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The Built-in Exposure Meter of the Retinette IIB

The Retinette IIB is fitted with a built-in exposure meter which

gives the correct light value (see page 10). To use the meter:

1. Set film speed.
2. Point camera to subject.
3. Turn setting ring to coincide yellow and white pointer.
4. Read off light value.
5. Transfer light value to shutter.

1. Turn the inner disc of the exposure meter knob by the small knob near its circumference until the speed of the

film used points to the arrowhead for the appropriate DIN or ASA value. (For film speed, see pages 31-32).

2. See page 54. Make sure that the honeycomb meter window is not obscured by a finger.
3. The white needle will move in the cut-out window (between body release and exposure meter wheel). Turn the

meter setting ring (the outer milled ring of the exposure meter knob) until the yellow pointer lies exactly over
the top of the white needle.

4. Now read off the light value number opposite the red triangle on the inner disc of the exposure meter knob. If

the triangle points to a position between two numbers, set the intermediate light value. For example. if the
triangle points between 8 and 9, use 8.5 for greatest accuracy.

5. Transfer the light value found with the meter to the shutter as described on page 10.

Exposure Meters in Practice

To get the best results an exposure meter has to be used intelligently. This may look like a contradiction, since we
have already said that it is an accurate light measuring instrument. But light from all parts of the subject-highlights,
shadows and middle tones -- falls on the meter; so the reading it gives us is an average one for the whole subject
area.

Meters are scaled to suit typically average subjects -- i.e., subjects with average areas of light, dark and middle
tones. So if you point the meter at a subject of this kind, the exposure reading will be correct.

But if the subject is not average -- if there are large highlight areas and little shadow, or large shadow areas with
few highlights -- then you have to modify the exposure reading to obtain the best results.

So there is more to using a meter than just pointing it at the subject and accepting without question the reading
indicated.

REFLECTED LIGHT MEASUREMENT. The usual method of using a meter is to point it directly at the subject. The light
reaching the photo-electric cell is therefore that reflected by the subject, so this method is called "reflected light
measurement".

This gives the correct exposure reading provided the subject has an average mixture of highlights, shadows and
middle tones. But if there is a large bright area, or a large dark area, the best method is to go near to the main
subject and take a close-up reading. For example, if the subject is a figure against a white or dark background. by
going closer you will reduce the amount of background affecting the meter and therefore get a reading in terms of a
more average subject, which is what you want.

For some subjects you can take a reading from really close up, aiming the meter at the part of the subject that you
want to make sure has optimum exposure. For instance, many photographers take a close-up reading of the sitter's
face in portraiture; out-of-doors you can take the reading from the back of your hand instead of going up to the
subject.

If you cannot go close up to a subject that needs a close-up reading, then try to find something near at hand that is
similar in tone to the subject, and take a reading from this.

When taking readings of general scenes, including a good deal of sky, you have to tilt the meter down slightly to
reduce the area of sky "seen" by the meter. The sky is a bright highlight, and by tipping the meter down to exclude
some of it, the subject becomes "average" in tone range.

Open views, such as distant landscapes, usually have very light shadows, so you can give a shorter exposure than
the meter indicates. It is usual to give half the exposure -- i.e., use double the shutter speed, or use one stop
smaller.

INCIDENT LIGHT MEASUREMENT. Another method of assessing exposure is to measure the strength of the light
falling on the subject instead of that reflected by it. But if you point the meter straight at the light you get a much
higher reading than if you point it at the subject. So the light has to be cut down for the meter to indicate the

Содержание Retinette

Страница 1: ...body itself is rigid bellowless the lens and shutter unit being mounted on the front panel The Retinette film track is specially designed to keep the film really flat without risk of scratching the emulsion The film is wound on by a transport lever which with one full swing advances the film to the next frame and also moves the film counter and re tensions the shutter That system provides an effic...

Страница 2: ...odel IB E2 meter cell E4 exposure setting ring coupled with exposure meter needle E6 film speed adjustment Viewfinder V1 finder window shows exposure meter needle on IB V2 eyepiece Film and transport T1 rapid winding lever T4 film counter T6 film indicator in rewind knob T7 rewind knob T8 reversing button Body B3 back lock B7 tripod bush B8 accessory shoe with second flash socket Top Top view of t...

Страница 3: ...coupled to the aperture setting The shutter is the Pronto LK speeded from 1 15 to 1 500 sec B line frame finder and f2 8 Reomar lens Retinette 1954 Is similar but fitted with a simple eye level optical finder The earliest models of 1954 did not incorporate a light value scale on the shutter PRE 1954 MODELS Between 1942 and 1952 some cameras of the Retinette family were made with bellows pressed me...

Страница 4: ...tter speed or aperture without changing the exposure If you alter the shutter speed the aperture will automatically set itself to the correct value or if you change the aperture the shutter speed adjusts itself automatically to keep the effective exposure constant To change the shutter aperture combination just move the speed setting ring until the index mark points to the required aperture or shu...

