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7

SPL of 70V/100V vs. Low Impedance Speakers – 70V/100V speakers produce lower maximum output
due to a number of factors.  First, they are tapped at lower power levels than the low-impedance speaker’s
capabilities.  Second, there is always some “insertion loss” through the speaker transformer.  In addition,
speakers operated from a 70V or 100V line will produce substantially lower overall SPL capabilities if the
driving amplifier clips short-term peaks immediately at 70V or 100V and if it doesn’t have much dynamic
(short-term) headroom.  Amplifiers with higher clipping limits and greater dynamic headroom can result in
substantially higher output from 70V/100V loudspeakers.

Note: All of the computations in Table 6 assume JBL MPC amplifiers which exhibit high clipping limits
AND good dynamic headroom.

Power Compression -- One must also take into consideration the fact that speakers compress the sound at
high levels (as their voicecoil temperatures rise, causing the impedance to go up, resulting in less draw of
audio power from the same voltage drive signal).  This is called “power compression”.   We have left
power compression out of the formulas because speakers differ in their power compression, and because
the degree of compression is highly dependent on operational factors such as the peak-to-average ratio of
the signal source.  A general guideline is to assume around 2 or 3 dB of compression for good quality
speakers (such as those with large diameter voicecoils) with typical music or speech and to assume as much
as 5 or 6 dB of compression with inexpensive speakers (especially those with small diameter voicecoils
and/or low power ratings) operating with compressed music sources.

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There are a number of different patterns that can be used for laying out ceiling speakers, and each pattern
can be implemented with various density factors.   The pattern and density selected for an installation affect
the:

 Evenness of coverage

 Sound level capability

 Intelligibility

 Cost of the system

 Power amplification requirements

Layout Patterns

 – Although there may be many ways to lay out the speakers in a distributed system,

two basic patterns that have gained wide acceptance are SQUARE and HEXAGONAL.   The choice of a
square or hexagonal layout is usually a function of the room dimensions and shape.

Square Layout Pattern

Hexagonal Layout Pattern

Содержание Control 24C Micro

Страница 1: ...Control Contractor Ceiling Loudspeakers 7HFKQLFDO SSOLFDWLRQ XLGH Rev A Mar 99 Rick Kamlet...

Страница 2: ...Square and Hexagonal Patterns 7 Layout Density Factors Edge to Edge Minimum Overlap and Maximum Overlap 8 Considerations for Selecting Layout Density Additional SPL Due to Speaker Density Level Variat...

Страница 3: ...C 26NC MTC 26MR Control 19CS 19CST MTC 19NC MTC 19MR 7DEOH XWRXW 6L HV Model Cutout Size diameter Control 24C 24CT 165 mm 6 5 in Control 26C 26CT 220 mm 8 75 in Control 19CS 19CST 305 mm 12 0 in RQQHF...

Страница 4: ...pressure level for the application type Understanding Coverage The JBL Control Contractor Ceiling Speakers are designed to provide extremely even coverage on a broadband basis over a wide coverage are...

Страница 5: ...can cover 140 degrees over the listening plane In fact the level at the edges of a 140 degree pattern is actually more than 15 dB down compared to on axis NOT 6 dB While the actual LISTENING PLANE co...

Страница 6: ...gle is valid regardless of the ceiling height Example If we look at the polar plot of a hypothetical speaker with 140 coverage we see that at 70 off axis 140 total for both sides the level is down 6 d...

Страница 7: ...etc can be vastly narrower at higher frequencies and broader at lower frequencies These types of speakers do not provide even coverage throughout the audio spectrum Every spot within the listening ar...

Страница 8: ...26C 26CT 10 Ft 3 1 m Ceiling Height 6 dB coverage 14 ft 4 3 m 13 ft 4 0 m 14 Ft 4 3 m Ceiling Height 6 dB coverage 23 ft 7 0 m 21 ft 6 4 m 6RXQG 3UHVVXUH HYHO 63 Maximum Sound Level SPL Capability In...

Страница 9: ...times the log of the POWER HANDLING spec plus the SENSITIVITY spec minus 4 dB minus 20 times the log of the DISTANCE from the speaker in meters Max SPL Table The following table shows the maximum con...

Страница 10: ...sion We have left power compression out of the formulas because speakers differ in their power compression and because the degree of compression is highly dependent on operational factors such as the...

Страница 11: ...hs or depths that would require about 1 2 of the speaker s coverage diameter By offsetting each row of speakers the end speaker in each row can fill in for the lack of speaker at the end of the adjace...

Страница 12: ...speakers covering each area within the listening space In some cases substantial increases in SPL can be achieved from high densities The following chart provides the SPL ADDITION within the listening...

Страница 13: ...ications where the audience is walking around such as in a retail or grocery store there may be slightly more of an expectation of variations in coverage Room Characteristics In any choice of coverage...

Страница 14: ...or pink noise maximum continuous peak SPL maximum continuous average SPL for music speech expected level variation of the direct sound and recommended amplifier power for speakers placed in a rectangu...

Страница 15: ...ive crossing over at an affordable price MTC X100 is a preset at 100 Hz 24 dB oct and the MTC XU is a universal crossover module with a wide selection of crossover frequencies These modules solder ont...

Страница 16: ...y eliminating the overlap frequency bump in the mid bass region In this configuration the Control 19CS subwoofer takes a greater share of the low frequency burden so more subwoofers may be required Me...

Страница 17: ...n cause damage or failure Setting SPL Target Goals While the JBL Distributed System Design DSD software or acoustic design programs like CADP2 or EASE can predict HOW the system will perform in the ro...

Страница 18: ...60 Hz 320 Hz 480 Hz 640 Hz etc Depending on the resolution and bandwidth characteristics of your measuring device these can show up as various boosts and dips in your measurement bands These reflectio...

Страница 19: ...in parallel to each channel of a 2 ohm capable amp By using a 2 ohm capable amp it is possible to connect a sixteen 16 speaker stereo system eight 8 speakers per channel without having to use 70V 100V...

Страница 20: ...a power amplifier capable of full output down to and below the lowest frequency going INTO the amp which is often around 50 Hz An amplifier with low frequency capability is absolutely crucial wheneve...

Страница 21: ...uplicate for stereo Bi Amplified Hookup of 70V 100V Full Range or High Passed Speakers with C19CS Subwoofer mono shown duplicate for stereo To Add l Spkrs One Amplifier Channel 70V 100V Output One Amp...

Страница 22: ...usiness music environment it is often worth the additional cost to make the system stereo instead of mono Speaker Density for Stereo While stereo can be accomplished adequately with the normal mono la...

Страница 23: ...System Design Eargle ELAR Publishing Co 1989 For additional application support from JBL Professional WITHIN THE UNITED STATES Contact Applications Support JBL Professional PO Box 2200 8500 Balboa Bl...

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