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19

slowest repeats at 

10

DAMPING/DEPTH

 

 

controls the damping, with the darkest tone at 

0

 and the brightest tone at 

10

. Since the delay 

effect is not stereo, it is not affected by the 

WIDE

 

 switch.

DELAY 1:

 One repeat. Works best for slap-

back delay used in country and swing guitar, 
and for rockabilly and some country vocals. De-
lay range is adjustable from 5 ms to 524 ms. 

DELAY 2:

 Two repeats. Provides a fuller, 

more dramatic effect for rock and gospel vocals, 
acoustic guitar, and wind instruments such as 
fl ute. Especially effective for some fi nger-picking 
styles. Delay range is adjustable from 5 ms to 
524 ms.

DELAY 3:

 Three repeats. An excellent delay 

for slow, bluesy vocals and melodic fl ute music. 
This delay usually works best when the chan-
nel 

EFX

 send is set at less than halfway. Delay 

range is adjustable from 5 ms to 524 ms.

DELAY 4:

 Four repeats. This is for very dra-

matic delay effects, particularly for enhancing 
long vocal notes and dramatic instrumental 
note-chopping effects. Be sure to set the chan-
nel 

EFX

 send at about halfway. Delay range is 

adjustable from 5 ms to 524 ms.

Modulation Effects

These include Chorus, Flange, and Phaser, 

and are generally used for enhancement of 
instrumental music. However, Chorus adds 
a dramatic effect to vocals as well. The 

WIDE

 

 switch is very effective at dramatically 

increasing the strength and thickness of a 
modulation effect. For example, using 

WIDE

 on 

Chorus mimics a multi-voiced chorus effect. 

TIME/RATE

 

 controls the effect Rate, 

which is the speed of the sweeping effect. 
Fully counter-clockwise produces the slowest 
sweeps and fully clockwise produces the fast-
est. 

DAMPING/DEPTH

 

 controls the effect 

depth, which is the strength of the sweeping 
effect. Fully counter-clockwise produces the 
lightest sweeping effect and fully clockwise 
produces the thickest.

CHORUS:

 Provides a soft, ethereal sweeping 

effect. Perfect for enhancement of electric and 
acoustic guitar and bass. Also adds a dramatic 
effect to vocals, particularly group harmonies 
and choirs. The channel’s 

EFX 2 (INT)

 

 

should be set halfway or higher. Rate is adjust-
able from 0.5 Hz to 30 Hz. Depth is adjustable 
from 0% to 100%.

FLANGE:

 Creates a strong sweeping effect, 

particularly effective on rock electric guitar, 
lead and rhythm. The channel’s 

EFX 2 (INT)

 

 

should be set halfway or higher. Rate is adjust-
able from 0.5 Hz to 20 Hz. Depth is adjustable 
from 0% to 100%.

PHASER:

 This effect is perfect for enhanc-

ing strummed acoustic guitar or electric guitar 
power chords. The 

PHASER

 effectively dupli-

cates the popular 70’s phase shift effect used for 
guitar. Rate is adjustable from 0.5 Hz to 35 Hz. 
Depth is adjustable from 50% to 100%.

TIME/RATE  

If you have a reverb effect selected, this con-

trol adjusts how long the reverberation lasts, 
with 

0

 being a short reverb time and 

10

 being 

the longest.

If you have a delay effect selected, this adjusts 

the amount of time between the original signal 
and the delayed signal, with 

0

 being a short delay 

time and 

10

 being the longest delay time.

If you have a chorus, fl ange, or phaser effect 

selected, this control adjusts the rate or speed 
of the modulation of the effect.

DAMPING/DEPTH  

If you have a reverb or delay effect selected, 

this control adjusts how fast the higher fre-
quencies roll off in the reverberation or delay, 
with 0 having little roll off and 10 having the 
most roll off.

If you have a chorus, fl ange, or phaser effect 

selected, this control adjusts the depth of the 
modulation of the effect.

WIDE 

Depending on the effect selected, this 

switch adds more width or depth to the effect. 
Note that it doesn’t work with the 

DELAY

 and 

PHASER

 effects because they are monophonic. 

BYPASS 

Pushing in this button causes the adjacent 

EFX BYPASS

 indicator to light and mutes the 

effects’ output signal. It affects only the internal 

EMAC

 effects, not any external effects proces-

sor you may have connected to the 

STEREO 

EFX RETURN 2

 

 jack.

CLIP 

This indicates when the 

EMAC

 is 6 dB below 

clipping. Just like the channels’ 

ZERO LEVEL

 

 LED, this LED should only light occasional-

ly. If it blinks frequently, you should turn down 

EFX 2 SEND

 

 a little.

Содержание CFX MKII

Страница 1: ...20 10 OO 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10...

Страница 2: ...e of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieu...

Страница 3: ...circles like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for cho...

Страница 4: ...RATIONS 20 APPENDIX A Service Info 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 SpecificationsCFX12 CFX16 CFX20 MKII 21 CFX MKII SERIES LIMITED WARRANTY 22 BLOCK DIAGRAM 23 IMPORTANT S...

Страница 5: ...rip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls cen tered 6 Channel strip ASSIGN 1 2 and MUTE s...

Страница 6: ...comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ instead 6 Using channel EFX 2...

Страница 7: ...eless Microphone Receivers Stereo EQ Stereo Power Amplifier Left Right Chapel Cassette or DAT Recorder CFX16 MKII Large Club Gig or Auditorium using a Subwoofer CFX20 MKII Church Sound Reinforcement w...

Страница 8: ...INE IN INSERT MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate d...

Страница 9: ...eo signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the...

Страница 10: ...utputs is post fader only so they cannot be used as traditional stage monitor cues They re intended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more informat...

Страница 11: ...ee the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a normally open foot switch to this connector to duplicate the function of the BYPASS switch...

Страница 12: ...ranges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo signals For in...

Страница 13: ...EVEL EFX 1 EFX 2 Pre vs Post Auxiliary Signal Flow Diagram MID 400Hz L R PAN 1 2 dB 10 LOW 12k HI HI MID 3k 80Hz LOW EQ U 15 15 U 15 15 U 15 15 U 15 15 ASSIGN 11 12 MUTE example boosting the LOW EQ kn...

Страница 14: ...ependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the m...

Страница 15: ...ults try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the oper ating level is the relative 0 dB VU o...

Страница 16: ...mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this sw...

Страница 17: ...EFFECTS PROCESSOR FOR THE IMPA TIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark Assuming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individual amo...

Страница 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Страница 19: ...ramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100 FLAN...

Страница 20: ...ab that you put underneath the center screw that holds the AC outlet faceplate in place This center screw must be grounded You can check it by connecting the adapter to the outlet and then plugging in...

Страница 21: ...Adjacent Inputs or Input to Output 90 dB 1 kHz Fader Off 90 dB 1 kHz Mute Switch and Break Switch Mute 80 dB 1 kHz Input Gain Control Range Mono Channels Mic In 5 dB to 50 dB Line In 15 to 30 dB Stere...

Страница 22: ...LOUD authorized reseller or dealer The Product Warranty will not extend to anyone other than the original purchaser of the product hereinafter Customer you or your For products purchased outside the...

Страница 23: ...FX 1 EFX 2 PRE POST PAN MAIN GAIN LEFT RIGHT SOLO 1 2 MUTE EFX RETURN 1 SUBWOOFER OUT 1 2 3 63 125 250500 1K 2K 4K 8K 16K TAPE OUT RIGHT BREAK MAIN LEVEL MAIN INSERT LEFT ASSIGN RIGHT ASSIGN SUB 1 OUT...

Страница 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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