16
Audio Path:
•
Connect the sine waveform of an oscillator to the audio input of
a wavefolder.
•
Connect the audio output of the wavefolder to the audio input of
a filter.
•
Monitor the audio output of the filter.
•
Set the fundamental frequency of the oscillator to a desired position.
•
Set the wavefold amount of the wavefolder to a desired position.
•
Set the symmetry bias of the wavefolder to a desired position.
•
Set the cutoff frequency of the filter to a desired position.
•
Set the resonance of the filter to a desired position.
Control Path:
•
Set the
Response Curve
switch of both
cnōc’s
to their left positions to
select linear response curves.
•
Set the
Mode
toggles of both
cnōcs
to their left positions to select
AR Mode
.
•
Set the
Attack
and
Release
faders of both
cnōc
to equal positions to
create triangle waveform functions.
•
Set the
Stage Gate
toggles of both
cnōc’s
to their right positions to
create gate signals at the
Gate
outputs during their release stages.
•
Connect the
Gate
output of the first
cnōc
to the
Signal
input of the
second
cnōc
.
•
Connect the
Gate
output of the second
cnōc
to the
Signal
input of the
first
cnōc
.
•
Connect the
Unipolar Positive
output of the first
cnōc
to the CV input
of the wavefolder to control the amount of wavefolding and set the
corresponding CV attenuator to a desired position.
•
Connect the
Unipolar Positive
output of the second
cnōc
to the FM
input of the filter and set the corresponding FM attenuator to its
desired position.
Содержание cnoc
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