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Zones
The
keyboard
can be divided into 1–4 “zones.” When zones are active (when the
Zone
button
and one or more
Zone
1
–
4
buttons are lit), each zone can send its controls’ MIDI messages
over its own MIDI channel.
Tip:
This feature is great for dividing your Code keyboard between different virtual instruments
or synthesizers. For example, you can create two zones, each using a different MIDI channel,
and play and control two virtual instruments simultaneously—one with each half of the keys.
By default, the zones are set to specific channels. Learn how to change each zone’s channel
in the following
section.
For the
keyboard
, you can shift the range of notes they play within that zone. See the
Each zone can also send Zone Program Change or Zone Bank Change (LSB and MSB)
messages when you activate it, ensuring that the zone always uses the same program. See
the following
and
sections to learn about this.
Assigning Keys to a Zone
To assign a section of the keyboard to a zone, you need to define the range of notes. By
default, all zones will contain all notes.
To assign a range of keys to a zone:
1.
Press and hold
Zone
for 1 second to enter Zone Edit Mode. The active
Zone Buttons 1
–
4
will flash.
2.
Press one of
Zone Buttons 1
–
4
to edit that zone. Alternatively, you can press multiple
Zone Buttons 1
–
4
to edit those zones simultaneously. The
display
will show the zone’s
current lowest and highest keys (e.g.,
C 1.C 5
or
Bb2.Eb4
).
3.
Press the lowest key you want to assign to the zone, and then press the highest key you
want to assign to the zone (or press the highest key, then the lowest). The
display
will
show the note values as you enter them. You can also redo this step, if necessary.
To assign a range of keys for another zone, repeat Steps 2–3.
Important:
The zone is defined by the keys, not the notes they play. If you change the
keyboard’s octave or transposition (using the
Key Octave –
/
+
buttons), the zone will
remain unchanged, but its keys will play different notes.
4.
Press
Zone
to exit Zone Edit Mode.
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