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1/3 Octave centre frequency (Hz)

40, 50, 63, 80,100,125,

160, 200, 250,

315, 400, 500

630, 800, 1k

1.25 to 4k

10,12.5, 16k

Effect on voice

Sense of power in some outstanding
bass singers.

Voice fundamentals.

Important for voice quality.

Important for voice naturalness. Too
much boost in the 315 to 1k range
produces a telephone like quality.

Vocal fricatives - accentuation of vocals.

Important to speech intelligibility. Too
much boost between 2 and 4kHz can
mask certain speech sounds e.g “m”, “b”
and “v” can become indistinguishable.
Too much boost anywhere between 1 and
4kHz can produce “listening fatigue”.
Vocals can be highlighted by slightly
boosting the vocal at 3kHz and at the
same time slightly dipping the instruments
at the same frequency.

Accentuation of voice.

The range from 1.25 to 8k governs the
clarity of voice.

Too much boost causes sibilance.

1/3 Octave centre frequency (Hz)

31,40, 50, 63

80, 100, 125

160, 200, 250

315, 400, 500

630, 800, 1k

1.25 to 4k

5,6.3, 8k

10, 12.5, 16k

Effect on music

Fundamentals of bass drum, tuba, double
bass and organ. These frequencies give
music a sense of power. If over-
emphasised they make the music “muddy”.
50 or 60Hz band also used to reject ac.
Mains hum.

Fundamentals of lower tympani. Too much
boost produces excessive “boom”. 100 or
125Hz also used for hum rejection.

Drum and lower bass. Too much boost
produces excessive “boom”. Also useful
for 3rd harmonic mains hum rejection.

Fundamentals of string and percussion.

Fundamentals and harmonics of strings,
keyboards and percussion.

Boosting the 600 - 1kHz range can make
instruments sound horn like.

Drums, guitar accentuation of vocals,
strings and brass.

Too much bass in the 1 to 2kHz range can
make instruments sound tinny. Too much
boost anywhere between 1 to 4kHz can
produce “listening fatigue”.

Accentuation of percussion, cymbals and
snare drum.

Reduction at 5kHz makes overall sound
more distant and transparent.

Reduction of tape hiss and system noise.
The 1,25 to 8k governs clarity and
definition.

Cymbals and overall brightness. Too much
boost causes sibilance.

Reduction of tape hiss and system noise.

Table 1: Effects of Equalisation on Voice Reproduction

Table 2: Effects of Equalisation on Music Reproduction

15

5, 6.3, 8k

Содержание DN360

Страница 1: ...knik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 1562 741515 Fax 44 1562 745371 Email sales ktgplc com Website www klarkteknik com OPERATORS MANUA...

Страница 2: ...rminster Worcestershire DY11 7HJ England Tel 44 0 1562 741515 Fax 44 0 1562 745371 Company Registration No 2414018 abc d abc SI GN AL P R OCESSI N G BY DEFINITI ON BETTER BY DESIGN DESIGNEDFOR APUREPE...

Страница 3: ...t to the mains supply ensure the fuse fitted is the correct type and rating is as indicated on the rear panel adjacent to the fuse holder Mains voltage change should be carried out by a qualified serv...

Страница 4: ...stringent quality control inspection and tests prior to packing and left the factory in perfect condition If however the unit shows any signs of damage notify the transportation company without delay...

Страница 5: ...lems There are applications where the ability to cut and boost the response at a particular frequency or over a certain bandwidth other than the equaliser specified one is required to overcome excepti...

Страница 6: ...cuit at the same time offering several performance advantages Inductor based circuits are heavy expensive to produce and suffer from low frequency distortion and induced hum Klark Teknik s proprietary...

Страница 7: ...from tampering with the control settings This product is built to the same high electrical and mechanical standards as all Klark Teknik equipment and is both robust and stylish It occupies a standard...

Страница 8: ...must be remembered that excessive boost of some frequencies combined with a high average input signal can occasionally cause this level to be exceeded In this event the input level control should be...

Страница 9: ......

Страница 10: ...rietory Microcircuit Voltage Consumption Nett Shipping Width Depth Height Input Output Power Output Performance Filters Power Requirements Weight Dimensions Terminations Transformer balanced 20k 10k T...

Страница 11: ...B2637 6 sch 1 Thu Aug 19 16 13 29 1999 7...

Страница 12: ...8 B2636 2 sch 1 Thu Aug 19 16 13 01 1999...

Страница 13: ...B2610 4 sch 1 Thu Aug 19 16 12 34 1999 9...

Страница 14: ...10 B2609 2 sch 1 Thu Aug 19 16 11 23 1999...

Страница 15: ...B2609 2 sch 2 Thu Aug 19 16 11 24 1999 11...

Страница 16: ...12 B2609 2 sch 3 Thu Aug 19 16 11 25 1999...

Страница 17: ...o set up in different venues night after night have little or no control over the acoustics of the buildings and so have to use equalisers to arrive at a compromise solution Depending on the room some...

Страница 18: ...ut some response dips simply cannot be corrected An example is crossover cancellation where very deep notches may appear covering two or three bands Attempting to level the response by excessive boost...

Страница 19: ...bass drum tuba double bass and organ These frequencies give music a sense of power If over emphasised they make the music muddy 50 or 60Hz band also used to reject ac Mains hum Fundamentals of lower...

Страница 20: ...check the coverage of the system over the 2 to 4kHz bank If necessary use the equaliser as a band pass filter to produce the desire range If coverage is poor to begin with then no amount of equalisat...

Страница 21: ...ugh the system as you go so that you keep in touch with what the resultant sound quality is like If the Real Time Analyser you are using is the Klark Teknik DN6000 you have a powerful averaging capabi...

Страница 22: ...cal acoustic environment differs within the same system e g theatre system with a central loudspeaker cluster and delayed side fills or underbalcony speakers each delay channel will need its own separ...

Страница 23: ...unit has to be returned to the factory use original packing only If you do not have one we will provide replacement Factory authorised service facilities are located throughout the world Call your de...

Страница 24: ...RELATED TO FREQUENCIES This chart shows above the musical notes and octaves related to their actual frequencies The details are cross references below to the frequency range of our Graphic Equalisers...

Страница 25: ...AD O LOAD 25 6 6 12 12 6 6 12 12 0 A A B B 0 0 0 31 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1k 1k25 1k6 2k 2k5 3k15 4k 5k 8k 10k 12k5 16k 20k 12 12 Eq Eq IN IN 0dB 0dB 8 8 6 6 OUT OUT LEVE...

Страница 26: ...Unit C6 Hastingwood Trading Estate 35 Harbet Road London N18 3HU Phone 020 8803 7400 email office gradav co uk FAX 020 8803 5060 Web www gradav co uk...

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