Marshall Amplification JTM60 Скачать руководство пользователя страница 2

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WARNING! 

Please read the following list carefully.

A.

ALWAYS fit a good quality mains plug conforming to the latest B.S.I. 
standards where necessary (UK only).

B. 

ALWAYS wire the plug according to the colour code attached to the 

mains lead.

C.

NEVER under any circumstances operate the amplifier without an 
earth.

D. 

NEVER attempt to by-pass the fuses or fit ones of the incorrect value.

E. 

NEVER attempt to replace fuses or valves with the amplifier connected

to the mains.

F.

DO NOT attempt to remove the amplifier chassis, there are no user 
serviceable parts.

G.

ALWAYS have this equipment serviced or repaired by competent
qualified personnel.

H.

NEVER use an amplifier in damp or wet conditions.

I.

DO NOT switch the amplifier on without the loudspeaker connected                                                  
and ensure that any extension cabinets used are the correct impedance.

J.

DO NOT obstruct airflow around amplifier.

K.

PLEASE read this instruction manual carefully before switching on.

B

R

O

W

N

BLUE

G

R

E

E

N

/Y

E

L

L

O

W

3A

N

E

L

Introduction

Marshall Amplification has been

inextricably linked with valve amplification
since our very beginning in 1962. Products
such as the original Bluesbreaker combos,
JTM 45 and Super-Lead heads were all
destined to be, and have become, classics in
their own right. All of these special Marshalls
produced their magical tone by driving the
guitar through an all valve pre-amp into a pure
valve power-amp. The JTM range carry on this
grand tradition, but meet the demands of
contemporary guitarists by providing features
such as Channel Switching, Reverb, Effects
Loop and Speaker Emulated output. Their all-
valve circuitry is capable of the fullest range of
classic sounds from clean to crunch and high
gain drive, with superb styling and specially
designed ‘Heritage’ loudspeakers giving the
JTM range the Vintage looks to match their
Classic range of tones.

Using the JTM 60

The JTM 60 is easily capable of producing a

wide range of usable quality tones, from glassy
vintage clean, Bluesbreaker type singing lead
and crunchy chord work, to full blown modern
high gain crush. What’s more the controls are
simple and intuitive to use. 

Whilst one should always bear in mind that

taste in tone is very subjective here follows a
few simple suggestions for getting some great
sounds from your JTM 60.

Clean:  Make sure you select the Normal
channel on the JTM 60. This is indicated by
the green L.E.D. The strength and height of
your pick-ups will have a great influence on
the level you should set the volume on this
channel before overdrive sets in. Generally
speaking the Channel Volume control should
be set below half way for totally clean sounds,
with the Master Volume set higher. The tone
network should be set with all three controls at
5 initially, then adjusted to suit the type of
guitar and sound required.

Содержание JTM60

Страница 1: ...Q England Tel 01908 375411 Fax 01908 376118 Web Site http www marshallamps com Whilst the information contained herein is correct at the time of publication due to our policy of constant improvement and development Marshall Amplification plc reserve the right to alter specifications without prior notice Jan 99 ...

Страница 2: ... their magical tone by driving the guitar through an all valve pre amp into a pure valve power amp The JTM range carry on this grand tradition but meet the demands of contemporary guitarists by providing features such as Channel Switching Reverb Effects Loop and Speaker Emulated output Their all valve circuitry is capable of the fullest range of classic sounds from clean to crunch and high gain dr...

Страница 3: ...er frequencies in the tone of the Normal channel 6 Middle Control Controls the middle frequencies in the tone of the Normal channel 7 Treble Control Controls the upper or treble frequencies in the tone of the Normal channel 8 L E D Indicates channel Green Normal Red Boost 9 Gain Control Controls the amount of Gain on the Boost channel 10 Volume Control Controls the Volume of the Boost channel 11 B...

Страница 4: ...ntage loudspeakers like no other D I furthermore this output is unaffected by the Master Volume controls therefore allowing the JTM 60 s output to be turned off whilst still providing silent recording facilities The D I Output is via an XLR type connector which allows this system to be run into either a a line level balanced input b a line level unbalanced input or c a low level unbalanced input P...

Страница 5: ...nd D I OUTPUT Pin 1 OV Pin 2 High Pin 3 Low Refer to manual 0 8 4 10 Presence 2 Emulated PWR Amp Line Out 6 OUTPUT Internal Extension 60 V A L V E AMPLIFIC A T I O N VOLUME BASS MIDDLE TREBLE NORMAL REVERB BOOST REVERB VOLUME BOOST MASTER 0 6 4 10 0 6 4 10 0 6 4 10 0 6 4 10 0 6 4 10 0 6 4 10 0 6 4 10 0 8 6 4 10 STANDBY 0 1 POWER 0 1 GAIN VOLUME NORMAL BASS MIDDLE TREBLE 0 2 6 4 10 0 6 4 10 0 6 4 1...

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