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Noise Tools 1U Manual

 

 

 

 

D.

TRIG - A pulse sent here determines the rate at which the signal appearing at the 
SAMPLE IN jack is sampled (or tracked). If nothing is plugged into the TRIG input, then 
Noise Tools uses its own internal Pulse generator as the TRIG signal. 

E.

SAMPLE IN  - Input signal to be sampled (or tracked) by the sample & hold (S&H) 
circuit. Any signal appearing at this input is sampled every time Noise Tools receives a 
pulse (either from its internal Pulse generator or via the TRIG input). 

If nothing is plugged into the SAMPLE IN jack, then Noise Tools’ WHITE noise output is 
used as the sample source. White noise produces the widest range of random values 
when sampled by a sample & hold circuit. If you want a more subdued set of random 
values that skews toward lower frequencies, you can patch the PINK noise output into 
the SAMPLE IN jack. 

Any type of signal (not just noise) can be sampled. For example, assume you clock a 
slow LFO with a division of the same pulse you send to the TRIG input. If you then send 
that LFO to the SAMPLE IN jack and connect the HOLD out to an oscillator’s pitch 
input, you’ll hear a repeating arpeggiated sequence, rather than the random stream of 
notes you’d hear if you sampled noise. 

Another interesting way to use the SAMPLE IN feature is to feed it an audio signal 
(such as the output of an oscillator), then adjust the clock rate to get varying “bit crush” 
effects from the HOLD output. 

F.

HOLD - Outputs the sampled (or tracked) signal generated by the sample & hold circuit. 

G. SLEW IN - Input for the signal you wish to slew. 

If nothing is plugged into the SLEW IN, Noise Tools routes the HOLD output of the 
sample & hold circuit through the slew, creating a “smoother” copy of the stepped 
output that appears at the HOLD output. 

If you plug some other voltage source into the SLEW IN, then the HOLD output is 
disconnected and the circuit slews the connected input voltage instead. You can 
achieve a portamento effect if you plug the pitch output of a keyboard or sequencer into 
the SLEW IN, then adjust the SLEW TIME knob to achieve the desired portamento 
speed. 

H.

SLEW OUT - Outputs the slewed version of the signal appearing at the SLEW IN jack. 
If nothing is connected to SLEW IN, then this jack outputs a slewed version of the 
HOLD output. 

 

 

 

Page 10 

Содержание Noise Tools 1U

Страница 1: ...Noise Tools 1U Manual Noise Tools 1U Clock Random Pulse Analog Noise Sample Hold and Slew Manual Revision 2018 09 13 ...

Страница 2: ...Noise Tools 1U Manual Table of Contents Table of Contents Compliance Installation Before Your Start Installing Your Module Overview Front Panel Controls Inputs and Outputs Technical Specifications Page 1 ...

Страница 3: ... with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instruction manual may cause harmful interferenc...

Страница 4: ...the module Sum up the specified 12V current draw for all modules including the new one Do the same for the 12 V and 5V current draw The current draw will be specified in the manufacturer s technical specifications for each module Compare each of the sums to specifications for your case s power supply Only proceed with installation if none of the values exceeds the power supply s specifications Otherwis...

Страница 5: ...h the 12V pins on the module s power connector The pins are indicated with the label 12V a white stripe next to the connector the words red stripe or some combination of those indicators Most modules will come with the cable already connected but it is good to double check the orientation Be aware that some modules may have headers that serve other purposes so ensure the cable is connected to the ...

Страница 6: ... correctly aligned If the pins are misaligned in any direction or the ribbon is backwards you can cause damage to your module power supply or other modules After you have confirmed all the connections you can reconnect the power cable and turn on your modular system You should immediately check that all your modules have powered on and are functioning correctly If you notice any anomalies turn your...

Страница 7: ...is used to modulate a filter s cutoff frequency or an oscillator s pitch or pulse width then all sorts of raspy buzzy gritty timbres are obtained Noise is also a key ingredient in sample hold circuits so one is included in Noise Tools Sample Hold S H is a technique most commonly used to generate stepped random voltages The circuit works by you guessed it sampling an input signal s voltage each time...

Страница 8: ... range clocks in the middle of the sweep to audio rate pulses that top out at 2 5 kHz at the maximum clockwise setting In RANDOM mode the knob sets the probability that Noise Tools will generate a pulse Internally Noise Tools generates a pulse every 10 ms with the knob determining how likely that pulse will be passed to the output When the knob is set to lower counter clockwise values most pulses ...

Страница 9: ...il the next rising pulse edge This creates a new static voltage every pulse which Noise Tools sends out the HOLD jack When set to the TRACK position Noise Tools samples the SAMPLE IN voltage at the falling edge of each pulse and holds that sampled voltage only for as long as the pulse remains low When the pulse is high the SAMPLE IN voltage transmits through to the output unaffected Track hold pro...

Страница 10: ... less high frequency energy than white noise and thus sounds darker Pink noise contains equal power per octave which means the 55Hz wide range of frequencies in the octave between A1 and A2 contains the same amount of energy as the 880Hz range of frequencies in the octave between A5 and A6 This has the effect of giving more sonic weight to lower frequencies resulting in a deeper thicker sounding n...

Страница 11: ...LE IN jack and connect the HOLD out to an oscillator s pitch input you ll hear a repeating arpeggiated sequence rather than the random stream of notes you d hear if you sampled noise Another interesting way to use the SAMPLE IN feature is to feed it an audio signal such as the output of an oscillator then adjust the clock rate to get varying bit crush effects from the HOLD output F HOLD Outputs th...

Страница 12: ...Noise Tools 1U Manual Technical Specifications Width 22 hp Maximum Depth 25 mm Current Draw 20 mA 12V 15 mA 12V Page 11 ...

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