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 |  JL Audio - 300/4

v2

 Owner’s Manual  

13

C) Subwoofer Level Control Only

Req uired: a source unit or processor with left, 

right and dedicated subwoofer outputs. 

Inp ut Connections: The main stereo pair of 

source unit outputs is connected to the 
front inputs of the 300/4v2 (select “2ch” 
on the “InputMode” switch in the “Front 
Input Section”). The source unit’s dedicated 
subwoofer output is connected to the 
subwoofer amplifier inputs. 

Res ult: with this option, the user has the ability 

to control the absolute level of the subwoofer 
channel relative to the HF channels, but 
cannot fade the front and rear HF channels 
relative to each other. 

 

IMPORTANT

!

Set the subwoofer amplifier’s “Input Sens.” 

with the source unit’s subwoofer level control 

set at 3/4 of full output.

D) Front to Rear HF Fading and 

Subwoofer Level Control

Req uired: a source unit or processor with 

front and rear pairs of stereo outputs plus a 
dedicated subwoofer output.

Inp ut Connections: one stereo pair (front, 

typically) of source unit outputs is connected 
to the front inputs of the 300/4v2.  The second 
stereo pair of source unit outputs (rear, 
typically) is connected to the rear inputs of 
the 300/4v2 (select “4ch” on the “Input Mode” 
switch in the “Front Input Section”). The 
source unit’s dedicated subwoofer output is 
connected to the subwoofer amplifier inputs. 

Res ult: with this option, the user has the ability 

to fade the front and rear HF channels relative 
to each other and also has the ability to 
control the absolute level of the subwoofer 
channel relative to the HF channels.

 

IMPORTANT

!

 

Set the subwoofer amplifier’s “Input Sens.” 

with the source unit’s subwoofer level control 

set at 3/4 of full output.

 

Crossover Setup for Bi-Amplified System with one 
300/4v2 and a separate subwoofer amplifier:

Once the input and preamp output 

sections have been configured appropriately, 
go to the “Front Filter Controls” and 
Rear Filter Controls” You will set both 
control sections identically to start: 

Select “x1” on the “Freq. Range” switch, “HP” 

(high-pass) on the “Filter Mode” switch and 
12dB” or “24dB” on the “Filter Slope” switch 
and an appropriate “Filter Freq.” (80 - 90 Hz is a 
good starting point).  Select the same settings for 
the “Rear Filter Controls”.

After proper adjustment of the 300/4v2’s 

front and rear “Input Sens.” controls and the 
subwoofer amplifier’s input sensitivity controls, 
you can fine tune filter frequencies and slopes and 
attenuate either pair of channels to achieve proper 
balance. For proper adjustment of the “Input 

Sens.” controls of the 300/4v2 use the method 
shown in Appendix A (page 14). For precise filter 
frequency information for the 300/4v2 refer to 
Appendix D (page 18). Refer to the subwoofer 
amplifier owner’s manual for proper adjustments.

Crossover Setup for Bi-Amplified System  
with one 300/4v2:

Once the input sections have been configured 

appropriately, go to the “Rear Filter Controls”.  
Select “x1” on the “Freq. Range” switch, “LP” 
(low-pass) on the “Filter Mode” switch and 
12dB” or “24dB” on the “Filter Slope” switch 
and an appropriate “Filter Freq.” (80-90 Hz is a 
good starting point). 

Next, turn your attention to the “Front Filter 

Controls” and select “x1” on the “Freq. Range” 
switch, “HP” (high-pass) on the “Filter Type” 
switch and “12dB” or “24dB” on the “Filter 

Mode/Slope” switch and an appropriate “Filter 

Freq.” (again, 80-90 Hz is a good starting point).

After proper adjustment of the front and rear  

Input Range” and “Input Sens.” controls using 
the method shown in Appendix A (page 14), you 
can fine tune filter frequencies and slopes and 
attenuate either pair of channels to achieve proper 
balance. For precise filter frequency information 
refer to Appendix D (page 18).

bi-amplified system with one 300/4v2 in  
four-channel mode and a separate 
subwoofer amplifier

This configuration requires that the separate 

subwoofer amplifier has a built-in low-pass filter.  
All JL Audio subwoofer amplifiers have this 
feature. 

In this configuration, the front channels of 

the 300/4v2 will drive front component speakers 
(stereo 75W x 2) with high-pass filtering. The rear 
channels will drive rear component speakers in 
stereo (75W x 2), also with high-pass filtering. 

The separate amplifier will drive the subwoofer 

system with low-pass filtering (select a filter 
frequency of 80-90 Hz to start). 

 

Input connection options for a bi-amplified 
system with one 300/4v2 and a separate subwoofer 
amplifier are as follows:

A) No User Adjustability:

 

Req uired: a basic source unit or processor with 

left and right stereo outputs. 

Inp ut Connections: a single pair of stereo 

source unit outputs is connected to the 
front inputs of the 300/4v2 (select “2ch” 
on the “Input Mode” switch in the “Front 

Input Section”) and also connected to the 
subwoofer amplifier inputs via a pair of  
“Y-Adaptors” like the JL Audio ECS model  
XB-CLRAICY-1F2M. Alternatively, the 
300/4v2 can receive its input from the 
subwoofer amplifier’s preamp output set  
to “full-range” mode.

Res ult: the relative level of the LF and front 

and rear HF channels will be fixed by 
the 300/4v2’s “Input Sens.” settings 
(as well as the subwoofer amplifier’s 
settings) and will not be user adjustable 
from the front of the vehicle.

 

B) Fade Subwoofer Level vs. HF Level 

Req uired: a source unit or processor with front 

and rear pairs of stereo outputs. 

Inp ut Connections: one stereo pair of source unit 

outputs is connected to the front inputs of the 
300/4v2 (select “2ch” on the “Input Mode” 
switch in the “Front Input Section”). The 
second stereo pair of source unit outputs is 
connected to the subwoofer amplifier inputs. 

Res ult: with this option, the user has the 

ability to fade the level of the subwoofer 
amplifier’s input relative to the HF 
channels, but cannot control front-to-
rear fading of the HF channels. The 
relative level of the front and rear HF 
channels will be fixed by the 300/4v2’s 
Input Sens.” settings and will not be user 
adjustable from the front of the vehicle.

fading the signal to the subwoofer amplifier. 

Содержание 300/4v2

Страница 1: ...se and installation equipment to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its installation requirements and setup procedures If you have any questions regarding the instructions in this manual or any aspect of your amplifier s operation please contact your ...

Страница 2: ...ntinuous exposure to high sound pressure levels can lead to permanent irreparable hearing loss This and all other high power amplifiers are capable of producing such high sound pressure levels when connected to a speaker system Please limit your continuous exposure to high volume levels While driving operate your audio system in a manner that still allows you to hear necessary noises to operate yo...

Страница 3: ...v2 is a four channel full range amplifier utilizing patented Absolute Symmetry Class A B technology for all channels All channels benefit from JL Audio s exclusive R I P S power supply design which optimizes the output of each channel pair for any impedance between 1 5 and 4 ohms per channel The 300 4v2 can be operated in the following modes 1 As a full system amplifier in bi amp mode with one pai...

Страница 4: ... 300 4v2 uses a conventional 12V remote turn on lead typically controlled by the source unit s remote turn on output The amplifier will turn on when 12V is present at its Remote input and turn off when 12V is switched off If a source unit does not have a dedicated remote turn on output the amplifier s turn on lead can be connected to 12V via a switch that derives power from an ignition switched ci...

Страница 5: ...mplifier to overheat Do not do this Instead use a Y Adaptor to split the mono signal into both left and right RCA inputs 2 Filter Slope Control This switch allows you to select from two filter slopes for that channel section 12dB Configures the filter to attenuate frequencies above or below the selected filter frequency at a rate of 12 dB per octave Butterworth alignment 24dB Configures the filter...

Страница 6: ... to the rear inputs select 4ch on the Input Mode switch in the Front Input Section Res ult in this mode the user has the ability to control the absolute level of the LF channels relative to the HF channels IMPORTANT Set the rear channel Input Sens with the source unit s subwoofer level control set at 3 4 of full output See Appendix A page 14 for details Status Indicator Lights Protection Circuitry...

Страница 7: ...ear Filter Controls Select x1 on the Freq Range switch LP low pass on the Filter Mode switch and 12dB or 24dB on the Filter Slope switch and an appropriate Filter Freq 80 90 Hz is a good starting point Next turn your attention to the Front Filter Controls and select x1 on the Freq Range switch HP high pass on the Filter Type switch and 12dB or 24dB on the Filter Mode Slope switch and an appropriat...

Страница 8: ...the frequency range to be amplified by each set of channels at 3 4 source unit volume 7 Connect the AC voltmeter to the Front Speaker Outputs or Rear Speaker Outputs connectors of the amplifier If the channel pair is operating in stereo it is only necessary to measure one channel If bridged make sure you test the voltage at the correct connectors L and R 8 Increase the Input Sens control until the...

Страница 9: ...et to 21 2V Bridged 6Ω 100W x 1 set to 24 6V Bridged 4Ω 150W x 1 set to 24 6V Bridged 6Ω 100W x 1 set to 21 2V Bridged 3Ω 150W x 1 set to 21 2V Appendix C Input Sensitivity Level Setting Reference Listings 1 Define your front rear channel configuration Stereo Stereo Stereo Bridged or Bridged Bridged 2 Look in the Optimum Configurations listing for your channel configuration If it does not appear h...

Страница 10: ...ber Marking Freq Full counter clockwise 58 01 58 02 50 58 03 58 04 58 05 59 06 60 07 61 08 60 63 09 65 10 67 11 69 12 71 13 74 14 75 77 15 80 16 82 17 85 18 90 19 93 20 95 97 21 102 22 107 23 113 24 120 25 127 26 130 135 27 143 28 153 29 171 30 182 31 201 32 200 223 33 253 34 289 35 337 36 404 37 474 38 500 514 39 525 Full clockwise 542 ...

Страница 11: ...king a good connection with the metal inside the terminal block The speaker wire connectors are designed to accept up to 8 AWG wire Make sure to strip the wire to allow for a sufficient connection with the metal inside the terminal block How do I properly set the input sensitivity on my amplifier Please refer to Appendix A page 14 to set the input sensitivity for maximum low distortion output My a...

Страница 12: ...ut Voltage Input Sens Input Mode 12dB 24dB Filter Mode Off LP HP x1 x10 Low High Rear Input Section Left Ch Right Ch Input Voltage Input Sens Low High 2ch 4ch 50 60 75 95 130 200 500 300 4v2 Four Channel Full Range Amplifier Rear Filter Controls Filter Freq Hz Filter Slope Freq Range 12dB 24dB Filter Mode Off LP HP x1 x10 50 60 75 95 130 200 500 INSTALLATION NOTES Use this diagram to document your...

Страница 13: ...ties therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO product All warranty returns should be sent to JL AUDIO s Amplifier Service Facility freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase a copy of the ...

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