Страница 5: ...or details see page 59 THE VERO SHUTTER of the Retinette IA has four speeds 1 30 1 60 1 125 1 250 sec and B set by turning the outer milled shutter rim to the required speed Time exposures are made as described for the Compur shutter There is no delayed action THE PRONTO LK SHUTTER of the Retinette IB has 6 speeds 1 15 1 30 1 60 1 125 1 250 l 500 sec and B with built in delayed action and flash co...

Страница 6: ... the film indicator 1 Loading the Retinettes 2 Open back 3 Pull out film rewind knob 4 Insert cassette with film in film chamber 5 Push back rewind knob 6 Thread film end into slit of take up spool 7 Close camera back 8 Turn film counter to mark 9 Make blind exposures 10 Set film indicator 1 Turn the double lever surrounding the tripod bush in the direction of the arrow Then press the little butto...

Страница 7: ...unexposed frames 8 Set the film indicator in the rewind knob by pressing the index finger against the serrated ring in the centre of the indicator and turning it until the index mark points to the type of film loaded into the camera PRE 1954 RETINETTE MODELS Right The 1951 Retinette model was a folding camera with a somewhat different body layout The lens was a 2 in 50 mm Reomar f4 5 in a Prontor ...

Страница 8: ...mera front The left hand grasps the camera body on its left side After every exposure move the right thumb to the bottom of the camera and pull out the rapid winder to advance the film For vertical photographs Rest camera upright against forehead and nose holding the top of the camera with the left hand Keep the left thumb pressed against camera back The right hand holds the camera from below righ...

Страница 9: ...referably in it s ever ready case Below Whenever possible support your body against something solid or prop your arms on a fence railing or even on your knees when sitting on the ground This is specially important with slow snapshot exposures Use a cable release for time exposures from a tripod ...

Страница 10: ...g screw which prevents the Retinettes from falling out of the opened case SHOOTING Top row Advance the film with the rapid winding lever left set the light value Retinette and Retinette I centre Retinette II and IIB right Second row Select the aperture speed combination Retinette I left Retinette IB II and IIB centre and right Third row Set the distance Retinette and Retinette I IB left Retinette ...

Страница 11: ...e front of the shutter On the Retinette II and IIB move the focusing lever below the lens The distance has to be estimated or can be measured with a separate rangefinder see page 21 which may be attached to the camera accessory shoe See also page 40 5 The optical finder with bright line frame of the Retinette I IB II IIB shows the subject area outlined by a brilliant frame reflected into the view ...

Страница 12: ...exposures have been taken i e when the film counter has reached No l or No 36 on old models the film has to be wound into the cassette in order to remove it from the camera Do this in subdued light 1 Depress reversing button 2 Rewind film 3 Open camera back 4 Pull out rewind knob 5 Remove cassette 6 Close camera back or insert new film 7 Depress the reversing button in the bottom of the camera On ...

Страница 13: ...have to be extricated by opening the cassette in the darkroom for subsequent re insertion into the camera 3 Take the re wound film out of the camera For reference note the number of exposures still left on the film and write this number on the label of the cassette Then put it into a container or wrap it up Now you can load the camera with any other type of film 7 Do not press the shutter release ...

Страница 14: ...ch can be marked with notches or drawing pins to indicate various distances let us say for 12 24 36 exposure of film This considerably simplifies the measuring of film lengths in the darkroom The trimming of the film ends is performed most simply with the aid of a 35 mm film trimming template At the beginning of the roll of film make the wedge shaped cut for the centre spool and measure off the re...

Страница 15: ...s of the daylight loading films are intended by their makers to be used once only However they can be re loaded quite a few times if handled carefully WINDING AND TRIMMING FILM 1 The correct trimming of the wedge shaped end which is fitted to the centre spool of the cassette with a standard trimming template 2 Trimming of the curved cut with a standard trimming template 3 The appearance of the tri...

Страница 16: ...cial light which is richer in red than daylight INFRA RED FILM Infra red film is a negative material which unlike panchromatic films is made sensitive to infra red rays which are not visible to the human eye Special applications of this material photography by invisible light long distance shots fog or mist penetration scientific copying and research work ORDINARY FILM For copying black and white ...

Страница 17: ...tc LATITUDE Latitude is the ability of the film to yield usable negatives even with a certain amount of under or over exposure Films with wide latitude are likely to have less resolving power causing loss of definition The negative material has a number of additional properties which help towards good results There is e g a special protective coating a hardened gelatine layer on top of the actual ...

Страница 18: ...s Avoid great contrast such as deep shadows For photographs in daylight on reversal film use daylight type film Use artificial light film when taking pictures indoors by the light of electric lamps or Photofloods Daylight film may be used in artificial light and vice versa with the special conversion filter recommended by the makers Some of these conversion filters for reversal film Wratten are su...

Страница 19: ...our enlargements can be made from transparencies These cannot show the full tonal range and brilliancy of the projected picture but are generally acceptable particularly if the transparency does not show undue contrast range is correctly exposed and is sharp The colour negative can be printed or enlarged directly on colour paper to produce a colour print of any size Alternatively the colour negati...

