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©2008 Logitech 

Squeezebox Boom Audio Design  

10 

 

Figure 12: Family of low-frequency equalization curves (blue) and simulated low-frequency system response 
(green). The curves show cutoff frequencies ranging from 20Hz to 137Hz in 1/3-octave steps. For clarity, the 
blue curves are offset by +20 dB. The green curves correspond to the final overall frequency response of the 
system (simulated in this figure). They are 4

th

-order Linkwitz-Riley high pass filters. 

The method we chose for bass extension with Squeezebox Boom is to make the overall low 
frequency roll-off a 4

th

-order Linkwitz-Riley filter. The reason for that choice will become clear in 

the subwoofer section of this paper. By applying the compensation of Figure 12 in series with a 
variable frequency 4

th

-order Linkwitz-Riley filter, we can choose any low frequency cutoff 

frequency we desire as seen in Figure 12, which shows an entire family of filters with cutoff 
frequencies ranging from 20Hz to 137 Hz in 1/3 octave increments. The choice of cutoff 
frequency is based primarily on the final signal strength going to the speakers, and whether or 
not there is a subwoofer plugged in. The true beauty of the Squeezebox Boom architecture is 
that we can dynamically and silently switch among any of the filters as volume settings and/or 
signal strength changes. Currently, we implement a sliding cutoff frequency based on volume 
setting. 

 

Figure 11: Actual in-box frequency response measurements of the family bass extension filters used in 
Squeezebox Boom.  

Содержание Squeezebox Boom

Страница 1: ...f contained high performance network audio system With advanced digital signal processing a high quality bi amplified speaker design an easy to use user interface line input and subwoofer output Squee...

Страница 2: ...AJ7 8 L Q CQ6 O R 3 J 3 SMMID R 6 R 3 J 3 SMSID D D 2 6 9 76 2 6 R 6 9 76 R 6 0 1 Figure 1 Squeezebox Boom Block Diagram This paper will discuss the audio design starting at the I2S I2C interface bet...

Страница 3: ...mize risk yet maintain top notch audio performance in an attractive package The basic configuration is a sealed enclosure consisting of a rear cup shaped case and a front panel assembly where the spea...

Страница 4: ...eezebox Boom doesn t compete in bass performance with high end studio monitors but because of its advanced signal processing capabilities combined with very high quality drivers we believe we have cre...

Страница 5: ...can produce great sound through the entire audio spectrum Without a subwoofer the Squeezebox Boom goes from a 3 dB response at 50 Hz at low volume settings to about 85 Hz at high volume settings all...

Страница 6: ...18 L 4G L P L K QE 4G K QE P L 2 Figure 8 Block diagram of the Squeezebox Boom DSP flow with other components for reference Volume Control Regular DACs implement digital volume control by simply chan...

Страница 7: ...erdone and the quality depends on the track used and the encoding used In order to allow for varying user preferences and track encodings there are 3 settings for StereoXL The best one is typically in...

Страница 8: ...crossovers and eliminated the DSP processing all together instead we chose to build the best system we could while meeting our industrial design and budget requirements Bass Extension To make the Sque...

Страница 9: ...e the tradeoff is that as the bass response extends lower it s necessary to drive much more power into the speakers at low frequency risking distortion At low volumes this can be done very effectively...

Страница 10: ...section of this paper By applying the compensation of Figure 12 in series with a variable frequency 4th order Linkwitz Riley filter we can choose any low frequency cutoff frequency we desire as seen...

Страница 11: ...ssible filter Line In The Squeezebox Boom has a line level input that can be put to many uses Since it goes into the built in ADCs in the DSP we can perform virtually any processing on it we want and...

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