 1: ...The Quest Speaker System User s Manual T H E E L E C T R O S T A T I C T E C H N O L O G Y...

Страница 2: ...s we have a completed Warranty claims unless we have a completed Warranty claims unless we have a completed Warranty Registration card on file Registration card on file Registration card on file Regis...

Страница 3: ...e transducers available today Fabricated from a specially tooled high grade steel the panel is then coated with a special high dielectric compound that is applied via a proprietary electrostatic depos...

Страница 4: ...plug them in making sure that you have made a firm connection first to the AC power receptacle on the rear panel of the speaker and then to the wall outlet Extension cords may be used if necessary sin...

Страница 5: ...for the ride The very concept of these drivers require that the cone or dome be perfectly rigid damped and massless Unfortunately these conditions are not available in our world today To make these c...

Страница 6: ...e Rice and Kellogg had narrowed the field of contestants down to the cone and the electrostat The outcome would dictate the way that future generations would refer to loudspeakers as being either conv...

Страница 7: ...ud it had poor bass performance it presented a difficult load that some amplifiers did not like its dispersion was very directional and its power handling was limited to around 70 watts As a result ma...

Страница 8: ...layed in time These delays can be picked up by your ear and result in poor imaging and ambience cues The Quest s electro The Quest s electro The Quest s electro The Quest s electro The Quest s electro...

Страница 9: ...see through cylindrical shape of all Martin Logan products Vapor Deposited Film Vapor Deposited Film Vapor Deposited Film Vapor Deposited Film Vapor Deposited Film The diaphragm material used in all M...

Страница 10: ...ance or severe damage may occur to a Quest speaker if opera tion is attempted from an incorrect AC power source If your home is not equipped with three prong wall outlets you may use cheater plugs to...

Страница 11: ...Bi Amp switched to the Bi Wire Bi Amp switched to the Bi Wire Bi Amp switched to the Bi Wire Bi Amp switched to the Bi Wire Bi Amp position before making any con position before making any con positio...

Страница 12: ...either form of passive bi amplification your pre amplifier must have dual outputs If your pre amplifier is not so equipped you must either purchase or construct a Y adaptor Horizontal bi amping Horiz...

Страница 13: ...o tailor the mid range response presence of the Quest The Flat Flat Flat Flat Flat position is considered the normal setting for most rooms However if you would like more presence select the 2dB 2dB 2...

Страница 14: ...ge objects in the room such as cabinetry or furniture can help to minimize this potential problem Some serious audiophiles will literally build a special room with no parallel walls just to get away f...

Страница 15: ...e bass can be ill defined and even boomy The use of spikes is recommended to insure secured footing for your speakers Bipolar Speakers and Your Room Bipolar Speakers and Your Room Bipolar Speakers and...

Страница 16: ...on field gives you a choice of good seats for the performance while minimizing interactions with side walls See Figure 1 Make sure both speakers stand exactly at the same vertical angle otherwise the...

Страница 17: ...on with minimal room interac tion The result is solid imaging with a wide listening area Historically most attempts to achieve smooth dispersion from large flat panel transducers resulted in trade off...

Страница 18: ...lections can cause problems and confuse the quality of imaging Actually it is better for the wall behind you to be soft than to be bright If you have a hard back wall and your listening position is cl...

Страница 19: ...or should it be too heavy It should extend fairly deep to even the deepest organ pas sages yet it should be tight and well defined Kick drums should be tight and percussive string bass notes should be...

Страница 20: ...of the curvilinear transducer the curvilinear transducer the curvilinear transducer the curvilinear transducer the curvilinear transducer To determine distance from the side walls measure the width o...

Страница 21: ...self be shocked Could my children pets or myself be shocked Could my children pets or myself be shocked Could my children pets or myself be shocked by the high voltage present in the electrostatic by...

Страница 22: ...Imaging Check placement Are both speakers the same distance from the walls Do they have the same amount of toe in Try moving the speakers away from the front and side walls Check the polarity of the...

Страница 23: ...cordings RR 16 Stanley Turrentine Cherry CTI Records CTI 6017 McCoy Tyner Jackie McLean It s About Time Blue Note BT 85102 Dionne Warwick Soulful Scepter SPS 573 Compact Discs Compact Discs Compact Di...

Страница 24: ...interference such as a cabinet edge grill frame or other similar object Diaphragm Diaphragm Diaphragm Diaphragm Diaphragm A thin flexible mem brane or cone that vibrates in response to electrical sign...

Страница 25: ...resistance Resonance Resonance Resonance Resonance Resonance The effect produced when the natural vibration frequency of a body is greatly amplified by reinforcing vibrations at the same or nearly th...

Страница 26: ...ch Bass Contour Switch Bass Contour Switch 3dB from 60 150 Hz Presence Contour Switch Presence Contour Switch Presence Contour Switch Presence Contour Switch Presence Contour Switch 2dB from 1 000 Hz...

Страница 27: ...Page 27 Quest User s Manual Notes...

Страница 28: ...1 delaware street p o box 707 lawrence kansas 66044 ph 913 749 0133 1990 martin logan ltd martin logan ltd martin logan ltd martin logan ltd martin logan ltd all rights reserved T H E E L E C T R O S...

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