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KODAK PROFESSIONAL TRI-X 320 and 400 Films 

 F-4017

SIZES AVAILABLE

Catalog numbers and packaging may differ from country to 
country. See your dealer who supplies KODAK 
PROFESSIONAL Products.

STORAGE AND HANDLING

Load and unload your camera in subdued light. 

High temperatures or high humidity may produce 

unwanted quality changes. Store unexposed film at 24

°

(75

°

F) or lower in the original sealed package. Always 

store film (exposed or unexposed) in a cool, dry place. For 
best results, process film as soon as possible after 
exposure.

Protect processed film from strong light, and store it in a 

cool dry place. For more information, see KODAK 
Publication No. E-30, 

Storage and Care of KODAK Films and 

Papers—Before and After Processing

.

EXPOSURE

Daylight

Use the exposures in the table below for average front-lit 
subjects from 2 hours after sunrise to 2 hours before 
sunset.

*

 Use 

f

/5.6 at 1/500 for backlit close-up subjects.

 Use 

f

/8 at 1/500 for backlit close-up subjects.

 Subject shaded from the sun but lighted by a large area of clear sky.

Exposure and Development Adjustments for Long 
and Short Exposures

At the exposure times in the table below, compensate for 
the reciprocity characteristics of this film by increasing 
exposure and adjusting the development as shown.

Lighting Conditions

Shutter Speed (second) and 

Lens Opening

TRI-X 320 Film

TRI-X 400 

Film

Bright/Hazy Sun on Light Sand or 
Snow

1/500

f

/16

1/500

f

/22

Bright or Hazy Sun, Distinct 
Shadows

1/500

f

/11

*

1/500

f

/16

Weak, Hazy Sun (Soft Shadows)

1/500

f

/8

1/500

f

/11

Cloudy Bright (No Shadows)

1/500

f

/5.6

1/500

f

/8

Heavy Overcast, Open Shade

1/500

f

/4

1/500

f

/5.6

If Indicated 

Exposure 

Time Is 

(Seconds)

Use This 

Lens-

Aperture 

Adjustment

OR

This Adjusted 

Exposure 

Time 

(Seconds)

AND Use This 

Development 

Adjustment

1/100,000

+1 stop

Change 

Aperture

+20%

1/10,000

+1/2 stop

Change 

Aperture

+15%

1/1,000

None

None

+10%

1/100

None

None

None

1/10

None

None

None

1

+1 stop

2

-10%

10

+2 stops

50

-20%

100

+3 stops

1200

-30%

Содержание TRI-X 320

Страница 1: ...ted subjects or fast action for photographing subjects that require good depth of field and fast shutter speeds and for extending the distance range for flash pictures TRI X 400 Film 400TX is availabl...

Страница 2: ...6 at 1 500 for backlit close up subjects Use f 8 at 1 500 for backlit close up subjects Subject shaded from the sun but lighted by a large area of clear sky Exposure and Development Adjustments for L...

Страница 3: ...aking separation negatives For TRI X 320 sheet film only DARKROOM RECOMMENDATIONS Handle unprocessed film in total darkness Using a safelight will affect your results If absolutely necessary after dev...

Страница 4: ...the first minute Then agitate once per minute by lifting the basket rack or spindle out of the developer tilting it approximately 30 degrees draining it for 5 to 10 seconds and reimmersing it Alternat...

Страница 5: ...41 2 41 4 33 4 31 4 HC 110 B 51 4 43 4 41 4 4 31 2 61 4 51 2 5 41 2 4 D 76 10 9 81 4 71 2 61 2 111 2 101 4 91 2 83 4 71 2 D 76 1 1 141 4 123 4 113 4 103 4 91 4 XTOL 83 4 73 4 71 4 61 2 53 4 101 4 9 8...

Страница 6: ...21 2 21 4 D 76 6 51 4 43 4 41 2 4 D 76 1 1 9 8 71 4 63 4 6 MICRODOL X 73 4 63 4 61 4 53 4 5 FINAL STEPS 65 to 75 F 18 to 24 C PUSH PROCESSING Push processing allows you to expose the film at higher fi...

Страница 7: ...ent Time Minutes EI 3200 3 Stop Push Process Development Time Minutes 65 F 18 C 68 F 20 C 70 F 21 C 72 F 22 C 75 F 24 C 65 F 18 C 68 F 20 C 70 F 21 C 72 F 22 C 75 F 24 C T MAX RS 83 4 8 71 2 7 HC 110...

Страница 8: ...rocessor Model 5 11 or 411 with KODAK DURAFLO RT Developer Starter KODAK DURAFLO RT Developer Replenisher and KODAK Rapid Fixer Processing Steps and Conditions for KODAK VERSAMAT Film Processors The r...

Страница 9: ...n a machine speed that transfers the film every 2 minutes The times given below are starting point recommendations for T MAX RS Developer and Replenisher and XTOL Developer Make tests to determine if...

Страница 10: ...RI X 320 Film 16 fine CURVES Modulation Transfer Function Spectral Sensitivity Curves Note Modulation Transfer Function and Spectral Sensitivity were generated using the older version of this film KOD...

Страница 11: ...ometry 0 0 1 0 4 0 3 0 2 0 1 0 DENSITY 2 0 0 0 4 0 LOG EXPOSURE lux seconds Characteristic Curves KODAK PROFESSIONAL TRI X 400 Film 400TX 35 mm NOTICE The sensitometric curves and data in this publica...

Страница 12: ...PROFESSIONAL TRI X 400 Film 400TX 120 size LOG EXPOSURE lux seconds 4 0 0 0 2 0 DENSITY 1 0 2 0 3 0 4 0 1 0 0 0 Densitometry Process KODAK PROFESSIONAL D 76 Developer Diffuse visual 1 0 3 0 12 minutes...

Страница 13: ...sitometry Process Large Tank at 20 C 68 F Diffuse visual 0 8 25 D 76 T MAX RS XTOL HC 110 B MICRODOL X Characteristic Curves KODAK PROFESSIONAL TRI X 320 Film 320TXP 120 220 Contrast Index Curves KODA...

Страница 14: ...Tank 20 C 68 F Process Densitometry 1 1 0 7 0 6 0 5 0 4 CONTRAST INDEX 15 10 5 0 0 3 DEVELOPMENT TIME MINUTES 20 1 0 0 9 Characteristic Curves KODAK PROFESSIONAL TRI X 320 Film 320TXP Sheets Contrast...

Страница 15: ...es KODAK PROFESSIONAL TRI X 320 Film 320TXP Sheets D 76 1 1 XTOL 1 1 MICRODOL X HC 110 B XTOL T MAX RS D 76 25 0 8 Diffuse visual Rotary Tube Development at 20 C 68 F Process Densitometry 1 1 0 7 0 6...

Страница 16: ...OME II RC Paper G 21 KODAK POLYCONTRAST III RC Paper G 24 KODAK POLYMAX Fine Art Paper G 26 KODAK POLYMAX II RC Paper G 27 KODAK PANALURE SELECT RC Paper G 28 KODAK P MAX Art RC Paper J 24 KODAK HC 11...

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