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7/1/95

LM-3204E Expander

any of the LM-3204's 16
channels.

Signal Present LEDs on

every channel.

The

LM-3204's
–20dB
LEDs light

whenever
there is a
signal level

of +20dBu
at 1kHz or
above at
the inputs

of that channel strip. In
practice, this LED will

toring outputs, each with
its own level control. Moni-
toring controls consist of a
stereo Control Room fader,
the Phones level control
(with a handy Phones jack
just below it), and the Tape
Monitor switch. Control
Room and Phone monitor
outputs always share the
same sources:

The main Left and Right
buses under normal
conditions;

The output of your tape
recorder (or some other

source patched into the
Tape In jacks) when the
Tape Monitor switch is
pushed, or;

The stereo solo buses
whenever any Solo
switch is pressed. The
solo circuits override the
Tape Monitor switch.

In the up position, the

Tape Monitor switch
selects the main Left and
Right bus outputs for the
monitor circuits and the
meters. In the down posi-
tion, the Tape Monitor
switch selects the Tape

AUX Return 3 inputs are
disconnected. Instead,
the outputs of the ALT 3-
4 buses are routed into
the AUX Return 3 control
and circuitry. This allows
you to use ALT 3-4 as a
pair of submix buses and
then remix them back
into the main Left and
Right buses.

AUX Return to Con-

trol Room Only for AUX
Return 4.

 

When this

switch is up, AUX Return
4 functions normally.
When the switch is
down, the AUX Return 4
is disconnected from the
main Left and Right
buses and is reconnected
to the control room
monitor and headphone
circuits (where it is mixed
back in with Left and
Right signal on its way to
the Monitor section). This
allows you to wet moni-
tor or send performers a
cue or click feed without
having it go onto tape.

Main Outputs are elec-

tronically balanced and
capable of driving record-
ers at 10dBV or
+4dBu. 1/4" TS Tape In
jacks provide a monitor
return for deck output.
Tape In jacks are routed
through the Tape Monitor
switch in the Main Out-
put section which can
send the signal to the
Control Room and
Phones buses. The LM-

3204 also has four unbal-
anced RCA-type connectors
with Out RCA jacks con-
nected in parallel to the
Main Output jacks.

Expandable with

the LM-3204E.

Need 32, 48 or even 64

stereo line inputs without
adding significant noise or
degrading overall head-
room? The LM-3204E is
essentially an LM-3204
without the master section.
It includes 16 stereo chan-
nels and four Aux returns.
Connection is via a propri-
etary ribbon cable. The
LM-3204E also includes a
ribbon cable input so that
expanders can be daisy-
chained.

All the “hidden” things

Mackie is noted for.

Such as a built-in power

supply with IEC cord, built-
in RFI protection and sealed
rotary potentiometers. The
LM-3204's front panel cir-
cuit board is a horizontal,
through-hole-plated fiber-
glass slab attached with
solid brass standoffs that

flicker or light almost con-
stantly when there is
activity in that channel,
and it basically serves as a
convenient way of figuring
out what's plugged into
where.

New monitor and

tape features

The LM-3204 also intro-

duces new features that
provides real flexibility for
both live and studio appli-
cations.

It has separate Control

Room and Phone moni-

Inputs for the monitor
circuits and the meters.
Control Room outputs are
provided for connection
to a power amplifier
(without tying up your
headphone output).

The LM-3204's four

stereo Aux returns include
two new features:

Source ALT 3-4 switch

for AUX Return 3.

 With

the switch up, AUX Return
3 is just what it's adver-
tised to be: an AUX
Return. When the Source
ALT 3-4 switch is down,

+

-

+

-

LEFT (MONO)

LINE IN

BALANCE

BAL/UNBAL

INPUTS

+

-

RIGHT

LINE IN

L

R

L

R

L

R

L

R

L

R

MAIN 1-2

ALT 3-4

AUX 1

AUX 3

AUX 4

AUX 2

SOLO

CONTROL

INSERT

(CH’s 1-4)

MUTE/

ALT 3-4

LEVEL

LEVEL

SOLO

AUX  1/3

AUX 2/4

CONTROL

STEREO

CHANNEL

1 of 16

CLIP LED

-20 LED

10

CLIP 

7
4
2

0

-2
-4
-7

-10

-20
-30
-40

R

L

METER

LEFT
MAIN
OUT

RIGHT
MAIN
OUT

L

• • • • • • • • • •

• • •

LEFT (MONO)

AUX RETURN 1

RIGHT

LEVEL

LEFT (MONO)

AUX RETURN 2

RIGHT

LEVEL

48 V

TRIM

MIC 1

OUT

MIC 2

OUT

TRIM

OPTIONAL

LM-3204E
EXPANDER

MACKIE

MIC PREAMPS

SOURCE ALT 3-4

RET 4 TO
CONTROL ROOM ONLY

LEFT (MONO)

AUX RETURN 3

RIGHT

LEVEL

LEFT (MONO)

AUX RETURN 4

RIGHT

INSERT

(CH’s 1-4)

LO MID

HI

EQ

LO MID

HI

EQ

S

S

+

-

• •

S

• •

S

L MAIN
INSERT

R MAIN
INSERT

+

-

+

-

S

S

S

S

SOLO
LEVEL

SOLO
RELAY
DRIVER

L FADER

R FADER

TAPE

MONITOR

S

S

S

C/R FADER

PHONES
LEVEL

S

S

S

S

S

R

CONTROL
ROOM OUT

PHONES
OUT

TAPE IN
LEFT

TAPE IN
RIGHT

L

R

ALT 3-4
OUT

L ( MONO)

R

AUX 1
OUT

L ( MONO)

R

AUX 3
OUT

AUX 2
OUT

AUX 4
OUT

To Schenectady

S

S

SHIFT

Содержание LM-3204

Страница 1: ...le hot inputs on all channels without exhaust ing headroom Two mic preamps Even though the LM 3204 is a line mixer we wanted to increase its utility in live applications So we added two of our proven mic preamplifiers a design well known for its high headroom and ultra low noise Both mic preamps have trim con trols balanced XLR inputs and 1 4 outputs The out puts can be patched into The LM 3204 Li...

Страница 2: ...ain Output jacks Expandable with the LM 3204E Need 32 48 or even 64 stereo line inputs without adding significant noise or degrading overall head room The LM 3204E is essentially an LM 3204 without the master section It includes 16 stereo chan nels and four Aux returns Connection is via a propri etary ribbon cable The LM 3204E also includes a ribbon cable input so that expanders can be daisy chain...

Страница 3: ...ain Output jacks Expandable with the LM 3204E Need 32 48 or even 64 stereo line inputs without adding significant noise or degrading overall head room The LM 3204E is essentially an LM 3204 without the master section It includes 16 stereo chan nels and four Aux returns Connection is via a propri etary ribbon cable The LM 3204E also includes a ribbon cable input so that expanders can be daisy chain...

Страница 4: ...x gain 15dBu Main L R max gain 10dBu Solo max gain 16dBu Max Input Levels Mic in 14dBu Line in 22dBu Tape in 23dBu Aux return in 22dBu Max Output Levels Main L R tape out 22dBu Control room 22dBu Alt 22dBu Aux sends 22dBu Impedances All outputs 60 bal 120 unbal Mic input 5k Line input 10k Tape input 10k Aux return input 10k Crosstalk 20Hz 20kHz Line in to adjacent ch 1kHz 0dBu 83dBu or better 10kH...

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