Laney Nexus, Руководство пользователя

Страница: 13 / 24

12
present on the amplifier signal sent to the USB right channel record, the headphones and the connected speakers).
Touch: This control has a centre neutral position. Turning the control clockwise makes your sound more open with rounded resonant
bass and extended highs. It also gives the amplifier more touch sensitivity. Turning the control anticlockwise makes the sound tighter and
faster. This control has only a subtle effect on tonal balance and in general is only something the player can feel as he plays. There are
many factors including the speakers/venue and playing style which can determine where this control should be set.
This control has no effect on the DI output unless “Source” switch is set to Output but will appear on the USB right channel record, the
headphones and the speakers.
Note: (For operation of this control at least one speaker must be attached to the Master output socket and the impedance
switch set to match it).
Pull Tight: Pull out the touch control to speed up the tube touch response of your sound making it more percussive and a little less
warm. A light shows adjacent to this control when operated.
Tip: spend a little time experimenting with these controls to find the best results.
Interval: This control has a centre off position where it has no effect on your sound and the adjacent light will be extinguished. Turning
the control clockwise the light will illuminate and increasing amounts of 5ths are added to your sound. Turning the control anticlockwise
will illuminate the light and increasing amounts of Octave down signal will be added to your sound. These features are fully polyphonic
with perfect tracking retained at all times.
Tip: This function can be remotely switched via the FS4-NSL footswitch.
Focus: This control is used in conjunction with the Interval control. It has a centre position where it has a nominal effect on your sound.
Turning the control clockwise will increase the added high frequency harmonics of your sound giving a wide range synth sound. Turning
the control anti-clockwise will reduce the higher harmonics subjectively increasing the low end.
Tip: This control is most noticeable on 5ths operation on Octave down it is more subtle
Space: This control has a centre off position where it has no effect on your sound and the adjacent light will be extinguished.
Turning the control anticlockwise will illuminate the light adjacent to the control and add increasing amounts of large hall reverb sound.
Turning the control clockwise will illuminate the light adjacent to the control and add increasing amounts of chorus to your sound.
Tip: This function may be turned on and off via the FS4-NSL footswitch.