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CFX MKII SERIES

OWNER’S MANUAL

12, 16, AND 20-CHANNEL

MIC/LINE MIXERS 

WITH DIGITAL EFFECTS

POWER

ON

TIP OUT TO EFFECTS DEVICE
RING RETURN FROM EFFECTS

STEREO 

PLUG

FOR USE AS AN EFFECTS LOOP

(TIP = SEND, RING = RETURN)

DIRECT OUT WITH SIGNAL 

INTERRUPTION TO MASTER

OPTIONAL USES FOR INSERTS

INSERT ALL THE WAY IN TO

THE "SECOND CLICK"

MONO PLUG

12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER

CFX12

SERIAL NUMBER

MANUFACTURING DATE

WIDE

BYPASS

10

0

10

0

REVERBS

DELAYS

CHORUS/FLANGE/PHASER

DAMPING

DEPTH

TIME

RATE

NORMAL

NORMAL

EFX

SM. ROOM

MD. PLATE

LG. PLATE

LG. HALL

GATED

REVERSE

CATHEDRAL

MD. HALL

SPRING

PHASER

DELAY  4
CHORUS

DELAY  3

DELAY  1

FLANGE

DELAY  2

1

3-4

1-2

CLIP

0dB=0dBu

LEFT

RIGHT

MID

400Hz

MID

400Hz

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

600

1.5k

150

8k

100

12k

HI

MID

FREQ

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

MIC

1

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

MIC

2

MIC

3

MIC 

4

MIC

5

MIC

6

MIC

7

MIC

8

ZERO

LEVEL

SET

TAPE LEVEL

O

O

MAX

PHONES LEVEL

UTILITY OUT LEVEL

1

(EXT)

48v

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

3-4

1-2

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

SOLO

PFL

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

15–

15+

5

10

0

5

10

–15

+15

5

10

0

5

10

1

EFX

2

(INT)

EFX

1

(EXT)

POWER

STATUS

RUDE

SOLO

BREAK SWITCH

(MUTES ALL CHANNELS)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

EFX

2

(INT)

EFX

1

(EXT)

PRE FADER

AUX

2

3

4

5

6

7

8

9/10

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+20

O

O

U

+20

O

O

U

+10

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

11/12

AUX

EFX

MASTER SEND

U

GAIN

+20

-20

U

GAIN

+20

-20

LOW

LOW

22

10

7

4

2

0

2

4

7

10

20

30

STEREO

MAIN MIX

PHONES

FOOT

SWITCH

EFX 

LAMP

12V 0.5A

MAIN OUT

L

R

11

LEFT

AUX SEND

UTILITY OUT

SUB OUT

TAPE

INPUT

TAPE

OUTPUT

L

L

R

1

2

1

2

L

L

R

R

L

R

EFX SEND

STEREO EFX

RETURN

MAIN INSERT

(MONO)

(MONO)

L

R

S

75Hz

SUB OUT

R

1

2

1

2

3

4

MAIN OUT

9

LEFT

RIGHT

10

RIGHT

12

EFX  

RETURN

EFX

2

SEND

TO MAIN MIX

EFFECTS TO MONITOR

AUX 

1

AUX 

2

PHANTOM POWER 

STEREO GRAPHIC EQ

1K

500

250

63

125

16K

2K

4K

8K

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

12k

HI

HI

MID

3k

80Hz

LOW

EQ

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

CLIP

 DIGITAL STEREO EFFECTS PROCESSOR

EFX 2 (INT) RETURN MASTERS

12 CHANNEL COM

PACT INTEGR ATED LIVE SOUND MIXER

ASSIGN

1

MUTE

ASSIGN

2

MUTE

ASSIGN

3

MUTE

ASSIGN

4

MUTE

ASSIGN

5

MUTE

ASSIGN

6

MUTE

ASSIGN

7

MUTE

ASSIGN

8

MUTE

ASSIGN

9-10

MUTE

ASSIGN

11-12

MUTE

SUB

SUB

SUB

SUB

1

2

3

4

ASSIGN

ASSIGN

ASSIGN

ASSIGN

STEREO

MAIN MIX

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

GAIN

LOW CUT

100 Hz

ZERO

LEVEL

MI

C GAIN

5

+50

U

-15dB +30dB

Содержание CFX MKII

Страница 1: ...20 10 OO 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10...

Страница 2: ...e of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieu...

Страница 3: ...circles like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for cho...

Страница 4: ...RATIONS 20 APPENDIX A Service Info 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 SpecificationsCFX12 CFX16 CFX20 MKII 21 CFX MKII SERIES LIMITED WARRANTY 22 BLOCK DIAGRAM 23 IMPORTANT S...

Страница 5: ...rip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls cen tered 6 Channel strip ASSIGN 1 2 and MUTE s...

Страница 6: ...comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ instead 6 Using channel EFX 2...

Страница 7: ...eless Microphone Receivers Stereo EQ Stereo Power Amplifier Left Right Chapel Cassette or DAT Recorder CFX16 MKII Large Club Gig or Auditorium using a Subwoofer CFX20 MKII Church Sound Reinforcement w...

Страница 8: ...INE IN INSERT MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate d...

Страница 9: ...eo signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the...

Страница 10: ...utputs is post fader only so they cannot be used as traditional stage monitor cues They re intended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more informat...

Страница 11: ...ee the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a normally open foot switch to this connector to duplicate the function of the BYPASS switch...

Страница 12: ...ranges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo signals For in...

Страница 13: ...EVEL EFX 1 EFX 2 Pre vs Post Auxiliary Signal Flow Diagram MID 400Hz L R PAN 1 2 dB 10 LOW 12k HI HI MID 3k 80Hz LOW EQ U 15 15 U 15 15 U 15 15 U 15 15 ASSIGN 11 12 MUTE example boosting the LOW EQ kn...

Страница 14: ...ependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the m...

Страница 15: ...ults try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the oper ating level is the relative 0 dB VU o...

Страница 16: ...mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this sw...

Страница 17: ...EFFECTS PROCESSOR FOR THE IMPA TIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark Assuming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individual amo...

Страница 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Страница 19: ...ramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100 FLAN...

Страница 20: ...ab that you put underneath the center screw that holds the AC outlet faceplate in place This center screw must be grounded You can check it by connecting the adapter to the outlet and then plugging in...

Страница 21: ...Adjacent Inputs or Input to Output 90 dB 1 kHz Fader Off 90 dB 1 kHz Mute Switch and Break Switch Mute 80 dB 1 kHz Input Gain Control Range Mono Channels Mic In 5 dB to 50 dB Line In 15 to 30 dB Stere...

Страница 22: ...LOUD authorized reseller or dealer The Product Warranty will not extend to anyone other than the original purchaser of the product hereinafter Customer you or your For products purchased outside the...

Страница 23: ...FX 1 EFX 2 PRE POST PAN MAIN GAIN LEFT RIGHT SOLO 1 2 MUTE EFX RETURN 1 SUBWOOFER OUT 1 2 3 63 125 250500 1K 2K 4K 8K 16K TAPE OUT RIGHT BREAK MAIN LEVEL MAIN INSERT LEFT ASSIGN RIGHT ASSIGN SUB 1 OUT...

Страница 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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