18
B
ACKGROUND
-N
OISE
S
OLUTIONS
Many sources of noise in a home environment can be addressed simply. Locating the home theater in the basement often
removes it from many household noises as well as isolating it from other family members. Taking care to completely seal
windows and doors can also make a significant difference in reducing outside noise.
Heating and cooling systems are more challenging. Sometimes, the answer may be as simple as using a “whistle-free”
diffusion grille rather than one that creates undue noise from turbulence. For new construction, using larger-diameter
air ducts for lower air velocity is very beneficial. You can go further by using ductwork that is lined with acoustically
absorptive material. Where possible, longer ducts that have several turns further reduce the sound of the airflow by
eliminating the straight path from the heating/cooling system to the room.
Some of the construction techniques used to minimize the transmission of external sounds into the listening environ-
ment include:
• Double or triple layers of drywall (gypsum board)
• Double wall construction, meaning two complete sets of studs (preferably stuffed with fiberglass insulation)
• Double wall construction with staggered studs (to minimize transmission of vibrations from one set of studs
to the next)
• Floating floor construction (again, preferably stuffed with fiberglass; this also can enhance the perceived bass,
since the subwoofers may cause structural vibrations through the false floor that can then be transmitted up
through furniture)
• Seal all windows, doors and vents
• Seal and caulk all apertures in the wall (electrical outlets, through-wall plumbing, etc.)
Finally, transient noises (traffic on the street, dripping faucets, etc.) distract your attention away from the program
material and remind you that you are in your home theater/living room, and not in the midst of the action of a movie.
S
TANDING
W
AVES
A “standing wave” is what causes a pipe of a particular length in a large
pipe organ to have its characteristic pitch. The pipe literally amplifies cer-
tain frequencies, based on its length and the wavelength of the frequency.
A typical rectangular room has three characteristic “lengths” and, thus,
three fundamental standing-wave frequencies. In addition, multiples of
these frequencies are also amplified. These frequencies are often referred
to as “room resonances” or “room modes,” i.e., the frequencies at which
the room tends to vibrate of its own accord. These resonances lead to
uneven frequency response, the greatest problems being in the 60Hz –
150Hz range for a typical living room (at lower frequencies in larger rooms).
See Figures 26 and 27.
Unfortunately, there is no way to eliminate the effects of standing waves
completely. The best that can be done is to minimize their effect through a
variety of strategies.
Copyright 2000 Lucasfilm Ltd.
Loudspeaker
Listener
Figure 26.
F
INE
-T
UNING
Y
OUR
A
UDIO
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YSTEM