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Ampli

ed Instrument Processor -  User Manual 

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GUI SCALE, OVERSAMPLING and DRY / WET 

The 

GUI SCALE

 allows you to change the size of the AIP's interface on your screen. This can 

make it easier to see things and impressive to people that are easily impressed. 

OVERSAMPLING

 increases the sample rate of the plugin 4 times over the current sample 

rate of your project. Oversampling minimizes deleterious digital artifacts that can lessen 
the sound quality of signals. However, engaging OVERSAMPLING will increase the load on 
your computer's processors, which can cause stuttering and other issues with your audio. If 
you are working at sample rates above 48kHz, you probably don't need to use 
oversampling because artifacts will most likely already be minimized. At rates below 48kHz, 
clicking in oversampling can yield an improvement in sound quality.  

DRY / WET

: The default position of this control is 100% wet, meaning all the audio coming 

out of the AIP has been processed by the AIP. As you lower this control towards DRY, 
counterclockwise, signal from the input of the plugin—before any processing—will be 
mixed in with the processed output. This allows you to parallel process signals and 

ne 

tune how much you "hear" of the AIP on your audio. Generally, we use the AIP with this set 
to 100% wet, but there are times, such as when you're getting down to the 

nal stages of a 

mix, that you might decide that you want to back o

 the processing of the AIP. The DRY /

WET control allows you to do this without changing any of the setting of the eq, 
compressor, etc. It can be very handy, so keep this control in mind. It can save your ass on 
occasion. 

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Содержание Amplified Instrument Processor

Страница 1: ......

Страница 2: ...combines a seriously powerful four band EQ a VCA based compressor specialized lter networks a psycho acoustic stereo widener a frequency dependent compressor and a proprietary signal processing unit a...

Страница 3: ..._________________________________________________________ TABLE OF CONTENTS 1 Introduction 2 Table of Contents 3 Speci cations 4 Overview 5 Front Panel 6 Back Panel 7 Block Diagram 8 Processing Sectio...

Страница 4: ...g to call it the AIP from here on out and it has a lot of controls and functionality Many of the AIP processing sections have controls on both the front and back panels of the plugin Generally the fro...

Страница 5: ...Processing PSP section and a stereo widening section that includes a goniometer There are ENABLE buttons all over the place to insert the various sections in and out of the signal ow At the bottom of...

Страница 6: ...s also the FREQUENCY DEPENDENT REDUCTION FDR unit which is a compressor that is tunable to work on speci c frequencies You can also control the size of the GUI and switch in OVERSAMPLING to reduce ali...

Страница 7: ...erlap and are independently switchable Back in the good old Klang lm days equipment was handmade and the tolerances on components was pretty loose Hence there was variation in the frequency response o...

Страница 8: ...hich adds a slight dip at each of the bandwidth cuto frequencies You can see all this in action on the RTA GAIN SCALE is a multiplier for the front panel eq gains At 100 each gain knob has the has 18d...

Страница 9: ...ur Pawn Shop Comp or Talkback Limiter But if you want to beautifully smooth things out while still controlling articulation and details the AIP s VCA compressor is your new best buddy It has a full ra...

Страница 10: ...eft channels of the compressor This is analogous to the the ANALOG CHANNEL VARIANCE function of the equalizer PSP PROPRIETARY SIGNAL PROCESSING SECTION PSP This section adds a sweet secret sauce to th...

Страница 11: ...igh slew rate means that there is a lot of power immediately available and the transient is reproduced cleanly and linearly a low slew rate means that power isn t available quickly and the transient i...

Страница 12: ...oth the upper harmonic and the subharmonic by setting it to 3 You ll have to play with this control to get the result you want The HF COMPENSATION is a gentle shelf boost starting at the center freque...

Страница 13: ...he amount of gain reduction happening STEREO WIDTH and GONIOMETER At the end of the signal chain is a psycho acoustic processor that works like a charm to increase the apparent width of your signal It...

Страница 14: ...y don t need to use oversampling because artifacts will most likely already be minimized At rates below 48kHz clicking in oversampling can yield an improvement in sound quality DRY WET The default pos...

Страница 15: ...ade for A Click back on B and you ll see all the adjustments you made on B The key copies whatever setting you have in A over to B UNDO REDO UNDO to the left reverses all the damage mankind has done t...

Страница 16: ...Dependent Reduction module to tame down the low end build up that happens on heavier guitar parts My nal process in the signal chain is the Stereo Widener which I use to spread those guitars out to t...

Страница 17: ...to over 700ms and bring down the THRESHOLD such that the meter is almost always moving a bit At those settings the AIP s VCA compressor will work in a manner similar to an Opto unit albeit without th...

Страница 18: ...a strong center presence even at extreme settings Ok there it is our gargantuan AMPLIFIED INSTRUMENT PROCESSOR in the War and Peace of plugin user manuals Please visit our Facebook group https www fac...

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