Korg M3, Руководство по параметрам

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PROG P2: OSC/Pitch 2–8: Pitch EG
43
damper pedal, and then press a key, in order to play a note.
For instance, this can be useful when modeling the behavior
of a piano soundboard.
Key is the normal mode.
When you select Key + Damper, notes will only sound if the
damper pedal is being held down. When the damper pedal
is released, all notes will be stopped–even if they are still
being held down.
OSC2 Delay [0000ms...5000ms, KeyOff]
Mode [Key, Key + Damper]
This specifies the time from when you press a key until
oscillator 2 actually begins to sound.
See OSC1 Delay and Mode, above.
2–7c: OSC 1/2 Velocity Zone Window
This shows the velocity zone.
This graphic reflects the OSC1 Basic and OSC2 Basic Bottom
Vel.
, Xfd, and Curve, and the Velocity Zone OSC1 Top,
OSC1 Bottom , OSC2 Top, and OSC2 Bottom settings.
▼
2–7: Menu Command
• 0: Write Program
☞
p.106
• 1: Panel–SW Solo Mode On
☞
p.106
• 2: Exclusive Solo
☞
p.107
• 3: Copy Oscillator
☞
p.111
• 4: Swap Oscillator
☞
p.111
For more information, please see “Program: Menu
Command” on page 106.
2–8: Pitch EG
The Pitch EG, or Envelope Generator, lets you create
complex, time-varying changes to the pitch of Oscillators 1
and 2. The parameters on this page control the shape of the
EG. For instance, you can:
• Create the basic EG shape by setting the levels and times
of each segment.
• Control the curvature of each EG segment, for subtle
control over the sound of the EG.
• Set up complex modulation of EG levels and times.
• Set up an AMS source, such as an LFO, to restart the EG.
To control how much effect the EG has on the pitch, use the
Pitch EG parameters on the P2: OSC/Pitch– OSC1 Pitch
page and OSC2 Pitch page, as described under “2–2b: Pitch
EG,” on page 40.
Differences from the other EGs
The Pitch EG is different from the Filter and Amp EGs in
several ways:
• The single Pitch EG is shared by both Oscillator 1 and
Oscillator 2.
• The Sustain level is always 0.
• The Level modulation has two AMS sources instead of
one, and the Time modulation has one AMS source
instead of three.
Pitch EG is also an AMS source
You can use the Pitch EG as an AMS source to modulate
other parameters, just like the keyboard tracking and LFOs.
Simply select the Pitch EG in the AMS list for the desired
parameter.
2–8a: EG Reset
AMS (EG Reset AMS) [List of AMS Sources]
This selects an AMS source to reset the EG to the start point.
For instance, you can use a tempo-synced LFO to trigger the
EG in a repeating rhythm. This reset is in addition to the
initial note-on, which always causes the EG to start.
For a list of AMS sources, please see “AMS (Alternate
Modulation Source) List” on page 588.
Threshold [–99...+99]
This sets the AMS level which will trigger the EG reset.
Among other things, you can use this to adjust the exact
point in an LFO’s phase at which the EG will be reset,
effectively controlling its “groove” against other rhythmic
effects.
When the threshold is positive, the EG triggers when
passing through the threshold moving upwards. When the
threshold is negative, the EG triggers when passing through
the threshold moving downwards.
Bottom Velocity = 64
84 Xfade Range = 20
Curve = Linear
2–8a
2–8c
2–8b
2–8
Menu