STEREO- The L and R channels carry two
distinct signals. This option creates a stereo
image recording where each channel has a
different output based off of what the par-
ticular microphone captured.
MONO L/R SUM- A mono recording is the
same on both left and right. This particular
type of Mono recording combines the signal
captured by each microphone and outputs
the same combined result to each left and
right channel.
MONO L- Only the signal carried by the left
microphone is utilized.
MONO R- Only the signal carried by the
right microphone is utilized.
*Note: When using a mono signal source, such
as a guitar, be sure to set the unit to MONO mode
otherwise only the left channel will be recorded to
and heard upon playback.
AUTO-TRACK- To engage the Auto-track func-
tion, set it to the on position. When there is
a prolonged silence, the unit will create a new
file that will begin at the first sample of audio
detected.
AUTO-REC- To engage the Auto-rec function,
set it to the on position. The Auto-rec functions
by automatically beginning a recording when a
signal is detected, ensuring that no memory is
wasted.
FILE PREFIX- The file prefix feature is used to
possible dynamic range of the signal, or the differ-
ence between the loudest possible sounds and
the lowest possible noise.
BITRATE- A bitrate represents how many bits
per second are being processed. As bitrate
increases, so too does quality. The following
bitrate values are available for the correspond-
ing file formats.
MP3 & AAC (in kbps): 64, 96, 128, 160, 192,
224, 256, 320.
CHANNELS- Recordings made with the HDR7
can have a variety of different Channel set-
tings.
The available options are as follows:
Connections and System Control
Conexiones y Control de sistema • Connexions & Utilisation • Anschlüsse und Systemeinstellungen
17
Содержание HDR7
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