7
Owner’s Manual
Owner’
s Manual
Condenser
microphones
Direct
Boxes
Electronic Drum Kit
Stereo
Guitar
Effects
Synth
Stereo Compressor
Mono Compressor
Multi Effects Processor
Headphones
Mono Power Amplifier
Mono EQ
DLM8 Stage Monitors
iPod
TM
Docking Station
DLM12S subwoofers
Stereo
EQ
DLM8 loudspeakers
CAUTION:
TO REDUCE THE RISK OF FIRE
REPLACE WITH CORRECT TYPE FUSE. REMOVE
POWER CORD BEFORE CHANGING VOLTAGE.
100VAC
120VAC
240VAC
Live Stereo PA System
This diagram shows microphones connected to the mic inputs of channels 1 and 2, and a vocal
compressor connected to the channel 1 insert jack. Bass and electric guitars are attached to channels
3 and 4 via DI boxes with a stereo compressor on the insert. The lead guitar plays through a stereo
effects processor plugged into channels 7 and 8. An electronic drum kit is connected to channels 9
and 10, while a synth is connected to the line inputs of channels 13 and 14. An iPod
TM
docking station
is connected to the tape RCA inputs, so you can play pre-recorded music during the breaks.
A multi-effects processor is connected to aux send 1, with the aux send set to post-level. Effects are
added to the main mix via the stereo return inputs, and adjusted with the stereo return level control.
To use the aux send for stage monitors instead of an effects processor, set the aux to pre-level so the
monitor volume level can be adjusted independently from the main loudspeakers. This setup may easily
be configured to become a mono PA setup: (A) Stereo sources should feed the left mono side of the
channel input only, (B) pan each channel hard left, (C) connect the mono PA system to the left main out.
The main mix output connects to a stereo graphic EQ before connecting to a pair of DLM12S powered
subwoofers which are connected to a pair of DLM8 powered loudspeakers to please your audience.
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