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5

Example: if a microphone has an equivalent noise level (self-noise) of 10 dB (A) 
SPL and picks up a sound source with 10 dB (A) SPL the signal to noise ratio is 
1:1 or 50/50 .  
 
A low noise level helps to keep the signal clean when recording quiet sources! 
The range between the equivalent noise level and the maximum sound pressure 
level is referred to as the dynamic range of a microphone .
 
Spoken in practical terms, low self-noise does not limit your freedom of 
microphone positioning . With noisy microphones, you need to get very close to 
the recorded sound source to get a good signal-to-noise ratio . A low self-noise 
microphone, on the other hand, can record not only distant but also very quiet 
sound sources . With its 7 dB (A) of equivalent noise level it is guaranteed that 
your studio microphone is never the cause of noise problems .

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Frequency response

The frequency response shows the sensitivity over the microphone’s frequency 
spectrum and has a huge influence on the “sound” of a microphone. See section 
9 Tech graph for the frequency response chart .
 

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MAX SPL

LCT 440 PURE - Max . SPL for 0 .5 % THD: 140 dBSPL

Manufacturers state the maximum sound pressure level a microphone can 
handle before the signal starts to distort . In sound reproduction, we often aim for 
a “pure”, undistorted signal . When distortion becomes audible, depends on the 
source material and the listener’s perception . Most manufacturers state the MAX 
SPL at 0 .5% THD (Total Harmonic Distortion), measured at 1kHz . 

4.4.

 

Important specs of a condenser microphone 

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Sensitivity 

LCT 440 PURE - Sensitivity: 27 .4 mV/Pa, -31 .2 dBV/Pa

You can often read that a condenser microphone has a “high” sensitivity . What 
does that mean in practical terms? In short, it means that a more sensitive 
microphone  is  “hotter”  –  i.e.  it  requires  less  gain  (amplification)  to  achieve  
a certain output level . You can specify a microphone’s sensitivity in two ways:  
in mV/Pa or dBV/Pa .

“27 .4 mV/Pa” means, the microphone produces an output signal of 27 .4 mV 
when it is being exposed to 1 Pascal (1Pa = 94 dB SPL) . “-31 .2 dBV/Pa“ means, 
the microphone produces an output signal of -32 .7 dBV when it is being exposed 
to 1 Pascal (1Pa = 94 dB SPL) . This value is more practical, as dB values are easily 
comparable .

LCT 440 PURE: -31 .2 dBV/Pa .
Microphone X: -51 .2 dBV/Pa . Microphone X would need an extra gain of 20 dB to 
produce the same output level as the LCT 440 PURE .
 

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Equivalent noise level or self-noise

LCT440 PURE - Equivalent noise level: 7 dB (A)

Self-noise or, more accurately, equivalent noise level is the sound pressure level 
that is equal to the RMS voltage that can be measured at the output connector 
of a microphone without an external sound source being recorded . In other 
words, there is a sound pressure level that matches the inherent self-noise of the 
microphone . This sound pressure level is the equivalent noise level (self-noise) of 
the microphone .

Содержание LCT 440 PURE

Страница 1: ...1 1 TRUE CONDENSER MICROPHONE FOR ALL APPLICATIONS LCT 440 PURE USER MANUAL THE ESSENCE OF A TRUE CONDENSER MICROPHONE...

Страница 2: ...3 Polar patterns 4 4 4 Important specs of a condenser microphone 5 5 Before you start 6 6 Setting up your LCT 440 PURE 6 7 Recording tips 7 8 Applications 8 8 1 Vocals 8 8 2 Guitar amps 8 8 3 Acoustic...

Страница 3: ...internal electronics This external power source is commonly known as phantom power Microphones with permanently polarized condenser capsules still need phantom power to make the internal electronics w...

Страница 4: ...All condenser microphones require an external power source called Phantom Power to generate polarization voltage for the capsule and to power the circuitry Without phantom power a condenser microphon...

Страница 5: ...the source material and the listener s perception Most manufacturers state the MAX SPL at 0 5 THD Total Harmonic Distortion measured at 1kHz 4 4 Important specs of a condenser microphone Sensitivity...

Страница 6: ...nd the right gain setting With having your peaks around 12 dBFS you will be save in most cases and do not need to worry about ugly distortions but still have a good signal to noise ratio 5 Before you...

Страница 7: ...the mic as a flashlight Whatever your beam of light illuminates will be in the focus of your recording Room sound Try different rooms if you have the possibility every location sounds different A livi...

Страница 8: ...microphones point one towards the 12th fret the other one points towards the soundhole 8 Applications A condenser microphone is a classic go to microphone for studio work as it can capture every subtl...

Страница 9: ...nt sound Also vary the distance but be aware the further away the more bleed you get from other parts of the drum kit 2 Adding a snare mic Try to position the snare mic in a way that it does not pick...

Страница 10: ...120 300 240 90 270 Polar graph frequency 125 Hz 250 Hz 500 Hz 1 000 Hz 2 000 Hz 4 000 Hz 8 000 Hz 16 000 Hz 0 180 0 10 30 330 150 210 Hz 50 100 200 500 1 000 2k 5k 10k 20k 60 120 300 240 90 270 Polar...

Страница 11: ...ing applications as it reduces unwanted structure borne noise The open front of the shock mount allows you to position the microphone as close as you like to the source LCT 50 PSx magnetic pop filter...

Страница 12: ...are well connected and functional My signal sounds distorted what can I do Check and adjust input gain on your audio interface mic preamp or other subsequent equipment always make sure you leave suffi...

Страница 13: ...nnot be limited Please note The capsule is a sensitive high precision component Make sure you do not drop it from high heights and avoid strong mechanical stress and force To make sure that the microp...

Страница 14: ...o the date of purchase as shown on your purchase receipt LEWITT GmbH shall satisfythe warranty obligations by remedying any material or manufacturing faults free of charge at LEWITT s discretion eithe...

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