The
circuitry
of
the
British
EQs
is
based
on
the
technology
used
in
the
bast
-
known
top
-
of
-
the
-
line
consoles
and
providing
a
warm
sound
without
any
unwanted
side
effects
.
The
result
are
extremely
musical
equalizes
which
,
unlike
simple
equalizers
,
cause
no
side
effects
such
as
phase
shifting
or
bandwidth
limitation
,
even
with
extreme
gain
settings
of
+
15
dB
.
All
mono
input
channels
include
a
3
-
band
equalizer
.
All
bands
provide
boost
or
cut
of
up
to
15
dB
.
In
the
central
position
,
the
equalizer
is
inactive
.
The
upper
(
HI
)
and
the
lower
band
(
LO
)
are
shelving
filters
that
increase
or
decrease
all
frequencies
above
or
below
their
cut
-
off
frequency
.
The
cut
-
off
frequencies
of
the
upper
and
lower
band
are
12
kHz
and
80
Hz
respectively
.
The
mid
band
(
602
/
802
/
1002
/
1202
)
is
configured
as
a
peak
filter
with
a
center
frequency
of
2
.
5kHz
In
addition
,
the
mono
channels
are
equipped
with
a
steep
LOW
CUT
filter
designed
to
eliminate
unwanted
low
-
frequenty
signal
components
.
These
can
be
noise
created
by
band
-
held
microphones
,
subsonic
noise
or
plosive
sounds
created
by
highly
sensitive
microphones
.
(
slope
at
18
dB
/
oct
., -
3
dB
at
75
Hz
)
LOW
CUT
EQ
please
remember
that
you
can
only
use
either
the
microphone
or
the
line
input
of
a
channel
at
any
one
time
.
You
can
never
use
both
simultaneously
!
TRIM
Use
the
TRIM
control
to
adjust
the
input
gain
.
This
control
should
always
be
turned
fully
counterclock
-
wise
whenever
you
connect
or
disconnect
a
signal
source
to
one
of
the
inputs
.
5
FX
sends
enable
you
to
feed
signals
via
a
variable
control
from
one
or
more
channels
and
sum
these
signals
to
bus
.
The
bus
appears
at
the
console
’
s
FX
send
output
and
can
be
fed
from
there
to
an
external
effects
device
.
The
return
from
the
effects
unit
is
then
brought
back
into
the
console
on
the
aux
return
connectors
or
normal
channel
inputs
.
Each
FX
send
is
mono
and
features
up
to
+
15
dB
gain
.
FX
The
scale
has
2
different
value
range
:
the
first
value
range
(+
10
to
+
60
dB
)
refers
to
the
MIC
input
and
shows
the
amplification
for
the
signals
fed
in
there
.
The
second
value
range
(+
10
to
+
60
dB
)
refers
to
the
line
input
and
shows
its
sensitivity
.
The
settings
for
equipment
with
standard
line
-
level
signals
(-
10dB
or
+
4dBu
)
look
like
this
:
While
the
TRIM
control
is
turned
all
the
way
down
,
connect
your
equipment
.
Set
the
TRIM
control
is
turned
to
the
external
devices
standard
output
level
.
If
that
unit
that
an
output
signal
level
display
,
it
should
show
0
dB
during
signal
peaks
.
For
+
4
dBu
,
turn
up
TRIM
sightly
.
for
-
10
dBV
a
bit
more
.
Tweaking
is
done
using
the
CLIP
LED
.
Each
mono
input
channel
offers
a
balanced
microphone
input
via
the
XLR
connector
and
also
features
switchable
+
48
V
phantom
power
supply
for
condenser
microphones
.
The
StudioMix
preamps
provide
undistorted
and
noised
-
free
gain
as
is
typically
known
only
from
costly
outboard
preamps
.
Please
mute
your
play
back
system
before
you
active
the
phantom
power
supply
to
prevent
switch
-
on
thumps
being
directed
to
your
loudspeakers
.
Please
also
note
the
instructions
in
chapter
2
.
4
“
Main
section
”
.
MIC
Each
mono
input
also
features
a
balanced
line
input
on
a
connector
.
Unbalanced
devices
(
mono
jacks
)
can
also
be
connected
to
these
inputs
.
1
/
4
LINE
IN
14
3
4
1
2
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
MAIN
OUT
L
R
L
R
CTRL
ROOM
OUT
LINE
IN
5
/
6
L
R
MONO
BAL
OR
UNBAL
LINE
IN
7
/
8
MONO
BAL
OR
UNBAL
LINE
IN9
/
10
LINE
IN
11
/
12
SEND
FX
PHONES
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
3
LEVEL
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
4
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
5
/
6
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
7
/
8
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
9
/
10
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
11
/
12
LEVEL
+
4
-
10
+
4
-
10
+
4
-
10
+
4
-
10
L
R
CD
/
TAPE
IN
OUT
0
-
+
15
8
MAIN
MIX
10
0
10
15
20
25
30
40
60
8
MONO
BAL
OR
UNBAL
L
R
L
R
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
1
LEVEL
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
2
LEVEL
MONO
BAL
OR
UNBAL
L
R
FX
FX
FX
FX
+
48
V
POWER
0
-
+
15
8
0
-
+
15
8
FX
SENDS
L
R
20
0
6
CLIP
PROGRAM
(
PUSH
)
REVERB
00
-
39
ER
/
DLY
40
-
59
MOD
60
-
73
PITCH
74
-
79
MULTI
80
-
99
LOW
CUT
75Hz
18
dB
/
Oct
LOW
CUT
75Hz
18
dB
/
Oct
LOW
CUT
75Hz
18
dB
/
Oct
LOW
CUT
75Hz
18
dB
/
Oct
TAPE
TO
MIX
TAPE
TO
CTRL
FX
TO
CTRL
PHONES
PHANTOM
1
2
3
1
2
3
1
2
3
1
2
3
-
3
-
6
-
10
-
15
-
20
CLP
24
-
BIT
DUAL
ENGINE
DSP
24
-
BIT
A
/
D
&
D
/
A
CONVERTER
88
TAPE
+6
. .
66
MIDI
sound
module
Headphone
microphone
Active
Speaker
CD
player
Guitar
keyboard
Fig
.
3
.
2
:
Live application
of
the
StudioMix console
MD
recorder
3
.
2
Live
s
ound
Содержание studiomix 10
Страница 1: ...USER S MANUAL...
