11
®
VIETNAM,
WOODSTOCK,
SPACE.
JBL introduces
the legendary 4320. With a
high-frequency compression
driver and acoustic lens
in a four-way configuration,
it becomes the definitive
studio monitor of the Space
Age. And JBL becomes
standard equipment at
major rock concerts.
Remember that little gath-
ering at Woodstock?
(We’re with the band,
man.)
POLYESTER,
WATERGATE,
SATURDAY
NIGHT FEVER.
By 1976, a Billboard
survey ranks JBL studio
monitors number one.
And JBL Pro technology
comes home with the
L-100, a consumer version
of the 4300 Series, one of
the best-selling speakers
of the decade (and vastly
better looking than the
clothes of the era).
MIAMI VICE,
MASTERS OF
THE UNIVERSE,
MTV.
The Academy
of Motion Picture Arts
and Sciences chooses
JBL components to
introduce 70mm Dolby
®
stereo in showcase
theaters. JBL introduces
titanium diaphragms
and Bi-Radial
®
horns
in professional studio
monitors.
GEN X, DOT-
COMS, DVD.
JBL’s professional
innovations come thick
and fast: Vented Gap
Cooling,
™
Optimized
Aperture
™
horns, rapid-
flare low-distortion
compression drivers.
JBL corners the THX
®
cinema market. And JBL
near-field studio monitors
lead in 5.1 and 7.1 sound
mixing and mastering.
WITH PROJECT
ARRAY,
JBL introduces
the first of an innovative new
generation of high-performance
loudspeakers that combine
advanced compression drivers
and direct radiation technology.
Derived directly from JBL
Professional systems at use in
movie theaters and concert
venues worldwide, Project
Array speakers are built for the
ultrahigh-frequency sampling
rates of the newest digital
sources, including SACD.
™
And
the unconventional design
ensures that you’ll actually hear
all the nuances of the original
performance.
1960’s
1970’s
1980’s
1990’s
TODAY
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