background image

L

MONO

L

MONO

L

MONO

L

MONO

LINE IN 7–8

R

R

R

R

LINE IN 9–10

LINE IN 11–12

LINE IN 13–14

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

BAL

OR

UNBAL

LINE IN 3

LINE IN 4

L

R

1

2

1

2

RIGHT

AUX SEND

STEREO AUX RETURN

MAIN OUT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

BAL

OR

UNBAL

BAL

OR

UNBAL

LINE IN 5

LOW CUT

75 Hz

18dB/OCT

BAL

OR

UNBAL

LINE IN 6

LOW CUT

75 Hz

18dB/OCT

BAL

OR

UNBAL

LINE IN 1

LINE IN 2

MIC 

1

MIC 

2

MIC 

3

MIC 

4

LEFT/

MONO

BAL/UNBAL

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

BAL

OR

UNBAL

BAL

OR

UNBAL

ALL BAL/UNBAL

MIC 

5

MIC 

6

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

U

+15

-15

U

+15

-15

U

+12

-12

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

AUX

1

2

MON/

EFX

1

MON/

EFX

1

MON/

EFX

1

MON/

EFX

1

MON/

EFX

1

MON/

EFX

1

MON/

EFX

1

MON/

EFX

EFX

AUX

2

EFX

AUX

2

EFX

AUX

2

EFX

1

MON/

EFX

AUX

2

EFX

1

MON/

EFX

AUX

2

EFX

AUX

2

EFX

AUX

2

EFX

AUX

2

EFX

AUX

2

EFX

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

PAN

L

R

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

MUTE

MUTE

MUTE

7–8

9–10

11–12

13–14

MUTE

4

MUTE

3

MUTE

2

MUTE

1

MUTE

ALT 3

4

ALT 3

4

ALT 3

4

ALT 3

4

ALT 3

4

ALT 3

4

ALT 3

4

ALT 3

4

5

MUTE

6

MUTE

LEVEL

+4

-10

-10

-10

-10

LEVEL

+4

LEVEL

+4

LEVEL

+4

TRIM

dB

30

20

10

O

O

40
50

5

5

U

60

10

30

20

O

O

40
50
60

30

20

O

O

40
50
60

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

ALT 3

4

ALT 3

4

TAPE

INPUT

TAPE

OUTPUT

L

R

MIC

GAIN

+15dB -45dB

-

10dBV

0

60

MIC

GAIN

+15dB -45dB

-

10dBV

60

MIC

GAIN

+15dB -45dB

-

10dBV

0

60

MIC

GAIN

+15dB -45dB

-

10dBV

0

0

60

MIC

GAIN

+15dB -45dB

-

10dBV

0

60

MIC

GAIN

+15dB -45dB

-

10dBV

0

U

U

U

U

U

U

60

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

dB

10

5

5

U

10

dB

10

5

5

U

10

U

O

O

+10

U

U

O

O

+20

O

O

+20

PHONES

28

10

7

4

2

0

4

7

10

20

30

LEVEL

SET

LEFT

RIGHT

MAIN MIX

SOLO

MODE

LEVEL SET (PFL)

NORMAL (AFL)

C-R/SOURCE

POWER

PHANTOM

RUDE

SOLO

LIGHT

AUX 1

SELECT

EFX TO

MONITOR

AUX 1 MASTER

AUX

RETURN

1

2

PRE

POST

MAIN MIX

CTL ROOM 

/SUBMIX

NORMALLED

0dB=0dBu

ALT 3–4

TAPE

ASSIGN

TO MAIN MIX

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

1402-VLZ

PRO

Содержание 1402-VLZ PRO

Страница 1: ...channel in the Main Mix while simultane ously placing the signal on the Alt 3 4 stereo bus greatly increasing signal routing flexibility The EFX to Monitor feature allows routing of reverb or other effects signals back into a monitor mix via Aux Send 1 Aux 1 Master s Pre Post switch can be set for pre fader post EQ use which is bene ficial for stage monitor mixes or post fader post EQ for use with...

Страница 2: ...0Hz to 100kHz 0dB 3dB Maximum Levels Mic in 22dBu Tape in 16dBu All other inputs 22dBu Main Mix XLR outputs 28dBu All other outputs 22dBu Impedances Mic in 1 3kΩ Channel Insert return 2 5kΩ All other inputs 10kΩ Tape out 1 1kΩ All other outputs 120 ohms Specifications footnotes 1 20Hz 20kHz bandwidth 1 4 Main out channels 1 6 Trim unity gain channel EQs flat all channels assigned to Main Mix chann...

Страница 3: ... R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO MUTE MUTE MUTE 7 8 9 10 11 12 13 14 MUTE 4 MUTE 3 MUTE 2 MUTE 1 MUTE ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 5 MUTE 6 MUTE LEVEL 4 10 10 10 10 LEVEL 4 LEVEL 4 LEVEL 4 TRIM dB 30 20 10 O O 40 50 5 5 U 60 10 30 20 O O 40 50 60 30 20 O O 40 50 60 dB 30 2...

Страница 4: ...GIC 1 2 3 4 AFL L AFL R POST LOGIC SOLO AUX SEND 2 AUX SEND 1 PRE PFL 1 2 3 4 AFL L AFL R LOGIC SOLO PFL POST AUX SEND 2 AUX SEND 1 PRE MAIN MIX MAIN FADERS 30dB PAD TAPE OUT L LINE OUT L BAL OUT L BAL OUT R LINE OUT R ALT MIX ALT OUT L ALT OUT R ALT TAPE MAIN SOURCE CONTROL ROOM PHONES FADER CONTROL ROOM LEFT CONTROL ROOM RIGHT PHONES OUT AUX 1 MIX AUX 1 PRE POST AUX 2 OUT AUX 1 OUT TAPE IN L R C...

Страница 5: ...from 10dBV to 4dBu and using unbalanced RCA type phono jacks labeled TAPE OUT delivering nominal levels from 10dBV to 4dBu OTHER OUTPUTS The mixer shall include 1 stereo pair of Alt 3 4 outputs using bal unbal 1 4 TRS phone jacks delivering maximum output of 22dBu 1 stereo pair of Control Room outputs using bal unbal 1 4 TRS phone jacks delivering a maximum output of 22dBu 2 Aux Send outputs using...

Страница 6: ...e input to insert send 129 5dBu Common Mode Rejection CMR microphone input to insert send maximum gain 1kHz better than 90dB Typical Main Output noise all channels assigned chan nels 1 3 and 5 panned left channels 2 4 and 6 panned right 86 5dBu Signal to Noise ratio ref 4dBu operating level 90dB Attenuation ref 0dB 1kHz Main Mix level control down 85dBu Channel Mute engaged 84dBu Channel Gain cont...

Отзывы: