•
Jazz
The operative word here is “live”, as the Jazz mode
makes most music sources sound engagingly present.
Again, the music’s perceived source is the front of the
room, with a bit less exaggerated stereo separation, to
make it sound as if a small combo is playing in your
living room. The Ambient channel is in Mono, for
spatiality only, and
Panorama
and
Delay
can also be
adjusted for more or less of a sense of space, both
front–to–back and side–to–side.
This mode works well not just for
Jazz
recordings, but
also for
“New Jazz”, “Fusion Jazz”
, and
Blues
.
To engage this mode, simply press the
JAZZ
button.
•
Hall 1
This mode works best for small ensemble sounds,
where you desire the most “pure” unprocessed sound
possible. The Front channels are completely
unprocessed, and a slight amount of stereo surround is
extracted from the recording and sent through the
Ambient Speakers. Delay is not an option in this mode.
Instead, a special equalization curve which emulates the
natural decay of live sound over distance is applied to
the Ambient Channels. The listener has the sensation of
being very close to a natural live performance.
This mode works well for
Chamber Music
and virtually
all
Small–Ensemble Acoustic
sources.
To engage this mode, simply press the
HALL 1
button.
16
Содержание Synthesis
Страница 1: ...SYNTHESIS OWNER S MANUAL...
Страница 21: ...4 2 Synthesis Two 21 4 0 CALIBRATION TEMPLATES...
Страница 22: ...Notes 22...