Dynamic MIDI Sources & Destinations Dynamic MIDI Destinations
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Dynamic MIDI Destinations
The KARMA function allows you to hook up nearly any
Source to any Destination. Depending on the combination of
source and destination, the selected destination may not
function as you intend. Refer to the explanations of
combining sources and destinations in each of the following
sections, and make sure to select sources and destinations
that are appropriate for each other.
The Momentary, Toggle, Continuous indication shown at the
right of each destination name indicate the source operating
modes (“Action”) that are valid for each destination function.
(See “7–2–3b: Dynamic MIDI” on page 95, “Action”)
Off
No function
RT Parms Control
[Momentary, Toggle, Continuous]
Use this when using a source to control GE Real-Time
Parameters (7–2–1) or Perf Real-Time Parameters (7–2–2).
Set the “Assign” of GE Real-Time Parameters or Perf Real-
Time Parameters to Dyna1…Dyna8, which indicates the row
of the Dynamic MIDI page that is to be used.
(See “7–2–1b: GE Real-Time Parameters” on page 90,
“Assign” Dyna1…Dyna8)
(See “7–2–2b: Perf RTP 1–2, 3–4, 5–6, 7–8 (Perf Real-Time
Parameters)” on page 91, “Assign” Dyna1…Dyna8)
Note: You should normally select a source from the JS+Y
(CC#01)…JS X controller group.
This will operate irrespective of the module. The
Combination and Sequencer mode, Perf Real-Time
Parameters “A/B/C/D” (7–4–1b) settings will be
ignored.
Setting examples
Joystick operations in the +Y direction will control GE
Parameter1. (Program mode)
Tempo
[Momentary, Toggle, Continuous]
Control the KARMA tempo.
Note: You will normally select the JS+Y (CC#01)…JS X
controller group as the source.
This will operate irrespective of the module. The
Combination and Sequencer mode, Perf Real-Time
Parameters “A/B/C/D” (7–4–1b) settings will be
ignored.
• When Polarity is +, you can use the controller to speed
up the tempo.
When the value of the controller selected as the source is
at the value specified for “Bottom,” the tempo will be at
the regular specified setting.
When the value of the controller selected as the source is
at the value specified for “Top,” the tempo will be
double the regular tempo. (The tempo will not be faster
than the maximum tempo of
=300 BPM.)
• When Polarity is –, you can use the controller to slow
down the tempo.
When the value of the controller selected as the source is
at the value specified for “Bottom,” the tempo will be at
the regular specified setting.
When the value of the controller selected as the source is
at the value specified for “Top,” the tempo will be half
the regular tempo. (The tempo will not be slower than
the minimum tempo of
=35 BPM.)
Note/Env Latch
[Momentary, Toggle]
Control “Note Latch” of the KARMA module.
When you select Note/Env Latch as the Destination and
turn A/B/C/D (7–2–2: Perf Real-Time Parameters) On
(checked), you will be able to use the damper pedal etc. to
control note latch independently of the Note Latch (7–1–8a)
setting of each KARMA module, or the setting of the
LATCH SWITCH.
Note: You will normally select the JS+Y (CC#01)…JS X
controller group as the source.
Note: If you turn latch on using this setting, the operation of
Envelope 1, 2, and 3 will also be affected. Regardless of the
Envelope Latch (7–1–8a) settings for each KARMA module,
you can use a damper pedal etc. to turn latch on so that the
currently-operating Envelope1, 2, or 3 will continue to be
held even after you release the keyboard or the Pad 1–8.
Examples of use
When the KARMA LATCH switch is on, latch will always
be on.
When the KARMA LATCH switch is off, pressing the
connected damper pedal will turn latch on, and releasing it
will turn latch off.
When the KARMA LATCH switch is on, latch will be on for
KARMA module [A], and latch will be off for KARMA
module [B].
When the KARMA LATCH switch is off, pressing the
connected damper pedal will turn latch on for both modules
[A] and [B], and releasing the pedal will turn latch off for
both modules [A] and [B].
Auto Transp On/Off (Auto Transpose On/Off
[Momentary]
Controls on/off of the auto transpose function.
Note: You will normally select the JS+Y (CC#01)…JS X
controller group as the source.
Dynamic MIDI 1 Source (7–2–3b):
JS+Y (CC#01
Dynamic MIDI 1 Bottom (7–2–3b):
000
Dynamic MIDI 1 Top (7–2–3b):
127
Dynamic MIDI 1 Action (7–2–3b):
Continuous
Dynamic MIDI 1 Destination (7–2–3b):
RTParm Ctrl
Dynamic MIDI 1 Polarity (7–2–3b):
+
GE RT Parameter 1 Assign (7–2–1b)
Dyn1
Setting 1
(Program mode)
Note Latch
(7–1–8a):
On (normally leave
this On for a
program)
Dynamic MIDI 1 Source (7–2–3b):
Damper (CC#64)
Dynamic MIDI 1 Bottom (7–2–3b):
000
Dynamic MIDI 1 Top (7–2–3b):
127
Dynamic MIDI 1 Action (7–2–3b):
Momentary
Dynamic MIDI 1 Destination (7–2–3b):
Note/Env Latch
Dynamic MIDI 1 Polarity (7–2–3b):
+
Setting 2
(Combination mode)
[A] Note Latch (7–2–5a):
On
[B] Note Latch (7–2–5a):
Off
Dynamic MIDI 1 Source (7–4–2b):
Damper (CC#64)
Dynamic MIDI 1 Bottom (7–4–2b):
000
Dynamic MIDI 1 Top (7–4–2b):
127
Dynamic MIDI 1 Action (7–4–2b):
Momentary
Dynamic MIDI 1 Destination (7–4–2b):
Note/Env Latch
Dynamic MIDI 1 A (7–4–2b):
On (checked)
Dynamic MIDI 1 B (7–4–2b):
On (checked)
Dynamic MIDI 1 Polarity (7–4–2b):
+
Содержание M3
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Страница 306: ...Sequencer mode 296 ...
Страница 364: ...Sampling mode 354 ...
Страница 430: ...Media mode 420 ...
Страница 534: ...Effect Guide 524 ...
Страница 646: ...Appendices 636 ...