Страница 20: ...f5 6 while we set the distance indicator first at 5 ft then at 8 ft and last at 25 ft We learn that in the first case the depth of field stretches from 4 ft to 6 ft In the second case from 6 to 10 ft and in the last case from 13 ft to infinity So we see confirmed that the depth of field grows as we set the lens at distances farther and farther away from the camera and incidentally may conclude tha...

Страница 21: ...f field on the previous pages it is clear that the stop is used to regulate the definition of the picture in depth both towards foreground and background from the point at which the lens is actually focused Now the idea could occur to the beginner to try to use the smallest stop every time to make sure of sharp pictures That however would mean that in the majority of cases he would not arrive at a...

Страница 22: ...f8 8 ft 80 ft Landscapes 25 ft f5 6 12 ft inf Marked in red as the most suitable hyperfocal distances setting the far limit can be taken as being virtually infinity Close Up Work with the Retinette While the Retinette cameras focus down to 3 ft you can work at still shorter distances with the aid of close up supplementary lenses or the Kodak close up rangefinder with supplementary Kodak N lenses T...

Страница 23: ...ld appears in the centre 3 Turn the focusing wheel on top of the close up rangefinder until the subject details in the yellow and blue fields coincide Note the position of the focusing wheel There are three separate scales marked respectively with one two or three lines for the NI NII or NI NII lenses combined Attach the corresponding supplementary lens or lenses to the camera lens When the scale ...

Страница 24: ...27 62 65 37 25 33 75 0 062 15x22 75 31 12 37 87 30 37 40 62 29 87 43 5 28 37 49 5 27 12 58 25 15 32 5 0 066 14 37x21 75 30 5 35 62 29 5 37 28 12 39 12 27 5 44 37 26 37 53 37 10 30 25 0 070 13 62x20 5 28 37 33 5 27 12 35 25 26 37 37 37 25 25 41 12 24 25 48 8 29 25 0 073 13x19 37 27 5 32 26 5 33 5 25 5 35 24 37 38 12 22 5 43 7 28 37 0 076 12 5x18 5 26 30 25 25 25 31 24 25 32 75 23 12 35 5 21 62 39 7...

Страница 25: ... 13 12 11 25 13 11 13 5 Measured from the subject to the focal plane this corresponds approximately to the rear upper edge of the camera top The Table Stand The table stand is designed for close up subjects which allow or need longer exposure times as well as for all types of close ups where quick setting up and absolute steadiness of the camera are important The stand consists of a U shaped base ...

Страница 26: ... figures in Tables 1 2 and 3 The sum is the light value to be set on the shutter For Retinette models without light value scale convert the light value to apertures and speeds with Table 4 Set the shutter to the nearest marked speed if necessary e g 1 25 for 1 30 and so on 1 Subject and Weather Subject Clear Sun Cloudy Light Cloudy Medium Dull Distant landscape 13 12 11 10 Landscape light foregrou...

Страница 27: ...xposure reading to obtain the best results So there is more to using a meter than just pointing it at the subject and accepting without question the reading indicated REFLECTED LIGHT MEASUREMENT The usual method of using a meter is to point it directly at the subject The light reaching the photo electric cell is therefore that reflected by the subject so this method is called reflected light measu...

Страница 28: ...nd then double the exposure indicated COLOUR FILMS have little exposure latitude so particularly careful reading is advisable The meter is used in the same way as for black and white films although the incident light method is often considered best for reversal films This is because exposure of these should be based on the highlights and the diffuser itself constitutes a highlight with the meter i...

Страница 29: ...following list gives a summary of the filters recommended and a short explanation of their use The Focal Filter Chart gives all filter data fully and at a glance YELLOW FILTERS reduce the actinic effect of blue rendering it darker and are therefore particularly suitable for landscape photography in order to obtain clearly defined cloud effects on a normal blue sky In the case of a very light blue ...

Страница 30: ...s fully open This permits flash shots with shutter settings up to 1 30 sec for all ordinary M class flash bulbs With electronic flash units any speed up to 1 500 sec can be set With the Retinette IIA Prontomat ordinary flash bulbs and electronic flash may be used For setting see page 12 The Prontor SV and S shutter fitted to Retinette models made between 1951 and 1953 has adjustable synchronizatio...

Страница 31: ...chen bathroom or with films faster than 100 ASA use next smaller aperture In very large rooms at night outdoors or with slower 40 64 ASA film use next larger aperture APERTURES WITH BLUE FLASH BULBS For 32 ASA Daylight Type Reversal Colour Film Distance PF 1 B No 1B AG 1B PF 60 97 No 22B 3 ft 1m f16 5 ft 1 5m f11 f22 7 ft 2 2m f8 f16 10 ft 3m f5 6 f11 CONVERSION OF FEET AND INCHES INTO METRIC UNIT...

Страница 32: ...20 m 66 ft 0 in More Focal Press Guides The Retina Guide 1965 edition The Retina Reflex Guide 1970 edition You may copy and print this document or parts of this document for your own personal use You may not however reprint or republish this work in whole or in part without prior permission from me Mischa Koning Such republication includes inclusion of this work in other Web sites Web pages FTP ar...

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