Mackie 16-8 BUS Скачать руководство пользователя страница 3

from the primary signal path
and inserted into the Mix-B
(Monitor) signal path.
Associated switching in the
AUX send section affects the
Mix-B (Monitor) Buses (see
paragraph 8).

13. I/O CHANNEL SOLO,
WITH LEVEL CHECKING.

Each inline input/output
channel shall include
stereo-in-place solo switch-
ing that allows the indi-
vidual channel to be singled
out of the mix and audi-
tioned alone or in combina-
tion with any other signals
in the control room and
studio outputs. Additionally,
activating the channel’s solo
shall allow the channel’s
output level to be observed
on the solo/main bargraph
meters, reflecting the L/R
balance the signal has on
the main L/R mix Buses.

14. I/O CHANNEL MUTE
WITH INDICATOR. 

Each

inline input/output channel
shall include a mute switch
to turn off the individual
channel’s output to all
Buses and the direct output.
The LED indicator associ-
ated with the mute switch
shall be yellow, and shall be
lighted when the channel is
muted.

15. I/O CHANNEL ASSIGN-
MENT SWITCHES. 

 Each

inline input/output channel
shall be fitted with five
routing switches, allowing
the channel’s output to be
routed to any combination
of subgroup and/or main
L/R Buses, in stereo pairs, or
to a combination of single
Buses (odd OR even) in
conjunction with the
channel’s pan control.

16. MASTER SECTION -
SUBMASTERS.

 The audio

mixer’s master section shall

include faders, routing, solo
switching, metering, insert
sends with insert returns
(patching), and tape outputs
for each of the 8 submasters.
Overall subgroup level
control shall be provided by
a 100mm fader that incorpo-
rates a complex precision
resistive network to deliver
true logarithmic attenuation,
down to –100dB. Submaster
signal routing shall be
governed by a mono assign
switch that sends the
submaster output to both
the left and right main
outputs (single assign switch
must be “in” to activate
mono switch), and/or by a
single Bus assign switch that
routes the submaster to only
the left output (odd num-
bered) or to only the right
output (even numbered).
Each submaster shall be
equipped with stereo-in-
place solo switching that
allows the individual sub-
master to be singled out of
the mix and auditioned
alone or in combination
with any other signals in the
control room and/or studio
outputs. Twelve segment
LED bargraph meters shall
be provided for each
submaster, and shall indicate
peak levels from –40dBU to
+10dBU, with green LED’s
indicating levels from –
40dBU to 0dBU inclusive,
and yellow LED’s indicating
levels from +2dBU to
+10dBU inclusive. Meters
reading OdB will reflect an
output level of +4dBU or –
10dBV, depending on the
position of the Submaster
Output Level Switch. Each
submaster shall have a low
impedance insert send that
may be used separately as
an output alone, or in
conjunction with its associ-
ated return for insert chan-
nel patching. In addition,
each of the eight submasters
shall have three submaster

outputs via balanced/
unbalanced transformerless

1

/

4

" TRS connectors config-

ured in pairs for use with 16
recording tracks (1/9/17,
2/10/18, 3/11/19, 4/12/20,
5/13/21, 6/14/22, 7/15/23,
8/16/24), and mounted on
the rear panel lower apron.
Reference operating level for
the tape outputs (and tape
returns) shall be globally
selectable for either –10dBU
or +4dBU via two switches:
one controls outputs 1/9/17,
2/10/18, 3/11/19 and
4/12/20; the other controls
outputs 5/13/21, 6/14/22,
7/15/23, & 8/16/24 (see
paragraph 3).

17. MASTER SECTION - L/R
MIX. 

The audio mixer’s

master section shall include a
stereo fader for setting the
overall output level delivered
via the unbalanced
transformerless 

1

/

4

"  TS

connectors in the master
section designated main mix
L/R, and duplicated on 3-pin
balanced XLR connectors on
the rear panel lower apron.
Overall L/R mix level control
shall be provided by a
100mm stereo fader that
incorporates a complex
precision resistive network to
deliver true logarithmic
attenuation, down to –100dB.

18. MASTER SECTION - MIX
B (MONITOR). 

The audio

mixer’s master section shall
include a rotary master level
control to govern the overall
output level and/or mix level
of signals on the Mix-B
(Monitor) Bus. In addition, a
switch associated with the
level control shall assign/
unassign Mix-B (Monitor)
signals to the main L/R
output Buses, but shall have
no effect on signals appearing
at the Mix-B (Monitor)
outputs. Mix-B (Monitor)
signals shall be made avail-
able to the outside world as a
separate group via two

3

3

Содержание 16-8 BUS

Страница 1: ...k space external power unit that shall con nect to the expander frame via a 7 conductor cable terminated in an appropriate connector 3 CHANNEL INPUTS OUTPUT TERMINATIONS Each inline input output channel shall have the following inputs and outputs a one balanced transformerless input for low impedance microphone via 3 pin female XLR connector with gold plated pins b one balanced unbalanced transfor...

Страница 2: ...ith a control range of 15dB boost cut a frequency range 500Hz to 18kHz sweep and a bandwidth Q range from 1 12 of an octave to 3 octaves one semi parametric lo mid equalizer consisting of separate rotary controls for boost cut and frequency sweep with a control range of 15dB boost cut and a frequency range of 45Hz to 3kHz a shelving high fre quency equalizer providing 15dB boost cut at 12kHz and a...

Страница 3: ...e individual sub master to be singled out of the mix and auditioned alone or in combination with any other signals in the control room and or studio outputs Twelve segment LED bargraph meters shall be provided for each submaster and shall indicate peak levels from 40dBU to 10dBU with green LED s indicating levels from 40dBU to 0dBU inclusive and yellow LED s indicating levels from 2dBU to 10dBU in...

Страница 4: ...e phones output Note Selecting Control Room will override all other selec tions Solo switching shall provide stereo solo in place auditioning of the overall signal level on each of the phone systems via the control room studio monitor outputs If control room is the source for a phones circuit the solo function shall be disabled Output signals from Phones 1 and Phones 2 shall be via 1 4 stereo conn...

Страница 5: ...se Mic E I N 20Hz 20kHz 129 0 dBm 150Ω source 131 2 dBV 150Ω source 131 5 dBm input shorted 133 7 dBV input shorted Distortion 0 005 20Hz 20kHz 1KHz 14dBU Gain Range 10dB to 50dB Line In Electronically balanced unbalanced Gain Range Unity to 42dB Max Input 22dBU Channel Fader Range 100dB to Unity to 10dB AUX Send Gain Range off to Unity to 15dB Mix B Gain Range off to Unity to 15dB Equalization Hi...

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