background image

Laney

2

2

TAPE /

CD IN

MIC INPUT

LEVEL

VOLUME

ACTIVE

PASSIVE

2

10

9

8

7

6

5

4

3

1

0

GUITAR INPUTS

VOLUME

FREQUENCY

CHORUS

BASS

-0+

PARAMID

0

3

2

1

5

4

3

2

1

-0+

1

2

3

3

4

5

1

2

3

4

5

10

9

8

7

6

5

4

1K

500

100

LA30C ACOUSTIC

LA30C ACOUSTIC

LINE OUT

TREBLE

REVERB

INSERT

5

4

3

2

1

5

4

3

2

1

-0+

1

2

3

4

5

10

9

8

7

6

5

4

3

2

1

0

POWER

0

1

6

1

2

3

4

7

8

9

5

30

6. Chorus:

LA30C front panel

2. Tape/CD input:

3. Volume:

5. Volume:

4. Guitar Inputs:

7. Bass:

   8. Paramid-
    Frequency:

9. Paramid-Level:

10. Treble:

11. Reverb:

12. Insert:

10

11

13

CAUTION
REPLACE ONLY WITH
SAME TYPE AND RATING

WARNING 
THIS APPARATUS
MUST BE EARTHED

POWER FUSE

T250mA   T500 mA

SUPPLY VOLTAGE

~230V   ~115V

MAXIMUM POWER
CONSUMPTION
50 WATTS ~50-60Hz

SERIAL No.

MODEL No.HC25

CAUTION
TO REDUCE THE RISK OF 
ELECTRIC
SHOCK DO NOT REMOVE 

WARNING
TO REDUCE THE RISK 
OF FIRE
OR ELECTRIC SHOCK 

MADE IN THE U.K. BY BLT INDUSTRIES LTD.

The input socket has been designed to accept both balanced and unbalanced signals from 
microphones with an XLR input connector.  Good quality low impedance condensor or 
dynamic mics should preferably be used for best results, these will ensure the best possible 
results from hand-held instruments or closely mic'd instruments.

Phono (RCA) sockets are provided for the connection of tape/CD machines.

Controls the overall listening level of the mic and the tape/CD auxiliary inputs.

Active and Passive/Active inputs are provided for connection of guitars.  Guitars with active 
circuitry should be connected via the Active socket.  Non-active guitars should be connected 
using the Passive input.  Incidentally, guitars with active circuitry could be placed in the 
Active input if pre-amp overloading is desired. 

Controls the overall listening volume of the guitar inputs.

Enables the onboard chorus.

Controls the low frequency response of the pre-amplifier.

Selects the frequency at which the cut or boost selected by the paramid level control (9) 
acts;  to access LO mid frequencies turn the frequency control anti-clockwise, to access HI 
mid frequencies turn the frequency control clockwise.

Sets the level of boost or cut applied to the frequency set by control 8:  for frequency boost, 
turn the control clockwise;  for frequency cut, turn the frequency control anti-clockwise.

Controls the high frequency response of the amplifier.

Controls the level of reverb on the channel.

Socket provided for accepting the signal from another amplifier, see 13

Socket provided for sending signal to another amplifier or mixing desk.  Connecting an LA30C 
to another non chorus amp, such as an LA30 via the Line out socket to an insert sock will 
produce a dramatic stereo chorus effect between the two amplifier.

13. Line Out:

1. Mic Input:

ACOUSTIC

LA30C rear panel

* Front panel diagrams show LA30C front panel.  LA30 features are identical apart from Reverb & Chorus

12

Отзывы: